British Museum blog

Showing treasures

St John Simpson, exhibition curator

Although the exhibition doesn’t open until March 2011, we had a briefing for members of the press last week that gave us an opportunity to introduce the incredible objects that will eventually go on show.

Exhibition curator, St John Simpson, discusses the objects at a press conference

In the exhibition title we describe Afghanistan as the crossroads of the ancient world and I think that the 200 objects spanning 3,000 years will show exactly why that’s an appropriate description.

Its geographical position, on the edge of central Asia with India and China beyond to the east and Iran, the Middle East and the numerous cultures of the Mediterranean and the rest of Europe to the west, it was criss-crossed by ancient trade routes. In many ways then as now it was a hub and meeting place for diverse cultures and neighbours, both near and distant, over thousands of years.

In the modern world it’s all too easy to think of Afghanistan solely as a place of conflict – and indeed the objects that will feature in the exhibition tell that story as well – but taking the long view we can see in the rich materials and ornate craftsmanship of these objects a far broader story.

Gold crown from Tillya Tepe, 1st century AD. National Museum of Afghanistan © Thierry Ollivier / Musée Guimet

Gold crown from Tillya Tepe, 1st century AD. National Museum of Afghanistan © Thierry Ollivier / Musée Guimet

Afghanistan has always been a part of a complex network of cultures that doesn’t really take account of contemporary political boundaries. Long-distance travel and globalisation may seem like relatively new inventions, but the ancient world was much more connected than many of us may think. I hope we can help bring this inter-connectedness out in the exhibition.

One of the pieces on loan from the National Museum in Kabul illustrates this point particularly well: a pendant from the Tillya Tepe hoard found in the north-west of the country. It features inlays of gold and turquoise. Two dragon-like beasts in the design suggest to some the influence of Chinese art but to others represent the heavenly horses of the Ferghana valley of neighbouring Central Asia.

Inlaid gold pendant from Tillya Tepe, 1st century AD. National Museum of Afghanistan © Thierry Ollivier / Musée Guimet

Inlaid gold pendant from Tillya Tepe, 1st century AD. National Museum of Afghanistan © Thierry Ollivier / Musée Guimet

It also includes lapis lazuli, a type of blue stone only found in Afghanistan but coveted in the wider world for thousands of years. It crops up in the jewellery of ancient Egypt, the art of the ancient near east and as far afield as the art of the Italian Renaissance.

The fact we nearly lost many of these stunning objects and signposts to the past to the events of Afghanistan’s recent history underlines how precious they are as well as the fragility of cultural heritage.

If you would like to leave a comment click on the title

Filed under: Afghanistan: Crossroads of the Ancient World, Exhibitions, , , ,

3 Responses - Comments are closed.

  1. Paul Pelliot along the silk road:

    Like

  2. Dawn Clarke says:

    I think with this show it is important for us all to remember Afganistan was a crossroads and meeting arena for so much. I know I will be having this thought at the back of my mind when I see the show; allowing this thought to raise questions as I view the work.

    Like

  3. Farishta says:

    As an afghan I am proud of these precious objects and that afghanistan was a trade routes and meeting place for neighbours I am hoping once again it become the meeting and trade place for the world, Come on Afghans you can make it

    Like

Enter your email address to follow this blog and receive notifications of new posts by email.

Join 14,008 other followers

Categories

Follow @britishmuseum on Twitter

British Museum on Instagram

The mummy case of this temple doorkeeper called Padiamenet is covered with hieroglyphic inscriptions and religious images. The inscriptions on this brilliantly painted cartonnage tell us that he was the Chief Doorkeeper of the Domain of Ra, the Chief Attendant of Ra, and also Chief Barber of the Domain of Ra and of the temple of Amun. This largest scene shows Padiamenet, dressed in a long fringed robe, adoring the god Osiris, who is grasping the royal crook and flail. Behind him stands his sister, the goddess Isis.
Gain a unique insight into the lives of eight people over a remarkable 4,000 years in our #8mummies exhibition, closing 12 July #MummyMonday
#history #mummies #BritishMuseum Peter Paul Rubens was born #onthisday in 1577.
This is a magnificent drawing in both scale and style. It is drawn in black and yellow chalk, though Rubens also used a grey wash and some white heightening in order to bring the animal to life on paper.
The lioness is drawn from behind. Her front paw is raised and her mouth open, the fangs clearly visible. White heightening brings out the lighted area around the tail and the joints of the back legs. Both short and longer chalk strokes are used to suggest the different textures of the fur and mane.
Rubens used this drawing for a lioness in his painting of 'Daniel in the Lions' Den' (1613/15; National Gallery of Art, Washington, DC). The vividness of the drawing is even more remarkable given that Rubens probably based his drawing on a bronze statue of a lion and not a living animal. The strong contour line in black chalk around the animal suggests that he was studying a model. However, Rubens had the gift and genius to invest an unmoving object with both life and movement, even if the highlights give the impression of a metallic sheen.
#art #artist #Rubens #history This striking photo taken by @charlesimperialpendragon shows the colossal limestone bust of Amenhotep III in the Egyptian Sculpture Gallery (Room 4). #regram #repost

Share your photos of the British Museum with us using #mybritishmuseum and tag @britishmuseum A #ThrowbackThursday from our #archives!
It is early morning in 1875 in the Main Entrance Hall of The British Museum, and staff are preparing for the public. Until 1878 the Museum was open on Mondays, Wednesdays, Fridays and until midday on Saturdays. Tuesdays and Thursdays were reserved for students. The visiting hours varied with the seasons and during the summer months the Museum stayed open until 8 o'clock in the evening.
Staff stop work as the photographer Frederick York sets up his camera. Two men sit comfortably on a bench at the foot of the stairs. Another two, noticing the photographer, stop halfway down the stairs. As the long exposure needed for this early photograph has already started, their images appear faint and ghost-like. In the foreground is the Piranesi Vase which is now displayed in the Enlightenment Gallery.
#photograph #archive #throwback #tbt #BritishMuseum The @britishlibrary opened at St Pancras #onthisday in 1998!
The British Museum held library collections from 1753 until the British Library was formally established in 1973. In 1759 the first Museum Reading Room opened in Montagu House, the original home of the British Museum. However, as the Museum building developed and the number of readers increased, a series of improved reading rooms were built. Finally, in 1998 the British Library moved out of the Museum’s Bloomsbury site to its new home at St Pancras.
This engraving, from a watercolour by Thomas Hosmer Shepherd (1792–1864), shows the sixth Reading Room, designed by Sir Robert Smirke and completed in 1838. It was used until 1857 when the famous domed Round Reading Room opened.
The sixth Reading Room was in fact two connected rooms, each with an iron gallery at window height. More than 10,000 books were stored on the bookshelves. Originally space was available for 168 people seated at 24 tables. As the number of readers increased another 40 spaces were provided. In 1930 an extra floor was built at gallery height to increase storage space. The lower part of these two rooms has now been converted into the galleries of Mexico and North America (Rooms 26 and 27).
#history #BritishMuseum #books #library #archives This amazing photo of the Great Court was captured by @alexxxs 
#repost #regram 
#architecture #BritishMuseum

Share your photos of the British Museum with us using #mybritishmuseum and tag @britishmuseum
Follow

Get every new post delivered to your Inbox.

Join 14,008 other followers

%d bloggers like this: