British Museum blog

New explorations on the south side at Amara West

Charly Vallance, archaeologist

Frustrating times – seeking the town wall in the first days

In my second season at Amara West – I spend the rest of the year as a field archaeologist in the UK – I have been excavating in the south-west portion of the town, an area never previously investigated, alongside Shadia Abdo Rabo, a curator at the Sudanese National Museum, also acting as our inspector from the National Corporation of Antiquities and Museums.

The first stage of our work was to locate the south-west corner of the town’s enclosure wall. You might think a wall 3.5 metres wide and several metres high would be easy to find, especially with the help of magnetometry data.

The architecture of excavation – sandbags keeping sand out of the deep trench

But, after two days of hard digging, there was no sign of the wall corner; local workman Abdul Razig was becoming increasingly frustrated and threatened to move trenches!

On the fifth day, relief, as several areas of mudbrick were exposed and identified as belonging to the town walls. The walls have suffered badly from deep pits dug through them to extract clay for building material.

Inside the walls, two distinct rooms were discovered, each one of considerable size, filled with over a metre of disturbed sands and silts, making excavation rather heavy-going. Battles with inflowing sand from the surrounding desert have been a daily occurrence, and one which has made us all experts in sandbag logistics.

Paved court with stone doorways (D13.3.1) in course of excavation

The biggest discovery to date has been a mudbrick pavement in pristine condition laid across the surfaces of both rooms. This was a sign we were digging something pretty grand. The presence of two elaborate entrances flanked by large sandstone door jambs leading north from the paved areas emphasise that we are not in a modest domestic building.

The finer detail: cleaning a small pottery bowl found in the corner of room D13.3.2

The purpose of the rooms is currently unclear, though the pottery suggests it dates to the late New Kingdom.

Perhaps one space was an open courtyard, a communal area tucked away in the south-west corner of the town? Or was it a rather grand residence? Only with more digging will we find out more: from 7am tomorrow, armed with shovels, picks and trowels, we will be out there again, trying to seek evidence for these and other questions…

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  1. Hi Charly and team,

    You’re doing some really interesting work. You are the living proof that there is more to a wall than meets the eye. And to find the tiled floor intact must have been pretty exciting. With one week to go on this wave who knows what else you might dig up; a throne perhaps!?
    Happy, safe flight back to Heathrow,
    Love and thoughts,
    Angela Vallance

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Writer and women's rights advocate Mary Wollstonecraft was born #onthisday in 1759.
#history #art #portrait The Roman emperor Marcus Aurelius was born #onthisday in AD 121.

Marcus Aurelius (AD 161-80), who appears on the coin set in this ring, is best known for his philosophical work, The Meditations. Although he was the most powerful man in the Roman Empire, he dwelt on the emptiness of glory: 'Shall mere fame distract you? Look at the speed of total oblivion of all and the void of endless time on either side of us and the hollowness of applause... For the whole earth is but a point, and of this what a tiny corner is our dwelling-place, and how few and paltry are those who will praise you.' It is ironic that such sentiments as these have preserved his fame to this day.
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#history #Cromwell #art #bust Greece lightning: this exquisite bronze depicts Zeus, chief of the Greek gods #FridayFigure

In ancient Greece, powerful, shape-shifting gods provided compelling subjects for artists. The famous sculptor Phidias created a gold and ivory statue of Zeus, ruler of the gods, that was over 13 metres high for his temple at Olympia. One of the Seven Wonders of the Ancient World, it symbolised the awesome presence of the god at his sanctuary site. There was also drama to be found in the gods’ ability to change their form as a means of disguise. Zeus, ruler of the Olympian gods, could take animal form – he seduced Leda as a swan, carried away Europa as a bull and Ganymede as an eagle.

This bronze statuette splendidly represents the majesty of Zeus, ruler of the gods on Mount Olympus and lord of the sky. Zeus holds a sceptre and a thunderbolt, showing his control over gods and mortals, and his destructive power. Although just over 20cm high, this exquisite work appears to be a copy of a much grander statue that does not survive.

You can see this figure in our exhibition #DefiningBeauty, until 5 July 2015.
Bronze statuette of Zeus. Roman period, 1st–2nd century AD, said to be from Hungary.
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