British Museum blog

The British Museum has created a Semantic Web Endpoint


Dominic Oldman, IS Development Manager, British Museum

This month the British Museum launched a service known as a Semantic Endpoint that will allow more direct online access to the collection database. Although it is a technical service it will support the creation of new web applications and services accessible to many different audiences.

What is a Semantic Endpoint?

Since 2007, visitors to the British Museum website have been able to search the collection through regular web pages. The Collection Online system has nearly two million objects and is still growing but provides only one way of viewing the information.

Rosetta Stone, from Egypt, 196 BC

Rosetta Stone, from Egypt, 196 BC

So, although people can search the collection using our website, the search interface cannot really meet the needs of all the many different audiences that might use it. The Endpoint allows external IT developers to create their own applications that satisfy particular requirements, and these can be built into other websites and use the Museum’s data in real time – so it never goes out of date.

Why have we done this?

The demand for new digital services and products increases as the Internet grows. Research projects require particular datasets; aggregation projects need data to help make cultural assets more accessible to larger audiences; educational software requires access to up-to-date knowledge, and so on.

Digital services on the Web can only fully develop if the information that underpins them is more freely available. If more organisations release data using the same open standards then more effort can go into creative and innovative uses for it rather than into laborious data collection and cleaning.

Why is it a ‘Semantic Web’ Endpoint?

The Museum’s Endpoint specifically uses a global open standard technology for data storage and retrieval – the Semantic format. This means that developers can potentially bring together data from different cultural organisations (if they adopt the open standard) using a common language, and use it, for example, to study and compare all drawings by the artist Rembrandt held in one, two, three or however many museums and galleries.

The result is applications that are more sustainable and robust, and this means that developers can provide general open source tools that can be downloaded and used by anyone for free.

Also, the ‘semantic’ element of the technology means that it is structured in such a way that allows the discovery of connections and relationship between data from different sources that would be difficult, if not impossible, to discover with traditional technologies. With this, we can improve our understanding and knowledge of objects and events even further.

You can find more information and the endpoint itself on the British Museum website.

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#music #portrait #art It’s #WorldTurtleDay! This early Greek coin with a sea-turtle was part of an important trading currency.
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All prospective users of The British Museum Library had to apply in writing, stating their reasons for study there. At the time he applied for a reader's ticket, Arthur Conan Doyle was already well-known as the creator of the great detective Sherlock Holmes, but he had not yet given up his work as a doctor, and in this letter of application he gives his occupation as 'physician'.
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#author #library #museum #BritishMuseum #history Mary Anning was born #onthisday in 1799, one of the most famous fossil finders of her day. This large skull and lower jaw of an ichthyosaur was found by her at Lyme Regis in Dorset in 1821. You can see it on display in the Enlightenment Gallery (Room 1), on loan from the @natural_history_museum.
© 2003 The Natural History Museum.
#history #fossil #dinosaur Albrecht Dürer was born  #onthisday in 1471. Here’s his wonderful drawing of a woman from 1520.
This study is drawn with a brush in black and greybodycolour. The light is strongly shown by white heightening when it falls onto the woman's face and hair. The light falls down the exact centre of her face. On the left, only the protruding eyelid and cheek bone catch the light. Her eyes are closed and her head centred, its outline strongly marked by black line and silhouette.
By 1520, the date of this drawing, Dürer was deeply interested in the ideal, human form. He had made numerous life studies, both male and female. He had also travelled to Italy and studied classical sculptures and their proportions. For Dürer, the chief purpose of these theoretical studies was to discover the mathematical proportions of the ideal human body. These he would then use in his paintings (portraits, altarpieces and images of saints) and prints. 
#Dürer #art #drawing #history The Enlightenment Gallery in the Museum (Room 1) shows how people saw the world in the 18th century.
The #Enlightenment was an age of reason and learning that flourished across Europe and America from about 1680 to 1820. This rich and diverse permanent exhibition uses thousands of objects to demonstrate how people in Britain understood their world during this period. It is housed in the King’s Library, the former home of the library of King George III.
Objects on display reveal the way in which collectors, antiquaries and travellers during this great age of discovery viewed and classified objects from the world around them.
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