British Museum blog

From ancient coins, to Medieval gold: public archaeological finds revealed

Michael Lewis, Portable Antiquities Scheme, British Museum
Today, we launched the latest Portable Antiquities and Treasure Annual Report at the British Museum, with the help of Ed Vaizey, Minister for culture, communications and creative industries.

The report outlines the thousands of archaeological objects discovered and reported by members of the public through the Portable Antiquities Scheme (PAS) in 2008 and to mark the occasion we had some of the more important or interesting finds on show.

Late Iron Age coin hoard of 840 gold staters, about AD 15-20.

Late Iron Age coin hoard of 840 gold staters, about AD 15-20. © Portable Antiquities Scheme

Among them was a Late Iron Age coin hoard of 840 gold staters from the Wickham Market area in Suffolk, dating to about AD 15-20. The coins were discovered in March 2008; and more were later found during an excavation of the findspot by Suffolk County Council’s Archaeology Service. It’s the largest hoard of Iron Age gold coins discovered since a similar hoard – the Whaddon Chase Hoard (Buckinghamshire) – was unearthed in 1849.

Unfortunately the Whaddon Chase Hoard was partially dispersed following its discovery, making it difficult to estimate the number of coins found. It is hoped that Colchester and Ipswich Museums will be able to raise the funds to acquire it, which is currently on display in Room 41 at the British Museum.

Roman knife handle from Syston, Lincolnshire.

Roman knife handle from Syston, Lincolnshire. © Portable Antiquities Scheme

Another intriguing find is a Roman knife handle from Syston, Lincolnshire. Its precise date in unknown. It was found by a man named David Barker and depicts an erotic scene involving two males and a female, and a decapitated head.
Only a handful of erotic knife handles are known from Britain, and this is of a new type. The significance of the decapitated head is unclear. The find has been acquired by The Collection, Lincoln.

On 7 August 2008 Darren Hoyle found a Medieval gold locket in Rolleston, Nottinghamshire, which dates to about AD 1450-1500. It has an inscription, which reads cauns [sauns] repentir (without regret), which may have been an amatory phrase. It is closely comparable to a similar object found as part of the Fishpool Hoard (also from Nottinghamshire), in 1966, which is on display in the British Museum.

The Fishpool Hoard is thought to have been deposited in May 1464, during the Wars of the Roses, and it is possible the Rolleston and Fishpool lockets were made by the same workshop. The Rolleston locket has been acquired by the British Museum.

Medieval gold locket found in Rolleston, Nottinghamshire, about  AD 1450-1500

Medieval gold locket found in Rolleston, Nottinghamshire, about AD 1450-1500. © Portable Antiquities Scheme

The PAS was established in 1997 to record archaeological objects found by the public, to coincide with the passing of the Treasure Act 1996, under which finders have a legal obligation to report precious Treasure finds. The British Museum now manages the PAS and administers the Treasure Act.

Since 1997 there has been a significant increase in the reporting of both Treasure and non-Treasure finds. In 2010, 90,146 archaeological objects were recorded through the PAS – a 36% increase on 2009 – and 859 Treasure cases, up 10%. These finds, are important clues for understanding the past, telling us where and how people lived, and what they did. They also offer a tangible link with everyday people, often ignored in written sources.

The finds recorded are of many different types, including flints worked into tools, coins and tokens, pottery, copper-alloy dress accessories (brooches, pins, buckles etc), as well as high-status gold and silver objects. Some are complete, but many are incomplete, broken and/or worn. Even so all have archaeological value.

Group of Early Medieval gold objects from West Yorkshire, about AD 600-1100.

Group of Early Medieval gold objects from West Yorkshire, about AD 600-1100. © Portable Antiquities Scheme

Most importantly, all finds recorded with the PAS have good findspot information. Archaeologists need to know exactly where a find was found to fully unleash its archaeological potential.

Without a findspot, the most spectacular discovery has almost no archaeological value. Conversely, if the findspot is known then it is possible to compare an object with others of that type, to see if there are distribution patterns, or learn more about the area where the find was discovered. Indeed, some common finds can be rare for a particular place, and therefore the findspot is of crucial importance.

A majority of the finds recorded by the PAS or reported Treasure have been found by members of the public; in fact the PAS only records object found by the public, though archaeologists too have a legal obligation to report Treasure.

Most archaeological finds nowadays are found by metal-detectorists, but now and again someone out walking or digging in their garden will make a chance discovery, and should take it to their local museum so it can be recorded with the PAS.

Now the funding of the PAS has been secured for the next four years there is great potential for the Scheme to further advance our knowledge of the past. Over the past few years there have been some amazing finds – such as the Staffordshire Hoard and Frome Hoard – and it is almost certain others will be found before long. But only if the finds are properly recovered and recorded will they have the potential to change the archaeological map of the country…

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  1. Pauline says:

    I find that the gold objects from West yorrkshire very well done, and so fine for this period. Would the gold have come from Wales perhaps?

    Like

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US artist John Sloan was born #onthisday in 1871. 
John Sloan, painter, printmaker and teacher, first took up etching as a self-taught adolescent.  Moving to New York in 1904, he became part of a group of eight artists, better known as “The Ashcan School”, who focused on creating images of urban realism. Between 1891 and 1940 Sloan produced some 300 etchings. He was also one of the first chroniclers of the American scene and wrote about printmaking and the etching technique.
This etching comes from the series of 10 prints entitled 'New York City Life', recording the lives of the ordinary inhabitants in less affluent areas of Manhattan. The prints had a mixed reception at the time and a number were rejected from an exhibition of the American Watercolor Society as ‘vulgar’ and ‘indecent’. #August is named after the Roman emperor Augustus. Before 8 BC the Romans called it Sextilis! 
This head once formed part of a statue of the emperor Augustus (ruled 27 BC – AD 14). In 31 BC he defeated Mark Antony and Cleopatra at the battle of Actium and took possession of Egypt, which became a Roman province. The writer Strabo tells us that statues of Augustus were erected in Egyptian towns near the first cataract of the Nile at Aswan and that an invading Kushite army looted many of them in 25 BC.
Although Roman counter-attackers reclaimed many of the statues, they did not reach Meroë, where this head was buried beneath the steps of a native temple dedicated to Victory. It seems likely that the head, having been cut from its statue, was placed there deliberately so as to be permanently below the feet of its Meroitic captors.
The head of Augustus appears larger than life, with perfect proportions based upon Classical Greek notions of ideal human form. His calm distant gaze, emphasised with inset eyes of glass and stone, give him an air of quiet, assured strength. Coins and statues were the main media for propagating the image of the Roman emperor. This statue, like many others throughout the Empire, was made as a continuous reminder of the all-embracing power of Rome and its emperor. English sculptor Henry Moore was born #onthisday in 1898.
Drawing played a major role in Henry Moore's work throughout his career. He used it to generate and develop ideas for sculpture, and to create independent works in their own right.
During the 1930s the range and variety of his drawing expanded considerably, starting with the 'Transformation Drawings' in which he explored the metamorphosis of natural, organic shapes into human forms. At the end of the decade he began to focus on the relationship between internal and external forms, his first sculpture of this nature being 'Helmet' (Tate Collections) of 1939.
This drawing titled ‘Two Women: Drawing for sculpture combining wood and metal’ was based on a pencil study entitled ‘Ideas for Lead Sculpture’. It reflects his awareness of surrealism and psychoanalytical theory as well his abiding interest in ethnographic material and non-European sculpture; the particular reference in this context is to a malangan figure (malangan is a funeral ritual cycle) from New Ireland province in Papua New Guinea, which had attracted his interest in the British Museum. 
Henry Moore, Two Women: Drawing for sculpture combining wood and metal. England, 1939. Here's another fabulous view of the Great Court captured by @whatinasees at our instagramer event #regram #repost
Check out all of the photos at #emptyBM Vincent van Gogh died #onthisday in 1890. Here's a print of his only known etching. It depicts his doctor, Dr Paul Gachet, seated in the garden of his house.
#vanGogh #etching Beatrix Potter was born #onthisday in 1866. Here are some of her flopsy bunnies! 🐰
#BeatrixPotter
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