British Museum blog

A spot of shopping

Neal Spencer, British Museum

Sieves made locally being useed during excavation

With departure for Sudan only weeks away, we’re putting together the final preparations for our fourth season of fieldwork at Amara West. Flights are booked, visas obtained, inoculations accumulated – and we have defined the key priorities for excavations in the town.

However, more mundane matters are currently being attended to.

As with most archaeology projects, the team needs a range of equipment, from specialist technical devices through to simple tools. Nearly all have one thing in common – none were designed specifically for archaeology!

Neal Spencer and Shadia Abdu Rabo using a Topcon total station to map the town site

From the builder’s toolbox we use trowels, measuring tapes, wheelbarrows, nails and hammers. While art shops provide us with the drafting film, tracing paper and of course pencils.

The surveyor’s total station – for accurately measuring distance and areas – is probably our most advanced piece of equipment. Less advanced but also important are the good quality plastic bags we need for all of the finds, samples and skeletal remains. With severe snow forecast for the UK, we’re hoping deliveries of equipment are not disrupted.

In our case, the lack of materials available near Amara West makes our task more difficult. Computers, cameras and specialist equipment comes from the UK (while we can buy a certain amount in Khartoum, it can be very expensive). Nonetheless, we make great use of local traders in Abri, the modern town across the Nile from Amara West, especially in the first few days of the season.

René Kertesz bringing the ancestor bust back to the excavation house, using a bucket from the local market

The carpenter provides us with trestle tables for working and dining, but also produces small botanical sieves (we bring the 5mm, 1mm and 0.5mm mesh out from the UK) and our drawing boards. At the blacksmith we can order metal tables, iron spikes for marking out trenches and even stands for our water filters.

At the carpenters shop, Abri

Lamps, wiring, bulbs, shovels, plastic buckets (for showering and washing pottery), sugar sacks (for carrying spoil) and many brushes (for cleaning excavated features) come from the local hardware store.

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#todayimet goddess of love, Aphrodite. In this statue the voluptuous Aphrodite crouches down at her bath and turns her head sharply to her right, as if surprised by her audience. This Roman copy from the 2nd century AD is based on an original sculpture from Hellenistic Greece. This statue is lent to the British Museum by Her Majesty the Queen.
You can fall for the goddess of love in Room 23, one of our Greek and Roman sculpture galleries.
We’re celebrating @instagram's 5th birthday by sharing portraits of some of the characters you can find in the Museum #WWIM12 For @instagram's 5th birthday we’re sharing portraits of some of the characters you can find in the British Museum.
#todayimet this Ming Dynasty figure, who helped judge people in the underworld! The belief in Hell entered China with Buddhism during the early 1st millennium AD. This figure of a judge’s assistant is holding records of evil deeds under his left arm. Meet this fearsome figure (if you dare!) in our Asia gallery (Room 33) #WWIM12 We’re celebrating @instagram's 5th birthday by sharing portraits of some of the characters you can find in the Museum.
#todayimet Ramesses II, who ruled Egypt for 67 years over 3,000 years ago. This colossal statue is one of the largest pieces of Egyptian sculpture in the British Museum. Like all Egyptian statues, it was originally painted. Traces of pigment remain: black for the eye pupils, red for the skin, and blue and yellow for the stripes on the headcloth.
Meet the pharaoh for yourself in our Egyptian Sculpture Gallery (Room 4) #WWIM12 Our #Celts exhibition opens today! It brings together the incredible Iron Age, Roman and early medieval collections of the British Museum and @nationalmuseumsscotland.
Roman control of southern Britain broke down around AD 410. New leaders established Anglo-Saxon kingdoms in England, and Roman towns and cities were largely abandoned. Neighbouring communities in Scotland, Ireland and Wales continued to develop their own unique identities. Monasteries in these areas stood out as European centres of art, learning and literacy, perpetuating and reinventing local traditions. Communities here spoke languages that we now call Celtic, and practiced a distinctive form of Christianity.
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Slab of grey sandstone with a cross on one side. From Monifieth, Angus, Scotland, c. AD 800–900. National Museums Scotland.
Find out more about #Celtic art and history and book tickets at Our #Celts exhibition opens today! It brings together stunning objects from the British and Irish Isles as well spectacular loans from across Europe.
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the antlered figure hint at even wider influences, from as far afield as Asia. The scenes on the panels give a glimpse into a world of ancient myths, and the stories of gods and heroes whose names are now lost.
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Gundestrup cauldron. Iron Age, c. 100 BC–AD 1. Found in Gundestrup, northern Jutland, Denmark. @nationalmuseet, #Denmark.
Find out more about #Celtic art and history and book tickets at Our major new #Celts exhibition is now open! Come on a 2,500-year journey tracing what it means to be Celtic...
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The Battersea shield. Iron Age, c. 350–50 BC. Found in the River Thames, London, England.
Find out more about #Celtic art and history and book tickets at

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