British Museum blog

President Karzai opens Afghanistan exhibition

St John Simpson, Exhibition Curator

On 22 February 2011, we began a week of previews for the exhibition, including a communities day for groups we regularly engage with through exhibitions such as this. We had a very good turn-out from members of the Afghan community in London for whom this was a very special event. Omer Sultan, the visiting deputy Minister for Culture and Information in Afghanistan, led a special tour of the exhibition and it was touching to see and hear comments from young Afghans who had never seen such items before or believed they would see their country’s treasures in London.

British Museum Director, Neil MacGregor, with Afghanistan's President Karzai and British Foreign Secretary William Hague at the exhibition opening. © Benedict Johnson

This event was followed by back-to-back press interviews with a special press release about the Begram ivories and a press launch for the exhibition. During this time we had over 200 media organisations represented, including print, radio, TV and web, and the coverage has already been global and very positive.

Once the last reporters had left, the final stages of preparations were made for the official opening of the exhibition on 1 March. Well over a thousand invitations had been sent out months in advance but the organisation of the speeches was kept a surprise until the last minute. While the guests were assembling, President Hamid Karzai and William Hague, the British Foreign Secretary, arrived at the British Museum and were greeted by the director Neil MacGregor, who led them into the exhibition on a special preview. The delegation also included members of the Afghan Ulema and Sir William Patey, the British ambassador to Afghanistan who has been a great supporter of this exhibition.

Community groups at the exhibition preview. © Benedict Johnson.

The following evening was reserved for the exhibition supporters Bank of America Merrill Lynch and another was given to the Patrons of the British Museum and on 3 March the exhibition opened to the public – the culmination of four years of planning.

The work isn’t finished though. Throughout the next four months that the exhibition is open we have a very varied public programme. It begins next weekend (12 – 13 March) with a two-day conference with papers given by some of the world’s specialists on ancient Afghanistan and its connections with the ancient world. There are some exciting surprises in store for anyone who wants to attend, including how the wonderful glass fish from Begram were made or where Alexander the Great met his future wife Roxane.

If you would like to leave a comment click on the title

Filed under: Afghanistan: Crossroads of the Ancient World, Exhibitions

One Response - Comments are closed.

  1. enilla says:

    i really like the crown i wonder wot wud happen if i put it on my head how would i look?

    Like

Enter your email address to follow this blog and receive notifications of new posts by email.

Join 14,262 other followers

Categories

Follow @britishmuseum on Twitter

British Museum on Instagram

#August is named after the Roman emperor Augustus. Before 8 BC the Romans called it Sextilis! 
This head once formed part of a statue of the emperor Augustus (ruled 27 BC – AD 14). In 31 BC he defeated Mark Antony and Cleopatra at the battle of Actium and took possession of Egypt, which became a Roman province. The writer Strabo tells us that statues of Augustus were erected in Egyptian towns near the first cataract of the Nile at Aswan and that an invading Kushite army looted many of them in 25 BC.
Although Roman counter-attackers reclaimed many of the statues, they did not reach Meroë, where this head was buried beneath the steps of a native temple dedicated to Victory. It seems likely that the head, having been cut from its statue, was placed there deliberately so as to be permanently below the feet of its Meroitic captors.
The head of Augustus appears larger than life, with perfect proportions based upon Classical Greek notions of ideal human form. His calm distant gaze, emphasised with inset eyes of glass and stone, give him an air of quiet, assured strength. Coins and statues were the main media for propagating the image of the Roman emperor. This statue, like many others throughout the Empire, was made as a continuous reminder of the all-embracing power of Rome and its emperor. English sculptor Henry Moore was born #onthisday in 1898.
Drawing played a major role in Henry Moore's work throughout his career. He used it to generate and develop ideas for sculpture, and to create independent works in their own right.
During the 1930s the range and variety of his drawing expanded considerably, starting with the 'Transformation Drawings' in which he explored the metamorphosis of natural, organic shapes into human forms. At the end of the decade he began to focus on the relationship between internal and external forms, his first sculpture of this nature being 'Helmet' (Tate Collections) of 1939.
This drawing titled ‘Two Women: Drawing for sculpture combining wood and metal’ was based on a pencil study entitled ‘Ideas for Lead Sculpture’. It reflects his awareness of surrealism and psychoanalytical theory as well his abiding interest in ethnographic material and non-European sculpture; the particular reference in this context is to a malangan figure (malangan is a funeral ritual cycle) from New Ireland province in Papua New Guinea, which had attracted his interest in the British Museum. 
Henry Moore, Two Women: Drawing for sculpture combining wood and metal. England, 1939. Here's another fabulous view of the Great Court captured by @whatinasees at our instagramer event #regram #repost
Check out all of the photos at #emptyBM Vincent van Gogh died #onthisday in 1890. Here's a print of his only known etching. It depicts his doctor, Dr Paul Gachet, seated in the garden of his house.
#vanGogh #etching Beatrix Potter was born #onthisday in 1866. Here are some of her flopsy bunnies! 🐰
#BeatrixPotter Made in AD 700, the exquisite Hunterston brooch was found at Hunterston, Ayrshire during the 1830s. It is a highly accomplished casting of silver, richly mounted with gold, silver and amber decoration. It is sumptuously decorated with animals executed in gold wire and granules, called filigree. In the centre of the brooch is a cross flanking a golden ‘Glory’ representing the risen Christ #MedievalMonday
The Hunterston brooch will feature in our forthcoming #Celts exhibition, on loan from @nationalmuseumsscotland.
Follow

Get every new post delivered to your Inbox.

Join 14,262 other followers

%d bloggers like this: