British Museum blog

From ancient coins, to Medieval gold: public archaeological finds revealed

Michael Lewis, Portable Antiquities Scheme, British Museum
Today, we launched the latest Portable Antiquities and Treasure Annual Report at the British Museum, with the help of Ed Vaizey, Minister for culture, communications and creative industries.

The report outlines the thousands of archaeological objects discovered and reported by members of the public through the Portable Antiquities Scheme (PAS) in 2008 and to mark the occasion we had some of the more important or interesting finds on show.

Late Iron Age coin hoard of 840 gold staters, about AD 15-20.

Late Iron Age coin hoard of 840 gold staters, about AD 15-20. © Portable Antiquities Scheme

Among them was a Late Iron Age coin hoard of 840 gold staters from the Wickham Market area in Suffolk, dating to about AD 15-20. The coins were discovered in March 2008; and more were later found during an excavation of the findspot by Suffolk County Council’s Archaeology Service. It’s the largest hoard of Iron Age gold coins discovered since a similar hoard – the Whaddon Chase Hoard (Buckinghamshire) – was unearthed in 1849.

Unfortunately the Whaddon Chase Hoard was partially dispersed following its discovery, making it difficult to estimate the number of coins found. It is hoped that Colchester and Ipswich Museums will be able to raise the funds to acquire it, which is currently on display in Room 41 at the British Museum.

Roman knife handle from Syston, Lincolnshire.

Roman knife handle from Syston, Lincolnshire. © Portable Antiquities Scheme

Another intriguing find is a Roman knife handle from Syston, Lincolnshire. Its precise date in unknown. It was found by a man named David Barker and depicts an erotic scene involving two males and a female, and a decapitated head.
Only a handful of erotic knife handles are known from Britain, and this is of a new type. The significance of the decapitated head is unclear. The find has been acquired by The Collection, Lincoln.

On 7 August 2008 Darren Hoyle found a Medieval gold locket in Rolleston, Nottinghamshire, which dates to about AD 1450-1500. It has an inscription, which reads cauns [sauns] repentir (without regret), which may have been an amatory phrase. It is closely comparable to a similar object found as part of the Fishpool Hoard (also from Nottinghamshire), in 1966, which is on display in the British Museum.

The Fishpool Hoard is thought to have been deposited in May 1464, during the Wars of the Roses, and it is possible the Rolleston and Fishpool lockets were made by the same workshop. The Rolleston locket has been acquired by the British Museum.

Medieval gold locket found in Rolleston, Nottinghamshire, about  AD 1450-1500

Medieval gold locket found in Rolleston, Nottinghamshire, about AD 1450-1500. © Portable Antiquities Scheme

The PAS was established in 1997 to record archaeological objects found by the public, to coincide with the passing of the Treasure Act 1996, under which finders have a legal obligation to report precious Treasure finds. The British Museum now manages the PAS and administers the Treasure Act.

Since 1997 there has been a significant increase in the reporting of both Treasure and non-Treasure finds. In 2010, 90,146 archaeological objects were recorded through the PAS – a 36% increase on 2009 – and 859 Treasure cases, up 10%. These finds, are important clues for understanding the past, telling us where and how people lived, and what they did. They also offer a tangible link with everyday people, often ignored in written sources.

The finds recorded are of many different types, including flints worked into tools, coins and tokens, pottery, copper-alloy dress accessories (brooches, pins, buckles etc), as well as high-status gold and silver objects. Some are complete, but many are incomplete, broken and/or worn. Even so all have archaeological value.

Group of Early Medieval gold objects from West Yorkshire, about AD 600-1100.

Group of Early Medieval gold objects from West Yorkshire, about AD 600-1100. © Portable Antiquities Scheme

Most importantly, all finds recorded with the PAS have good findspot information. Archaeologists need to know exactly where a find was found to fully unleash its archaeological potential.

Without a findspot, the most spectacular discovery has almost no archaeological value. Conversely, if the findspot is known then it is possible to compare an object with others of that type, to see if there are distribution patterns, or learn more about the area where the find was discovered. Indeed, some common finds can be rare for a particular place, and therefore the findspot is of crucial importance.

A majority of the finds recorded by the PAS or reported Treasure have been found by members of the public; in fact the PAS only records object found by the public, though archaeologists too have a legal obligation to report Treasure.

Most archaeological finds nowadays are found by metal-detectorists, but now and again someone out walking or digging in their garden will make a chance discovery, and should take it to their local museum so it can be recorded with the PAS.

Now the funding of the PAS has been secured for the next four years there is great potential for the Scheme to further advance our knowledge of the past. Over the past few years there have been some amazing finds – such as the Staffordshire Hoard and Frome Hoard – and it is almost certain others will be found before long. But only if the finds are properly recovered and recorded will they have the potential to change the archaeological map of the country…

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Filed under: Archaeology, Portable Antiquities and Treasure, ,

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  1. Pauline says:

    I find that the gold objects from West yorrkshire very well done, and so fine for this period. Would the gold have come from Wales perhaps?

    Like

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For our final #MuseumInstaSwap post we’re highlighting the 'Make Do and Mend' campaign of the Second World War, as told by our partner @ImperialWarMuseums in their #FashionontheRation exhibition.

The campaign was launched to encourage people to make their existing supplies of clothes last longer. Posters and leaflets were circulated with advice on subjects including how to prevent moth damage to woollens, how to make shoes last longer or how to care for different fabrics. As the war went on, buying new was severely restricted by coupon limits and no longer an option for many people. The ability to repair, renovate and make one's own clothes became increasingly important. Although shoppers would have to hand over coupons for dressmaking fabric as well as readymade clothes, making clothes was often cheaper and saved coupons. ‘Make Do and Mend’ classes took place around the country, teaching skills such as pattern cutting. Dress makers and home sewers often had to be experimental in their choice of fabrics. Despite disliking much of the official rhetoric to Make Do and Mend, many people demonstrated great creativity and adaptability in dealing with rationing. Individual style flourished. Shortages necessitated imaginative use of materials, recycling and renovating of old clothes and innovative use of home-made accessories, which could alter or smarten up an outfit. Many women used furnishing fabrics for dressmaking until these too were rationed. Blackout material, which did not need points, was also sometimes used. Parachute silk was highly prized for underwear, nightclothes and wedding dresses.

We've really enjoyed working with and learning from our friends at @imperialwarmuseums this week. You can catch up on all our posts and discover many more stories from London’s museums with #MuseumInstaSwap. © IWM (Art.IWM PST 4773 For #MuseumInstaSwap we’re discovering the street style of the Second World War in the #FashionontheRation exhibition at @ImperialWarMuseums. In this archive photo a female member of the Air Raid Precautions staff applies her lipstick between emergency calls.

In wartime Britain it was unfashionable to be seen wearing clothes that were obviously showy, yet women were frequently implored not to let 'standards' slip too far. There was genuine concern that a lack of interest in personal appearance could be a sign of low morale, which could have a detrimental impact on the war effort. The government's concern for the morale of women was a major factor in the decision to continue the manufacture of cosmetics, though in much reduced quantities. Make-up was never rationed, but was subject to a luxury tax and was very expensive. Many cosmetics firms switched some of their production to items needed for the war effort. Coty, for example, were known for their face powder and perfumes but also made army foot powder and anti-gas ointment. Make-up and hair styles took on an increased importance and many women went to great lengths to still feel well-dressed and stylish even if their clothes were last season's, their stockings darned and accessories home-made. As with clothing, women found creative ways around shortages, with beetroot juice used for a splash of lip colour and boot polish passing for mascara.

Discover more stories from London’s museums with #MuseumInstaSwap © IWM (D 176) In the @ImperialWarMuseums exhibition ‘Fashion on the Ration: 1940s street style’ we can see how men and women found new ways to dress while clothing was rationed. Displays of original clothes from the era, from military uniforms to utility underwear, reveal what life was really like on the home front in wartime Britain.

Despite the limitations imposed by rationing, clothing retailers sought to retain and even expand their customer base during the Second World War. Britain's high street adapted in response to wartime conditions, and this was reflected in their retail ranges. The government intervened in the mass manufacture of high street fashions with the arrival of the Utility clothing scheme in 1942. Shoppers carefully spent their precious clothing coupons and money on new clothes to make sure their purchases would be suitable across spring, summer and autumn and winter. Despite the restrictions, the war and civilian austerity did not put an end to creative design, commercial opportunism or fashionable trends on the British home front.

#FashionontheRation exhibition runs @imperialwarmuseums until 31 August.

Discover more stories from London’s museums with #MuseumInstaSwap. For our final day of #MuseumInstaSwap we’re learning about the Second World War @ImperialWarMuseums, and discovering the impact of the war on ordinary people. 
Clothes were rationed in Britain from 1 June 1941. This limited the amount of new garments people could buy until 1949, four years after the war's end. The British government needed to reduce production and consumption of civilian clothes to safeguard raw materials and release workers and factory space for war production. As with food rationing, which had been in place since 1940, one of the reasons for introducing civilian clothes rationing was to ensure fairness. Rationing sought to ensure a more equal distribution of clothing and improve the availability of garments in the shops.

As this poster shows, the rationing scheme worked by allocating each type of clothing item a 'points' value which varied according to how much material and labour went into its manufacture. Eleven coupons were needed for a dress, two needed for a pair of stockings, and eight coupons required for a man's shirt or a pair of trousers. Women's shoes meant relinquishing five coupons, and men's footwear cost seven coupons. When buying new clothes, the shopper had to hand over coupons with a 'points' value as well as money. Every adult was initially given an allocation of 66 points to last one year, but this allocation shrank as the war progressed. © IWM (Art.IWM PST 8293) This week on @instagram we’ve joined up with other London museums to highlight our shared stories. Our partner is @imperialwarmuseums, whose incredible collection brings people’s experiences of modern war and conflict to life. Follow #MuseumInstaSwap to discover some of the intriguing historical connections we have found, as well as insights into everyday life during wartime. As part of our #MuseumInstaSwap with @ImperialWarMuseums, we’ve been given special access to the Churchill War Rooms – located deep below the streets of Westminster.
This is Prime Minister Winston Churchill’s bedroom, which includes his private desk, briefcase and papers, his bed and chamber pot and even an original cigar! The bedroom is located close to the Map Room, keeping Churchill as close as possible to the epicentre of Cabinet War Rooms.
Following the surrender of the Japanese Forces the doors to the War Rooms were locked on 16 August 1945 and the complex was left undisturbed until Parliament ensured its preservation as a historic site in 1948. Knowledge of the site and access to it remained highly restricted until the late 1970s when @ImperialWarMuseums began the task of preserving the site and its contents, making them accessible to as wide an audience as possible and opening them to the public in 1984.
Discover more stories from London’s museums with #MuseumInstaSwap
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