British Museum blog

Special teddy appeal – Grayson Perry exhibition

Turner Prize winning artist Grayson Perry has spent the past two years behind the scenes at the British Museum putting together The Tomb of the Unknown Craftsman. This major exhibition, opening in October, is an installation of his new works alongside objects made by unknown men and women throughout history from the British Museum’s collection. Watch Grayson’s video introduction here:

Now finalising the objects, Grayson is looking for three brave ‘stunt doubles’ of Alan Measles, his childhood teddy bear (and god of his imaginary world) to be part of the exhibition. The chosen bears will sit for just over one month each in the teddy shrine on the back of his specially commissioned motorbike on display in the Museum’s Great Court. Can you help? Here, Grayson explains all:

If your teddy has what it takes to be a stunt double, enter the competition here

Grayson Perry: The Tomb of the Unknown Craftsman
is supported by AlixPartners,
with Louis Vuitton.

Filed under: Exhibitions, Grayson Perry: The Tomb of the Unknown Craftsman

2 Responses - Comments are closed.

  1. bambooravi says:

    Hi,
    I just been here while searching about Indian history on “mohenjo daro harappa” 4000-year old cities. I got a lot of information and knowledge while going through various posts here in this blog. I tried to click the competition link above but I think that either not working or some problem from my side. I will try later. Thanks for the best posts here in britishmuseum.org.
    Rawat

    Like

  2. Ken Hawes says:

    Amazing !! I want to know more ….thankyou,

    Like

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Born #onthisday in 1757: poet and printmaker William Blake. This is his Judgement of Paris Happy #Thanksgiving to our US friends! Anyone for #turkey? This is Room 69, Greek and Roman life. It's the next gallery space in our #MuseumOfTheFuture series.
Room 69 takes a cross-cultural look at the public and private lives of the ancient Greeks and Romans. The objects on display have been chosen to illustrate themes such as women, children, household furniture, religion, trade and transport, athletics, war, farming and more. Around the walls, supplementary displays illustrate individual crafts on one side of the room, and Greek mythology on the opposite side. This picture is taken from the mezzanine level, looking down into the gallery. The next gallery in our #MuseumOfTheFuture series is Room 68, the Citi Money Gallery. The history of money can be traced back over 4,000 years. During this time, currency has taken many different forms, from coins to banknotes, shells to mobile phones.
The Citi Money Gallery displays the history of money around the world. From the earliest evidence, to the latest developments in digital technology, money has been an important part of human societies. Looking at the history of money gives us a way to understand the history of the world – from the earliest coins to Bitcoin, and from Chinese paper money to coins from every nation in the world. You can find out more about what's on display at britishmuseum.org/money The next gallery in our #MuseumOfTheFuture series is Room 67: Korea. The Korea Foundation Gallery is currently closed for refurbishment and will reopen on 16 December 2014. You can find out more about the refurb at koreabritishmuseum.tumblr.com  The unique culture of Korea combines a strong sense of national identity with influences from other parts of the Far East. Korean religion, language, geography and everyday life were directly affected by the country’s geographic position, resulting in a rich mix of art and artefacts.
Objects on display in Room 67 date from prehistory to the present day and include ceramics, metalwork, sculpture, painting, screen-printed books and illuminated manuscripts.
A reconstruction of a traditional sarangbang, or scholar’s study, is also on display and was built by contemporary Korean craftsmen. This is Room 66, Ethiopia and Coptic Egypt. It's the next gallery space in our #MuseumOfTheFuture series.
By the 4th century AD, Christianity was flourishing in both Egypt and Ethiopia. Christian Egyptians became known as the Copts (from the Greek name for Egyptians) and the church maintained strong links with its Ethiopian counterparts. Since antiquity, Ethiopia had been a major trade route, linking Egypt and the Mediterranean with India and the Far East.
The resulting history of cultural exchange and religious diversity is illustrated through objects in Room 66, which reflect the faiths and identities which coexisted in Egypt and Ethiopia. Objects from towns, monasteries and settlements range from decorated textiles and architectural elements to sculpture and ceramics.
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