British Museum blog

President Karzai opens Afghanistan exhibition

St John Simpson, Exhibition Curator

On 22 February 2011, we began a week of previews for the exhibition, including a communities day for groups we regularly engage with through exhibitions such as this. We had a very good turn-out from members of the Afghan community in London for whom this was a very special event. Omer Sultan, the visiting deputy Minister for Culture and Information in Afghanistan, led a special tour of the exhibition and it was touching to see and hear comments from young Afghans who had never seen such items before or believed they would see their country’s treasures in London.

British Museum Director, Neil MacGregor, with Afghanistan's President Karzai and British Foreign Secretary William Hague at the exhibition opening. © Benedict Johnson

This event was followed by back-to-back press interviews with a special press release about the Begram ivories and a press launch for the exhibition. During this time we had over 200 media organisations represented, including print, radio, TV and web, and the coverage has already been global and very positive.

Once the last reporters had left, the final stages of preparations were made for the official opening of the exhibition on 1 March. Well over a thousand invitations had been sent out months in advance but the organisation of the speeches was kept a surprise until the last minute. While the guests were assembling, President Hamid Karzai and William Hague, the British Foreign Secretary, arrived at the British Museum and were greeted by the director Neil MacGregor, who led them into the exhibition on a special preview. The delegation also included members of the Afghan Ulema and Sir William Patey, the British ambassador to Afghanistan who has been a great supporter of this exhibition.

Community groups at the exhibition preview. © Benedict Johnson.

The following evening was reserved for the exhibition supporters Bank of America Merrill Lynch and another was given to the Patrons of the British Museum and on 3 March the exhibition opened to the public – the culmination of four years of planning.

The work isn’t finished though. Throughout the next four months that the exhibition is open we have a very varied public programme. It begins next weekend (12 – 13 March) with a two-day conference with papers given by some of the world’s specialists on ancient Afghanistan and its connections with the ancient world. There are some exciting surprises in store for anyone who wants to attend, including how the wonderful glass fish from Begram were made or where Alexander the Great met his future wife Roxane.

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Filed under: Afghanistan: Crossroads of the Ancient World, Exhibitions

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  1. enilla says:

    i really like the crown i wonder wot wud happen if i put it on my head how would i look?

    Like

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We welcome nearly 7 million visitors a year to the Museum and this photo by @zoenorfolk wonderfully captures the movement of people around the Great Court. Completed in 2000, the Great Court also features a quote by Tennyson: 'and let thy feet millenniums hence be in the midst...’
#repost #regram
Share your photos of the British Museum with us using #mybritishmuseum and tag @britishmuseum In 2000, the Queen Elizabeth II Great Court designed by Foster and Partners transformed the Museum’s inner courtyard into the largest covered public square in Europe. We love this striking photo by @adders77 showing this incredible space at night #regram #repost
Share your photos of the British Museum with us using #mybritishmuseum and tag @britishmuseum This wonderful photo by @what_fran_saw captures the stunning Great Court #regram #repost
The two-acre space of the Great Court is enclosed by a spectacular glass roof made of 3,312 unique pieces!
Share your photos of the British Museum with us using #mybritishmuseum and tag @britishmuseum The roaring lions on the walls of King Nebuchadnezzar II’s palace represented the Babylonian king himself and were intended to astonish approaching visitors. Nebuchadnezzar commissioned major building projects in Babylon to glorify the capital of his empire. Glazed bricks in bright shades of blue, yellow and white were favoured for public monuments in order to emphasise both divine and royal power. These works displayed the might of the city and its king, who commanded unlimited resources.
Glazed brick panel showing a roaring lion from the Throne Room of Nebuchadnezzar II, 605–562 BC. From Babylon, southern Iraq. On loan from Vorderasiatisches Museum, Berlin.
Share your photos using #mybritishmuseum and tagging @britishmuseum.
#lion #art #history #BritishMuseum Lions have perhaps been adopted as a symbol more than any other animal. They are seen as proud, fierce and magnificent – characteristics that made kings and countries want to associate themselves with these charismatic big cats. As well as being the national symbol of England and Scotland, the lion is in many ways the symbol of the British Museum. Lions guard both entrances to the building. At the Montague Place entrance are the languid lions carved by Sir George Frampton, and on the glass doors of the Main entrance are the cat-like beasts designed by the sculptor Alfred Stevens in 1852.
This lion can be found on the wooden doorframe at the south entrance to the Museum, and its nose is polished smooth by the many visitors who rub it for luck on their way in. Share your photos using #mybritishmuseum and tagging @britishmuseum This colossal lion in the Great Court is one of the most photographed objects in the Museum. It weighs more than 6 tons and comes from a tomb in the ancient cemetery of Knidos, a coastal city now in south-west Turkey. The tomb stood on the edge of a cliff overlooking the approach to Knidos harbour. The building was 18 metres high and the lion was on top of its pyramid roof. The hollow eyes of the lion were probably originally inset with coloured glass, and the reflection of light may have been an aid to sailors navigating the notoriously difficult coast. It is carved from one piece of marble, brought across the Aegean Sea from Mt Pentelikon near the city of Athens. Opinions vary as to when it was built. One suggestion is that it commemorated a naval battle off Knidos in 394 BC.
We’ll be sharing more lovely lions this week! Share your photos using #mybritishmuseum and tagging @britishmuseum.
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