British Museum blog

One Leonardo – to go

Hugo Chapman, Exhibition Curator

For the last couple of weeks we’ve been carefully installing the exhibition in the Reading Room. It’s been an exciting – if slightly nerve-wracking – time as the plans we’ve had in place for so long are finally realised.

Statue of Bacchus

Perhaps strangely for a drawings exhibition, the first work to be installed was a first-century classical marble sculpture of the Roman wine-god, Bacchus. He’s one of the star pieces in our Greece and Rome department and has just returned from a world tour of British Museum masterpieces.

The revival of classical art and learning is central to the artistic revolution that occurred in Italy in the 1400s – the French word Renaissance that we use to describe the period means rebirth and was coined by artists and scholars of the period to claim that they had revived the ancient civilisations of Greece and Rome. In truth the classical world had never disappeared, but it is true that artists began to look at ancient sculptures with a new intensity.

Marble figures like Bacchus encouraged artists to recognise the sensuality and beauty of the human body. The sculpted Bacchus presents an idealised vision of the perfect male body. Such are his charms that lipstick has had to be cleaned off him more than once – I’m hoping he will continue to cast his spell without us needing to wipe off the lip gloss.

But now we’re turning our attention to paper – so much part of our lives that we tend to take it for granted, but this exhibition transports us back to the 1400s when it was a new and precious material.

The Chinese invention of papermaking had been brought to Europe via the Islamic world. The invention of the printing press in Germany in the 1450s gave a huge impetus for papermaking, above all in Italy which was the most literate and urbanised region of Europe.

Renaissance paper was handmade from cloth fibres (not wood pulp as today) obtained from old clothes, sails and ropes.

Drawings in storage

Fortunately for us paper’s durability makes it possible for centuries-old drawings like those we’re displaying in this exhibition to travel safely. However, like the venerable voyagers they are, the Renaissance drawings from the Uffizi need time to rest after their journey from Florence. After a few days to acclimatise the Uffizi drawings will be ready to be hung on the walls of the Reading Room.

I can’t wait to see them out of their crates and on the walls.

Click on the title to leave a comment

Images:
Marble statue of Bacchus (Dionysus)
Drawings in storage, ready for display

Filed under: Exhibitions, Italian Renaissance drawings, , , , , ,

3 Responses - Comments are closed.

  1. Paul says:

    This is a great initiative (the blog) and an interesting insight into how an exhibition is put together. Look forward to reading more. Will there be more than one contributor?

    Like

  2. Naval Langa says:

    Leonardo da Vinci was like a magician. Wherever he touched, he turned that thing looking bathed in a golden glow. May it be a simple structure of weed or a curvy section of a skull, Leonardo turned that into an eternal beauty.

    Like

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Robert Burns was born #onthisday in 1759. Will you be addressing a haggis this #BurnsNight? Born #onthisday in AD 76: Roman emperor Hadrian. This marble bust was found near Tivoli, outside Rome
#history #sculpture Edouard Manet, sometimes called the first Modernist and last Old Master, was born #onthisday in 1832. 
This print, Les Courses ('The Races'), shows Manet's drawing at its most vigorous. The viewpoint is dramatic; the observer is placed in the centre of the racetrack awaiting the horses' imminent stampede. The railing slopes away at an unnerving angle. The lower right-hand corner dissolves into furious scribbling, with the lithographic crayon used on its side as well as its point.

Manet was a keen racegoer, often attending with his fellow artist Degas, whom he met while Degas was copying Velazquez' Infanta Maria Margarita in the @museelouvre 
#artist #Manet #history The exhibition #IndigenousAustralia will celebrate the cultural strength and resilience of both Aboriginal peoples and Torres Strait Islanders, exploring the remarkable story of how an ancient civilisation has endured and whose story is still unfolding today. This spectacular turtle-shell mask is from the Torres Strait Islands and is used in ceremonies. 
Tickets are now on sale for #IndigenousAustralia – our new major exhibition opening 23 April britishmuseum.org/indigenousaustralia We're delighted to announce a new special exhibition: #IndigenousAustralia. Opening 23 April, this will be the first major exhibition in the UK to present a history of Indigenous Australia, drawing on remarkable objects to highlight 60,000 years of continuous culture
#exhibition This object will feature in our next major exhibition, to be announced tomorrow! Can you guess where it is from?
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