British Museum blog

The tempo of the working day gathers pace…

Tom Lyons, archaeologist

Sunrise on the Nile at Ernetta, before boarding for the commute to Amara West

Being a new member of the British Museum’s excavation team at Amara West I’ve had to adapt to a different set of working conditions including a new set of colleagues, unfamiliar archaeology, wide-ranging temperatures and a spectacular dawn commute to work on a crowded boat down the Nile.

Having left behind my regular archaeological job in Britain where one typically investigates ditches, field systems and scant remains of housing I now find myself in one of the best preserved pharaonic towns (chiefly thanks to 3000 years of windblown sand).

Collapsed doorway from an earlier house, found beneath later architecture of house E13.3-N

As I’ve worked on other archaeological projects in the near east I have encountered buildings constructed in mud brick before. Many archaeological principles remain the same and now that the excavation is nearing a close I’m very familiar with the process of revealing buried architecture among collapsed buildings, and clay floor surfaces and recovering a variety of domestic objects such as large grinding stones, ovens and masses and masses of pottery.

My task is to supervise the excavation of a narrow house dating to about 1100 BC with local workmen removing the archaeological structures and deposits after I identify, draw and describe them. This task is complicated by the fact that several different phases of architecture still exist in the same space. Distinguishing them and reconstructing the original sequence of events is a crucial component of the work.

Beginning the excavation of house E13.3-N, four weeks ago

Now that the end of this season is approaching, the tempo of the working day gathers pace – while the number of as yet unanswered questions increases.

After excavating three rooms in the building almost completely, only the standing architecture and the very earliest floors (and deposits) remain, my attention now turns to the rest of the house next door, partly excavated in 2010 during last year’s season.

Tom Lyons cleaning a door blocking in front of the house

At present we think there are three architectural phases, although identifying each one and its true extent sometimes feels like informed speculation at best – or at worst a confusing set of circular relationships. A simple sketch plan of the archaeology as you interpret it can be much more constructive than unsatisfying discussions of the buildings under the glare of the midday Saharan sun.

In most cases the answers usually reveal themselves with further digging…

If you would like to leave a comment click on the title

Filed under: Amara West, Archaeology, , ,

One Response - Comments are closed.

  1. Tom Phillips says:

    ‘my regular archaeological job in Britain where one typically investigates ditches, field systems and scant remains of housing’ – which is what Im doing at this very moment! Lovely stuff.

    Like

Enter your email address to follow this blog and receive notifications of new posts by email.

Join 9,423 other followers

Categories

Follow @britishmuseum on Twitter

British Museum on Instagram

Room 8, Nimrud, is the next #MuseumOfTheFuture gallery in our series. It contains stone reliefs from Neo-Assyrian King Ashurnasirpal II’s magnificent Northwest Palace at Nimrud and two large Assyrian winged human-headed lions. The next gallery in our #MuseumOfTheFuture series is Room 7. It features a series of remarkable carved stone panels from the interior decoration of the Northwest Palace of the Neo-Assyrian King Ashurnasirpal II (883–859 BC). The panels depict the king and his subjects engaged in a variety of activities. Ashurnasirpal is shown leading military campaigns against his enemies, engaging in ritual scenes with protective demons and hunting, a royal sport in ancient Mesopotamia.
#museum #london #gallery Room 6, Assyrian sculpture and Balawat Gates, is the next gallery in our #MuseumOfTheFuture series. This room contains large stone sculptures and reliefs which were striking features of the palaces and temples of ancient Assyria (modern northern Iraq). Also in the gallery are two colossal winged human-headed lions, which flanked an entrance to the royal palace of King Ashurnasirpal II (883–859 BC) at Nimrud and replicas of the huge bronze gates of Shalmaneser III (858–824 BC) from Balawat. King of Persia Cyrus the Great entered #Babylon #onthisday in 539 BC. This iconic clay cylinder, known as the Cyrus Cylinder, is inscribed in Babylonian cuneiform with an account by Cyrus of his conquest of Babylon in 539 BC and the capture of Nabonidus, the last Babylonian king. 
The cylinder has sometimes been described as the 'first charter of human rights', as it describes measures of relief Cyrus brought to the inhabitants of the city after its capture. However it in fact reflects a long tradition in Mesopotamia where, from as early as the third millennium BC, kings began their reigns with declarations of reforms. 
#history #art Experience the pleasures of the early Ming court in an evening of performance, demonstrations, talks and workshops on Friday 14 November. Free, just drop in #Ming50Years 
#event #free #china #art #onthisday in 1420: Beijing is officially designated the principal capital of the #Ming empire. Find out more about the Forbidden City and this beautiful hanging scroll in a new tumblr post at britishmuseum.tumblr.com #Ming50Years
#China #art #history #Beijing
Follow

Get every new post delivered to your Inbox.

Join 9,423 other followers

%d bloggers like this: