British Museum blog

Return to Amara West

Neal Spencer, British Museum

The steep river bank at Amara West, overlooking the Nile.

Amidst the chaos, heat and dust of our building work at the dig house, we finally managed a short visit to the archaeological site of Amara West itself earlier this week, to see whether much change is evident from the end of our excavation season in late February.

During the season our daily commute consists of a 10-minute journey downstream in a small launch with outboard motor – the return journey takes 20 minutes as the boat contends with the Nile current.

Motor-launch for the commute to Amara West.

The boat is usually laden with workmen, equipment and of course ancient pottery and artefacts being brought back to the expedition house for study and storage.

The site is much as we left it in February, though windblown sand has started to cover up the buildings we excavated.

View over Amara West, with stone architecture from the Governor’s Residence on the surface

Amara West is buffeted by strong northerly winds most of the year, sometimes so strong we have to stop work for the day. This wind, and the sand it brings, is largely responsible for the good preservation of the New Kingdom houses and other buildings.

Shadia Abdu Rabo, antiquities inspector, with Neal Spencer, in 20th dynasty house (about 1100 BC).

We also know the sand was a problem in ancient times, as the inhabitants took measures to keep it out of houses as the outside ground level rose.

20th dynasty villa, excavated in 2009, now almost covered with windblown sand.

We’re now at an advanced stage of planning next season’s excavation priorities for the town – to continue in the group of mid-sized houses near the governor’s residence, and to start work in the smaller houses at the southern end of the town.

Excavations will begin in eight weeks time.

If you would like to leave a comment click on the title

Filed under: Amara West, Archaeology, , , ,

Enter your email address to follow this blog and receive notifications of new posts by email.

Join 12,971 other followers

Categories

Follow @britishmuseum on Twitter

British Museum on Instagram

It’s World #PenguinDay! This handsome King Penguin on display in the Enlightenment Gallery is on loan from the @natural_history_museum
#penguin #museum #BritishMuseum Born #onthisday in 1599: Oliver Cromwell. Here’s a terracotta portrait bust from around 1759
#history #Cromwell #art #bust Greece lightning: this exquisite bronze depicts Zeus, chief of the Greek gods #FridayFigure

In ancient Greece, powerful, shape-shifting gods provided compelling subjects for artists. The famous sculptor Phidias created a gold and ivory statue of Zeus, ruler of the gods, that was over 13 metres high for his temple at Olympia. One of the Seven Wonders of the Ancient World, it symbolised the awesome presence of the god at his sanctuary site. There was also drama to be found in the gods’ ability to change their form as a means of disguise. Zeus, ruler of the Olympian gods, could take animal form – he seduced Leda as a swan, carried away Europa as a bull and Ganymede as an eagle.

This bronze statuette splendidly represents the majesty of Zeus, ruler of the gods on Mount Olympus and lord of the sky. Zeus holds a sceptre and a thunderbolt, showing his control over gods and mortals, and his destructive power. Although just over 20cm high, this exquisite work appears to be a copy of a much grander statue that does not survive.

You can see this figure in our exhibition #DefiningBeauty, until 5 July 2015.
Bronze statuette of Zeus. Roman period, 1st–2nd century AD, said to be from Hungary.
#art #museum #exhibition #ancientGreece #Zeus #gods This beautiful watercolour of Tintern Abbey is by J M W Turner, thought to have been born #onthisday in 1755.

Even before he had entered the Royal Academy schools at the age of 14, Turner had worked as an architectural draughtsman. This training is evident in his fascination with the details of the famous ruins of this twelfth-century Cistercian Abbey in Monmouthshire, which he visited in 1792, and again in 1793. Tourists of the time were as much impressed by the way that nature had reclaimed the monument as by the scale and grandeur of the buildings. Turner's blue-green washes over the abbey's far wall blend stone and leaf together, and on the near arch the spiralling creepers seem to make the wind and light tangible. 
#art #artist #Turner #history #watercolour ‪#IndigenousAustralia is now open. Discover a remarkable 60,000 years of continuous culture in our new special exhibition.
This show is the first major exhibition in the UK to present a history of Indigenous Australia through objects, celebrating the cultural strength and resilience of both Aboriginal peoples and Torres Strait Islanders. See spectacular objects like Torres Strait Islander masks alongside significant paintings.
Organised with the National Museum of Australia, ‪the exhibition also includes important international loans.
#history #Australia #museum #BritishMuseum Happy #StGeorgesDay! Here he is killing the dragon and rescuing Lady Una on a medieval pilgrim badge
#history #StGeorge #dragon
Follow

Get every new post delivered to your Inbox.

Join 12,971 other followers

%d bloggers like this: