British Museum blog

Top of the pots

Marie Millet, College de France, Paris

Marie Millet sorting pottery in the Ramesside town

Since the first season of excavation at Amara West in 2009, I have been studying the pottery vessels from both the town and its cemeteries. I’m now getting back into the rhythm of living and working in Amara West and the island of Ernetta where the expedition house is located.

Typically, I work at the site twice a week – for an initial sorting of the masses of pottery which comes from the town – then the remainder of my time is spent in the study rooms and pottery store.

Cooking jar from 20th dynasty house, about 1130 BC (C4000)

Most of the pottery is broken into small pieces (sherds), but diagnostic fragments (rims, bases, decorated pieces, handles …) can allow us to identify the original shape of the vessels. Of course, we do also find complete vessels.

Firstly, all the pottery needs to be washed, for which we employ a local workman named Salah Mohamed Ali. Special recording sheets are then used to record the characteristics of ceramics from each individual archaeological context (pit, wall, oven, occupation layers).

The proportion of different types of vessel can provide information on the function of a room or space. For example, the middle room in a Ramesside house yielded a cooking jar but also trays for baking bread (dokka). In the middle of this room there was a fireplace and a grinding-emplacement, suggesting the space was used for food preparation.

An ancient kitchen? A plan of the room where the cooking jar was found

In contrast, the room next door, at the back of the house, yielded a small jug (C4019), of a type used for perfume or ointment, so this room may have been more private – perhaps a bedroom?

Ointment or perfume jug (C4019)

Despite much of the ceramic looking rather unimpressive, it can clarify important aspects about ancient life, including food preparation, trade patterns and also the chronology of different occupation levels.

It is crucial that the ceramic evidence is recorded accurately – both drawn and photographed. An archaeological illustrator, Elisabeth, helps out with some of the drawings. Eventually, these will be published, allowing the finds from Amara West to be compared with those from sites across Egypt and Sudan.

All of the pottery stays in our storeroom, so it is always a race against time to finish studying it. In fact, we are always playing catch-up: this week I am working on pottery from last year, while material floods in from ongoing excavations.

If you would like to leave a comment click on the title

Filed under: Amara West, Archaeology, , , , , ,

One Response - Comments are closed.

  1. [...] Archaeology consists not only of walls and architectural structures, but also of objects, recovered throughout seasons of excavation. These objects are rarely masterpieces, but rather tools of all kinds: hammer- and grind-stones, small jewellery, scarabs, flint tools… and of course masses of pottery. [...]

    Like

Enter your email address to follow this blog and receive notifications of new posts by email.

Join 8,887 other followers

Categories

Follow @britishmuseum on Twitter

British Museum on Instagram

Richard III was born #onthisday in 1452. This silver cap-badge was found in 1999 at Chiddingly, East Sussex. 
The wild boar was Richard III's symbol and court records tell us that thousands of badges in this shape were made as souvenirs of Richard's coronation in 1483, and also for the ceremony crowning his son as Prince of Wales.

It's believed that this cap-badge belonged to a supporter of Richard III, and was probably a present to an important nobleman who lost it by accident. 
#history #richardIII #badge #king Explore the variety of religious practices in #Burma and #Thailand in a new display in Room 91! This toy horse may look remarkably modern, but it dates from the Roman period in Egypt (after 30 BC). You can find out more about childhood in ancient #Egypt in our #8mummies exhibition #MummyMonday Don't miss Neil MacGregor's new BBC Radio 4 series: #MemoriesOfANation starts this morning at 09.45 #germany #art #history #radio #series Edgar Degas died #onthisday in 1917. Here’s a study of a figure for a later painting #art #degas #history #drawing Théodore Géricault was born #onthisday in 1791. This #watercolour is from his time in London #art #history #artist
Follow

Get every new post delivered to your Inbox.

Join 8,887 other followers

%d bloggers like this: