British Museum blog

One Leonardo – to go

Hugo Chapman, Exhibition Curator

For the last couple of weeks we’ve been carefully installing the exhibition in the Reading Room. It’s been an exciting – if slightly nerve-wracking – time as the plans we’ve had in place for so long are finally realised.

Statue of Bacchus

Perhaps strangely for a drawings exhibition, the first work to be installed was a first-century classical marble sculpture of the Roman wine-god, Bacchus. He’s one of the star pieces in our Greece and Rome department and has just returned from a world tour of British Museum masterpieces.

The revival of classical art and learning is central to the artistic revolution that occurred in Italy in the 1400s – the French word Renaissance that we use to describe the period means rebirth and was coined by artists and scholars of the period to claim that they had revived the ancient civilisations of Greece and Rome. In truth the classical world had never disappeared, but it is true that artists began to look at ancient sculptures with a new intensity.

Marble figures like Bacchus encouraged artists to recognise the sensuality and beauty of the human body. The sculpted Bacchus presents an idealised vision of the perfect male body. Such are his charms that lipstick has had to be cleaned off him more than once – I’m hoping he will continue to cast his spell without us needing to wipe off the lip gloss.

But now we’re turning our attention to paper – so much part of our lives that we tend to take it for granted, but this exhibition transports us back to the 1400s when it was a new and precious material.

The Chinese invention of papermaking had been brought to Europe via the Islamic world. The invention of the printing press in Germany in the 1450s gave a huge impetus for papermaking, above all in Italy which was the most literate and urbanised region of Europe.

Renaissance paper was handmade from cloth fibres (not wood pulp as today) obtained from old clothes, sails and ropes.

Drawings in storage

Fortunately for us paper’s durability makes it possible for centuries-old drawings like those we’re displaying in this exhibition to travel safely. However, like the venerable voyagers they are, the Renaissance drawings from the Uffizi need time to rest after their journey from Florence. After a few days to acclimatise the Uffizi drawings will be ready to be hung on the walls of the Reading Room.

I can’t wait to see them out of their crates and on the walls.

Click on the title to leave a comment

Images:
Marble statue of Bacchus (Dionysus)
Drawings in storage, ready for display

Filed under: Exhibitions, Italian Renaissance drawings, , , , , ,

3 Responses - Comments are closed.

  1. Paul says:

    This is a great initiative (the blog) and an interesting insight into how an exhibition is put together. Look forward to reading more. Will there be more than one contributor?

    Like

  2. Naval Langa says:

    Leonardo da Vinci was like a magician. Wherever he touched, he turned that thing looking bathed in a golden glow. May it be a simple structure of weed or a curvy section of a skull, Leonardo turned that into an eternal beauty.

    Like

Enter your email address to follow this blog and receive notifications of new posts by email.

Join 11,523 other followers

Categories

Follow @britishmuseum on Twitter

British Museum on Instagram

Charlemagne died #onthisday in 814. Very few of his surviving coins carry the imperial title – this gold solidus from the port of Dorestad describes him as king of the Franks and the Lombards
#history #coins #Charlemagne 'We are all fools in love' – Jane Austen's Pride and Prejudice was first published #onthisday in 1813.  Here's a wood-engraved illustration by Helen Binyon from 1938
#illustration #JaneAusten #books #history English artist Samuel Palmer was born #onthisday in 1805. He made this painting late in his career, when his critical reputation was higher than it had ever been. It is a representation of late evening: quiet and meditative, even idyllic. The sun has already set, leaving a purplish glow in the sky; the moon and the evening star can be seen in the clear sky above. There is a sense of the chill of early autumn in the colours. Dark-coloured birds, probably rooks, are circling in the sky above the castle on the river, while a single white bird flies across the river.
London, about 1878.
#history #art #watercolour #painting Born #onthisday in 1832: Lewis Carroll, author of Alice's Adventures in Wonderland. This illustration from the final chapter shows Alice upsetting the twelve creatures of the jury 
#history #illustration #AliceinWonderland #books Wolfgang Amadeus Mozart was born #onthisday in 1756. Here he is, aged 8, not long before the Mozart family arrived in London in 1764
#mozart #music #history Inscriptions on this mummy’s case tell us that Padiamenet worked as the Chief Doorkeeper of the temple of Ra (or Egyptian ‘bouncer’!) and also as the Chief Barber of the temple of Ra and Amun #MummyMonday 
Using the latest technology, our #8mummies exhibition unlocks hidden secrets to build up a picture of the lives of eight people in the Nile Valley over a remarkable 4,000 years – from prehistoric Egypt to Christian Sudan.
#mummy #mummies #history
Follow

Get every new post delivered to your Inbox.

Join 11,523 other followers

%d bloggers like this: