British Museum blog

Making a new Money gallery at the British Museum

Catherine Eagleton, British Museum

Chinese Ming banknote, AD 1375

Chinese Ming banknote, AD 1375

The Money gallery at the British Museum opened 14 years ago, and was at the time a new way of displaying coins and medals. It represented a new way of thinking about the history of money, and changed the way museums around the world told this global story.

Now, a new partnership between Citi and the British Museum means we are able to redisplay the gallery, make changes to the design and content of the displays, and take advantage of new knowledge and new ideas in museology and monetary history.

We will be building on the results of an evaluation of the current Money gallery that has been done over the past few years. This gives us some clear pointers for how it can be clarified and updated, and we have already started a programme of consultation with key audiences to find out what they would like to see the new gallery containing, and what questions they have about money and its history.

Penny defaced by suffragettes, AD 1903. Crown copyright

Penny defaced by suffragettes, AD 1903. Crown copyright

The gallery will use money as a lens through which to look at the history of the world, as well as showing the different forms and functions money has taken and had around the world in the last 3,000 years or so. The challenge for me as the lead curator on the project is to work out how to edit a complex global story down so that it can be told in a single room. But here I am lucky to be able to draw on the expertise of my subject-specialist colleagues.

Gold coin of Abd al-Malik, probably made in Syria, AH 77 / AD 696-7

Gold coin of Abd al-Malik, probably made in Syria, AH 77 / AD 696-7

Throughout the coming year, members of the project team will be tracking the progress of this exciting project, here on the blog, right up to the opening in June 2012.

I’ll post something about once a month and, in between, there will be contributions from other people on how the project looks from their point of view.

We will be writing about (among other things) evaluation, object selection, text writing, design, conservation, and the tricky business of how you remove thousands of small objects from display and keep track of where they all are while the gallery works are in progress in the first few months of 2012.

The Money Gallery project is supported by Citi and opens in June 2012.

Filed under: Collection, Money Gallery, , , , ,

2 Responses - Comments are closed.

  1. RichardE says:

    I really like your idea of looking at history through money.

    Like

  2. Glyn says:

    I like this idea – will keep track of what is happening

    Like

Enter your email address to follow this blog and receive notifications of new posts by email.

Join 14,261 other followers

Categories

Follow @britishmuseum on Twitter

British Museum on Instagram

English sculptor Henry Moore was born #onthisday in 1898.
Drawing played a major role in Henry Moore's work throughout his career. He used it to generate and develop ideas for sculpture, and to create independent works in their own right.
During the 1930s the range and variety of his drawing expanded considerably, starting with the 'Transformation Drawings' in which he explored the metamorphosis of natural, organic shapes into human forms. At the end of the decade he began to focus on the relationship between internal and external forms, his first sculpture of this nature being 'Helmet' (Tate Collections) of 1939.
This drawing titled ‘Two Women: Drawing for sculpture combining wood and metal’ was based on a pencil study entitled ‘Ideas for Lead Sculpture’. It reflects his awareness of surrealism and psychoanalytical theory as well his abiding interest in ethnographic material and non-European sculpture; the particular reference in this context is to a malangan figure (malangan is a funeral ritual cycle) from New Ireland province in Papua New Guinea, which had attracted his interest in the British Museum. 
Henry Moore, Two Women: Drawing for sculpture combining wood and metal. England, 1939. Here's another fabulous view of the Great Court captured by @whatinasees at our instagramer event #regram #repost
Check out all of the photos at #emptyBM Vincent van Gogh died #onthisday in 1890. Here's a print of his only known etching. It depicts his doctor, Dr Paul Gachet, seated in the garden of his house.
#vanGogh #etching Beatrix Potter was born #onthisday in 1866. Here are some of her flopsy bunnies! 🐰
#BeatrixPotter Made in AD 700, the exquisite Hunterston brooch was found at Hunterston, Ayrshire during the 1830s. It is a highly accomplished casting of silver, richly mounted with gold, silver and amber decoration. It is sumptuously decorated with animals executed in gold wire and granules, called filigree. In the centre of the brooch is a cross flanking a golden ‘Glory’ representing the risen Christ #MedievalMonday
The Hunterston brooch will feature in our forthcoming #Celts exhibition, on loan from @nationalmuseumsscotland. Encounter an African contribution to the global carnival tradition through contemporary artist @zakove’s Moko Jumbie sculptures in the Great Court. These spectacular 7-metre-high male and female figures in striking black and gold costumes are inspired by aspects of African masquerade. #ZakOve
Find out more about our #Africa season this summer with events and displays at www.britishmuseum.org/whats_on/celebrating_africa.aspx
Follow

Get every new post delivered to your Inbox.

Join 14,261 other followers

%d bloggers like this: