British Museum blog

Papyrus and palaces – a new exhibition about the pharaohs of ancient Egypt

Margaret Maitland, British Museum

Almost everyone has some idea of ancient Egypt: the name instantly conjures up an image of a land ruled by all-powerful pharaohs who built grand temples and pyramids, and were buried with magnificent treasures.

Upper part of a red granite colossal statue of Ramses II, 1279-1213 BC

Upper part of a red granite colossal statue of Ramses II, 1279-1213 BC

Like many others, I was first drawn to Egyptology as a child by the allure of the pharaohs’ ancient splendour, but it was the compelling stories behind these kings and their relationship with their people that kept me captivated. In fact, the Egyptians themselves weren’t always as dazzled by their rulers as we are today; stories that survive on papyri from ancient times tell of regretful kings rueing their failures, and others who are comically lascivious or cruel.

The forthcoming new British Museum touring exhibition Pharaoh: King of Egypt explores both the myths and realities of kingship in ancient Egypt. With 130 objects, from a larger than life-size royal tomb guardian statue, exquisite jewellery, and palace decorations, to defaced royal monuments and accounts of assassination and civil war, Pharaoh: King of Egypt is the largest ever UK loan of Egyptian objects from the British Museum.

The exhibition has been developed in partnership with Tyne and Wear Archives and Museums and will begin its tour at the Great North Museum: Hancock in Newcastle-upon-Tyne from 16 July – 25 September 2011, before travelling to Dorset County Museum, Leeds City Museum, Birmingham Museum, the Kelvingrove Art Gallery and Museum in Glasgow, and Bristol Museum. The cooperative process that has produced this exhibition is part of the British Museum’s Partnership UK programme, which works with numerous museums around the country to share objects, expertise, and community programming. Pharaoh is just one of many exhibitions that broaden access to the collection by bringing it directly to people across the UK.

Gold plaque of Amenemhat IV offering to Atum, 1808-1799 BC

Gold plaque of Amenemhat IV offering to Atum, 1808-1799 BC

I’ve been lucky enough to get to work with the stunning objects that are part of this exhibition. Currently, I’m in the process of updating our collections online database to share the enthralling stories behind these objects, including new photographs of many of them. To get a taste of what the exhibition will offer, have a look at the list and come back to visit again as I continue to update them.

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Pharaoh: King of Egypt is on display at the Great North Museum: Hancock, Newcastle-upon-Tyne 16 July – 25 September 2011

Filed under: Exhibitions, Pharaoh: King of Egypt, , ,

3 Responses - Comments are closed.

  1. stuart tyler says:

    This is excellent news, cannot wait!!

    PLEASE include Hatshepsut.

    Stuart Tyler

    Like

  2. stuart tyler says:

    You did include Hatshepsut – thanks :)

    Stuart Tyler

    Like

  3. Mike Cook says:

    Visited exhibition at Leeds Museum today (16/02/12). What a wonderful experience! My wife and I will revisit the exhibition after half-term!

    Like

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English sculptor Henry Moore was born #onthisday in 1898.
Drawing played a major role in Henry Moore's work throughout his career. He used it to generate and develop ideas for sculpture, and to create independent works in their own right.
During the 1930s the range and variety of his drawing expanded considerably, starting with the 'Transformation Drawings' in which he explored the metamorphosis of natural, organic shapes into human forms. At the end of the decade he began to focus on the relationship between internal and external forms, his first sculpture of this nature being 'Helmet' (Tate Collections) of 1939.
This drawing titled ‘Two Women: Drawing for sculpture combining wood and metal’ was based on a pencil study entitled ‘Ideas for Lead Sculpture’. It reflects his awareness of surrealism and psychoanalytical theory as well his abiding interest in ethnographic material and non-European sculpture; the particular reference in this context is to a malangan figure (malangan is a funeral ritual cycle) from New Ireland province in Papua New Guinea, which had attracted his interest in the British Museum. 
Henry Moore, Two Women: Drawing for sculpture combining wood and metal. England, 1939. Here's another fabulous view of the Great Court captured by @whatinasees at our instagramer event #regram #repost
Check out all of the photos at #emptyBM Vincent van Gogh died #onthisday in 1890. Here's a print of his only known etching. It depicts his doctor, Dr Paul Gachet, seated in the garden of his house.
#vanGogh #etching Beatrix Potter was born #onthisday in 1866. Here are some of her flopsy bunnies! 🐰
#BeatrixPotter Made in AD 700, the exquisite Hunterston brooch was found at Hunterston, Ayrshire during the 1830s. It is a highly accomplished casting of silver, richly mounted with gold, silver and amber decoration. It is sumptuously decorated with animals executed in gold wire and granules, called filigree. In the centre of the brooch is a cross flanking a golden ‘Glory’ representing the risen Christ #MedievalMonday
The Hunterston brooch will feature in our forthcoming #Celts exhibition, on loan from @nationalmuseumsscotland. Encounter an African contribution to the global carnival tradition through contemporary artist @zakove’s Moko Jumbie sculptures in the Great Court. These spectacular 7-metre-high male and female figures in striking black and gold costumes are inspired by aspects of African masquerade. #ZakOve
Find out more about our #Africa season this summer with events and displays at www.britishmuseum.org/whats_on/celebrating_africa.aspx
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