British Museum blog

Return to Amara West

Neal Spencer, British Museum

The steep river bank at Amara West, overlooking the Nile.

Amidst the chaos, heat and dust of our building work at the dig house, we finally managed a short visit to the archaeological site of Amara West itself earlier this week, to see whether much change is evident from the end of our excavation season in late February.

During the season our daily commute consists of a 10-minute journey downstream in a small launch with outboard motor – the return journey takes 20 minutes as the boat contends with the Nile current.

Motor-launch for the commute to Amara West.

The boat is usually laden with workmen, equipment and of course ancient pottery and artefacts being brought back to the expedition house for study and storage.

The site is much as we left it in February, though windblown sand has started to cover up the buildings we excavated.

View over Amara West, with stone architecture from the Governor’s Residence on the surface

Amara West is buffeted by strong northerly winds most of the year, sometimes so strong we have to stop work for the day. This wind, and the sand it brings, is largely responsible for the good preservation of the New Kingdom houses and other buildings.

Shadia Abdu Rabo, antiquities inspector, with Neal Spencer, in 20th dynasty house (about 1100 BC).

We also know the sand was a problem in ancient times, as the inhabitants took measures to keep it out of houses as the outside ground level rose.

20th dynasty villa, excavated in 2009, now almost covered with windblown sand.

We’re now at an advanced stage of planning next season’s excavation priorities for the town – to continue in the group of mid-sized houses near the governor’s residence, and to start work in the smaller houses at the southern end of the town.

Excavations will begin in eight weeks time.

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Nakamura Hikaru represents the most recent generation of manga artists and is currently the seventh bestselling manga artist in Japan. Fusing everyday life with youth culture and cutting-edge production techniques, her work in this display imagines the comical existence of Jesus and Buddha as flatmates in Tokyo.

See this, alongside two other contemporary manga artworks in our new free display: #MangaNow

#japan #manga #jesus #buddha #tokyo #art

Nakamura Hikaru (b. 1984), Jesus and Buddha drawing manga. Cover artwork for Saint Oniisan vol. 10. Digital print, hand drawn with colour added on computer, 2014. © Nakamura Hikaru/Kodansha Ltd. The second generation of contemporary manga in our free #MangaNow display is represented by Hoshino Yukinobu, one of Japan’s best-known science fiction manga artists. This is a portrait of his new character: Rainman.

Hoshino Yukinobu’s 'Professor Munakata’s British Museum Adventure' featured in a similar display in 2011.  #japan #manga #rainman #art

Hoshino Yukinobu (b. 1954), Rainman. Ink on paper, 2015. © Hoshino Yukinobu. Our free display ‪#‎MangaNow is now open! It features three original artworks that show how the medium has evolved over generations, revealing the breadth and depth of manga in Japan today.

This is an original colour drawing of a golfer on a green by prominent and influential manga artist Chiba Tetsuya. He is a specialist of sports manga that relate a young person’s struggle for recognition through dedication to sport.

#japan #manga #golf #art 
Chiba Tetsuya (b. 1939), Fair Isle Lighthouse Keepers Golf Course, Scotland. Ink and colour on paper, 2015. Loaned by the artist. © Chiba Tetsuya. This is the Codex Sinaiticus, the world’s oldest surviving Bible. It’s a star loan from @britishlibrary in our forthcoming #EgyptExhibition and dates back to the 4th century AD. 
Handwritten in Greek, not long after the reign of the Roman emperor Constantine the Great (AD 306–337), it contains the earliest complete manuscript of the New Testament. 
The codex will be displayed alongside two other founding texts of the Hebrew and Muslim faiths: the First Gaster Bible, also being loaned by @britishlibrary, and a copy of the Qur’an from @bodleianlibs in Oxford. These important texts show the transition of Egypt from a world of many gods to a majority Christian and then majority Muslim society, with Jewish communities periodically thriving throughout.  #Egypt #history #bible #faith #onthisday in 31 BC: Cleopatra and Mark Antony were defeated by Octavian at the Battle of Actium. After the death of Cleopatra, Egypt was brought into the Roman Empire and the ancient Egyptian gods, such as the falcon god Horus shown here, were reimagined in Roman dress to establish the new authority. 
Discover how Egypt’s religious and political landscape was transformed over 12 centuries in our #EgyptExhibition, opening 29 October 2015.

#history #ancientEgypt #Cleopatra #RomanEmpire New exhibition announced: ‘Egypt: faith after the pharaohs’ opens 29 October 2015

Discover Egypt’s journey over 1,200 years, as Jews, Christians and Muslims transformed an ancient land. From 30 BC to AD 1171, #EgyptExhibition charts the change from a world of many gods to the worship of one God.

Tickets now on sale at britishmuseum.org/egypt

#egypt #history #faith
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