British Museum blog

Glimpses of diet through plant remains

Philippa Ryan, British Museum

Philippa sampling a 3,100 year old hearth in a large villa (E12.10) at Amara West

I’m in Sudan looking at ancient plant remains from Amara West to investigate past diet and the potential impact of climate change on how plants were used.

This type of evidence can also provide insight into social behaviour, such as differences in diet between richer and poorer households. Additionally, identifying certain types of plant remains, such as cereal processing detritus, can help to investigate the functions of certain rooms or outdoor areas in the town.

Tools of the trade: sieves for botanical samples

The excavators take sediment samples from archaeological contexts such as hearths, ovens, floors and storage bins for botanical analysis. Back at the dig-house, I process the bags of sediment they have collected to extract the charred and desiccated plant remains – using dry-sieving and flotation.

Philippa sorting through a sample after sieving, back in the work room

At the end of the dig season, these samples will then be taken back to the British Museum, with the permission of the National Corporation of Antiquities and Museums, where I will identify the seeds and fruits in conjunction with Caroline Cartwright, who is also analysing the wood charcoal. Modern analytical equipment such as a Scanning Electron Microscopes can help with the identifications.

Scanning Electron Microscope image of tamarisk charcoal from Amara West (Caroline Cartwright)

In addition, I am taking further sediment samples back for processing in the laboratory to extract phytoliths (microscopic silicified plant cells) as another way of investigating the plant record.

On the Nile near Amara West, seeking modern plant material for reference collection

Whilst here, I have also been collecting plants to compare with the ancient plant materials. I have gathered grasses, reeds and branches of trees and shrubs from the riverbanks via boat (watching out for the large crocodiles!), a trip into the desert, and from the island of Ernetta where we are living.

If you would like to leave a comment click on the title

Filed under: Amara West, Archaeology, , , , , ,

2 Responses - Comments are closed.

  1. Alison M. says:

    *Crocodiles* – eek!! Very Indiana Jones :)

    Like

  2. Dave Loomis says:

    it is like a microscopic treasure hunt then? speaking of treasure… have you uncovered the ancient use of EZ Cheese aerosol spray cheese product? what is the source of this food of the gods? And how effulgent it must be to taste a .3mm dry-sieved specimen that has been aged for hundreds of years! What is the ancient word for NUMMI???

    it is inspiring to see you in the field so many years after you shared your plan to do just that. Yay!

    Like

Enter your email address to follow this blog and receive notifications of new posts by email.

Join 14,018 other followers

Categories

Follow @britishmuseum on Twitter

British Museum on Instagram

Can you guess the artist behind this work? 
All will be revealed at our special exhibition announcement tomorrow! #metalpoint Tower Bridge opened #onthisday in 1894. Here’s an early print of the iconic landmark.
#history #London #TowerBridge The mummy case of this temple doorkeeper called Padiamenet is covered with hieroglyphic inscriptions and religious images. The inscriptions on this brilliantly painted cartonnage tell us that he was the Chief Doorkeeper of the Domain of Ra, the Chief Attendant of Ra, and also Chief Barber of the Domain of Ra and of the temple of Amun. This largest scene shows Padiamenet, dressed in a long fringed robe, adoring the god Osiris, who is grasping the royal crook and flail. Behind him stands his sister, the goddess Isis.
Gain a unique insight into the lives of eight people over a remarkable 4,000 years in our #8mummies exhibition, closing 12 July #MummyMonday
#history #mummies #BritishMuseum Peter Paul Rubens was born #onthisday in 1577.
This is a magnificent drawing in both scale and style. It is drawn in black and yellow chalk, though Rubens also used a grey wash and some white heightening in order to bring the animal to life on paper.
The lioness is drawn from behind. Her front paw is raised and her mouth open, the fangs clearly visible. White heightening brings out the lighted area around the tail and the joints of the back legs. Both short and longer chalk strokes are used to suggest the different textures of the fur and mane.
Rubens used this drawing for a lioness in his painting of 'Daniel in the Lions' Den' (1613/15; National Gallery of Art, Washington, DC). The vividness of the drawing is even more remarkable given that Rubens probably based his drawing on a bronze statue of a lion and not a living animal. The strong contour line in black chalk around the animal suggests that he was studying a model. However, Rubens had the gift and genius to invest an unmoving object with both life and movement, even if the highlights give the impression of a metallic sheen.
#art #artist #Rubens #history This striking photo taken by @charlesimperialpendragon shows the colossal limestone bust of Amenhotep III in the Egyptian Sculpture Gallery (Room 4). #regram #repost

Share your photos of the British Museum with us using #mybritishmuseum and tag @britishmuseum A #ThrowbackThursday from our #archives!
It is early morning in 1875 in the Main Entrance Hall of The British Museum, and staff are preparing for the public. Until 1878 the Museum was open on Mondays, Wednesdays, Fridays and until midday on Saturdays. Tuesdays and Thursdays were reserved for students. The visiting hours varied with the seasons and during the summer months the Museum stayed open until 8 o'clock in the evening.
Staff stop work as the photographer Frederick York sets up his camera. Two men sit comfortably on a bench at the foot of the stairs. Another two, noticing the photographer, stop halfway down the stairs. As the long exposure needed for this early photograph has already started, their images appear faint and ghost-like. In the foreground is the Piranesi Vase which is now displayed in the Enlightenment Gallery.
#photograph #archive #throwback #tbt #BritishMuseum
Follow

Get every new post delivered to your Inbox.

Join 14,018 other followers

%d bloggers like this: