British Museum blog

A glass fish from Begram

St John Simpson, Exhibition Curator

The exhibition Afghanistan: Crossroads of the Ancient World contains nineteen of the roughly 180 glass vessels found in the ancient Kushan storerooms at Begram. Many have very close parallels from the Roman world which also support a date of about 100 AD for the sealing of the rooms. These include mosaic glass and ribbed bowls, facet-cut beakers, a drinking horn, a jug decorated with gold foil, another that appears almost black, and a stunning series decorated with scenes painted in brightly coloured vitreous enamels. All functioned as tablewares but, whereas some are very common, others were probably relatively expensive.

However, some of the vessels found at Begram remain something of a mystery and these include as many as twenty-two which are in the shape of fish and other creatures. Three of these are shown in the exhibition. They were made by inflating the glass while it was hot and adding trails of glass to the body, and sometimes in a different colour, to create very distinctive fins. The composition of the glass resembles that of Roman glass made in Egypt yet there are no known parallels, either complete or fragmentary, for these vessels from the Roman world.

Some of the answers were provided at a conference held at the British Museum March 2011 when Dr David Whitehouse and Bull Gudenrath, both from the Corning Museum of Glass, spoke about the significance of the Begram glass and how the fish-shaped vessels were made. Bill drew gasps from the audience as first he showed a specially filmed video of him making a copy and then theatrically produced not just one, but two, copies at the front of the lecture theatre. He also showed that the techniques of making the glass fish were not particularly complicated although the way in which the fins were trailed were so distinctive that they could be regarded as the sign of a particular glass-worker.

The workshop where these were made remains unlocated and may never be found but David pointed out that this could be located somewhere in India as the first-century text known as The Periplus of the Erythraean Sea – a unique account of Red Sea and western Indian Ocean trade at this period – refers to the export not just of Roman glassware from Egypt but also raw glass. Much of this was probably turned into beads, bangles and inlays but the implication of the fish-shaped vessels from Begram is that some was fashioned into glass vessels by someone who had picked up the basics of glass-blowing and set up shop in a world where this was a complete novelty. It is not difficult to see how even the cheapest and most mass-produced types of Roman glassware were given exorbitant prices in places like India or Afghanistan in the first century but imagine the response when someone says they can make a vessel that looks like a fish, is unknown even in Rome and, to cap it all, rests perfectly on a table as its fins act as supports.

If you would like to leave a comment click on the title

Afghanistan: Crossroads of the Ancient World is on at the British Museum until 17 July 2011.

Filed under: Afghanistan: Crossroads of the Ancient World, Exhibitions

One Response - Comments are closed.

  1. Brittany says:

    Thank you for posting that video. I had read the earlier blog and had glossed right over the picture of the glass fish not understanding its beauty and significance for the time. Watching it be made by Dr. David made it really come to life.

    Like

Enter your email address to follow this blog and receive notifications of new posts by email.

Join 10,445 other followers

Categories

Follow @britishmuseum on Twitter

British Museum on Instagram

This is Room 69a, our next #MuseumOfTheFuture gallery space. It's used for small temporary displays by the Coins and Medals Department – the current one is all about trade and exchange in the Indian Ocean. You can see the entrance to the Department in the background of this pic – it's designed like a bank vault as the Coins and Medals collection is all stored within the Department. Born #onthisday in 1757: poet and printmaker William Blake. This is his Judgement of Paris Happy #Thanksgiving to our US friends! Anyone for #turkey? This is Room 69, Greek and Roman life. It's the next gallery space in our #MuseumOfTheFuture series.
Room 69 takes a cross-cultural look at the public and private lives of the ancient Greeks and Romans. The objects on display have been chosen to illustrate themes such as women, children, household furniture, religion, trade and transport, athletics, war, farming and more. Around the walls, supplementary displays illustrate individual crafts on one side of the room, and Greek mythology on the opposite side. This picture is taken from the mezzanine level, looking down into the gallery. The next gallery in our #MuseumOfTheFuture series is Room 68, the Citi Money Gallery. The history of money can be traced back over 4,000 years. During this time, currency has taken many different forms, from coins to banknotes, shells to mobile phones.
The Citi Money Gallery displays the history of money around the world. From the earliest evidence, to the latest developments in digital technology, money has been an important part of human societies. Looking at the history of money gives us a way to understand the history of the world – from the earliest coins to Bitcoin, and from Chinese paper money to coins from every nation in the world. You can find out more about what's on display at britishmuseum.org/money The next gallery in our #MuseumOfTheFuture series is Room 67: Korea. The Korea Foundation Gallery is currently closed for refurbishment and will reopen on 16 December 2014. You can find out more about the refurb at koreabritishmuseum.tumblr.com  The unique culture of Korea combines a strong sense of national identity with influences from other parts of the Far East. Korean religion, language, geography and everyday life were directly affected by the country’s geographic position, resulting in a rich mix of art and artefacts.
Objects on display in Room 67 date from prehistory to the present day and include ceramics, metalwork, sculpture, painting, screen-printed books and illuminated manuscripts.
A reconstruction of a traditional sarangbang, or scholar’s study, is also on display and was built by contemporary Korean craftsmen.
Follow

Get every new post delivered to your Inbox.

Join 10,445 other followers

%d bloggers like this: