Valentina Marabini, British Museum
Over the coming months I will be writing regularly about my experiences in the Painting Conservation Studio at the Shanghai Museum in Shanghai, where for a year I am studying to complete my training in traditional scroll mounting.
Since 2003, I have been working in the Department of Conservation and Scientific Research at the British Museum learning, under the guidance of Mrs Qiu Jin Xian, the skills and art of Chinese painting conservation and traditional mounting techniques.
It takes 10 years to acquire the necessary knowledge of these traditions. So in December last year, to undergo the crucial final stage of my training, with the support of the British Museum and the generous sponsorship of the Bei ShanTang JSLee Memorial Foundation I travelled to China and the Painting Conservation Studio of the Shanghai Museum for a year-long secondment.
I’m here to refine my knowledge of traditional conservation and scroll-mounting, working with pictorial artefacts on paper and silk: hanging scrolls, hand scrolls, fan and albums.
There is not much literature to study or many courses to attend in order to specialise in this field, so the only way to learn the skills is by observing the work of conservators and, assisting senior teachers.
The opportunity to spend one year fully immersing myself in the work and life of the Shanghai Museum mounting studio is invaluable in increasing my understanding of the form and function of Chinese art within its historical context.
It will additionally improve my fluency in the Chinese language, but, most importantly, this placement will help me refine the skills needed to care for the Chinese paintings in the British Museum collection.