British Museum blog

Afghanistan exhibition opens 3 March

Constance Wyndham, Assistant Exhibition Curator

On the eve of the exhibition opening, we’re now very excited about seeing this exhibition opening to the public too.

Over the last month, we have been working with eight colleagues from Afghanistan who, as curators, conservators, archaeologists and specialists, travel with the objects on loan from Afghanistan’s National Museum to oversee their installation and deinstallation at each exhibition venue.

At the Museum, they were welcomed by the Middle East department and introduced to many other departments across the Museum before we got down to working on the objects themselves, which range from Greek style Corinthian capitals to delicate gold jewellery.

We established a system of condition checking each object with Yahya Mohibzada (Deputy Director, Kabul Museum) and Abdullah Hakimzada (Conservation Dept, Kabul Museum) with our Curatorial and Conservation departments before installing the exhibition. This checking process can sometimes give the opportunity for us to learn a bit more about the objects before installing them in the exhibition space.

One of the display cases in the exhibition will show the first tomb to have been discovered at the first century AD site at Tillya Tepe. The skeleton was of a woman aged between 20 and 30 years, buried lying on her back. Her clothes were covered in hundreds of gold ornaments, stitched on to the cloth.

British Museum scientists and conservators worked with Afghan colleagues to analyse four black beads on a necklace from this hoard. The beads had been previously described as wood – but there was some doubt about this. Although they were covered in consolidant (which made it difficult to obtain accurate readings as we weren’t able to take samples) the team discovered that the beads were in fact probably made of jet.

With this discovery made, the Museum assistants Sarah Price and Xavier Duffy were then ready to recreate within the exhibition space the layout of the earrings, headdress and gold appliqués on the figure as she appeared in the tomb.

In addition to working on the installation, we have also been visiting some of the many museums and institutions in the UK that have wonderful collections of material from Afghanistan acquired from the nineteenth century onwards.

We visited the British Library where curator John Falconer showed us photographs by John Burke, official photographer to the British Army in Afghanistan during the Second Anglo-Afghan War (1878-1880) and detailed drawings by Charles Masson, the first of the European travellers to Afghanistan to record sites and monuments. Masson deserted the East India Company in 1827 and pioneered archaeology in Afghanistan. His accurate drawings of monuments such as Babur’s Tomb, Minar-i-Chakari and the Buddhas at Bamiyan have helped with modern research.

We also went to Oxford to look at Gandharan Buddhas and Kushan coins in the Ashmolean Museum. In the Pitt Rivers Museum we were shown wooden carved figures from Nuristan. The National Museum in Afghanistan has a collection of these figures on display, some mounted on horseback, but several were damaged by the Taliban.

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For more information about the exhibition, visit the British Museum’s website

Filed under: Afghanistan: Crossroads of the Ancient World, Exhibitions, , ,

2 Responses - Comments are closed.

  1. Emma Swan says:

    My Grandfather,archeologist, K de B Codrington, went to Afghanistan in 1940 to search for artifacts. I would like to know if any of his findings are in the exhibition.

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    • @ Emma Swan
      No, none of the findings by K de B Codrington are included in the exhibition. However, flints and other materials found and donated by him are divided by type and date between the departments of Middle East, Asia and Prehistory and Europe. The Museum has one of his objects on display in Gallery 33: a dish found in the North West Frontier Province.
      Constance Wyndham, British Museum

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#music #portrait #art It’s #WorldTurtleDay! This early Greek coin with a sea-turtle was part of an important trading currency.
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All prospective users of The British Museum Library had to apply in writing, stating their reasons for study there. At the time he applied for a reader's ticket, Arthur Conan Doyle was already well-known as the creator of the great detective Sherlock Holmes, but he had not yet given up his work as a doctor, and in this letter of application he gives his occupation as 'physician'.
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This study is drawn with a brush in black and greybodycolour. The light is strongly shown by white heightening when it falls onto the woman's face and hair. The light falls down the exact centre of her face. On the left, only the protruding eyelid and cheek bone catch the light. Her eyes are closed and her head centred, its outline strongly marked by black line and silhouette.
By 1520, the date of this drawing, Dürer was deeply interested in the ideal, human form. He had made numerous life studies, both male and female. He had also travelled to Italy and studied classical sculptures and their proportions. For Dürer, the chief purpose of these theoretical studies was to discover the mathematical proportions of the ideal human body. These he would then use in his paintings (portraits, altarpieces and images of saints) and prints. 
#Dürer #art #drawing #history The Enlightenment Gallery in the Museum (Room 1) shows how people saw the world in the 18th century.
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