British Museum blog

When the Pharaohs came to town


Victoria Page, Great North Museum: Hancock

When thousands of years of Egyptian history came hundreds of miles from the British Museum to the Great North Museum: Hancock in Newcastle, it wasn’t just the artefacts that needed extra care; I nearly burst with excitement when the crates were popped open.

A statue of Ramesses II on display in Newcastle-upon-Tyne. Photo: Great North Museum: Hancock

A statue of Ramesses II on display in Newcastle-upon-Tyne. Photo: Great North Museum: Hancock

My role throughout Pharaoh: King of Egypt has been that of publicity, marketing, events management, print production, social media and any other ad hoc duties that arise. Being a provincial museum employee has its advantages! The regional broadcast and press have been regular advocates, as has BBC History magazine.

As the resident lay person among many highly specialist professionals from both museums – Egyptologists, conservators, curators, designers, learning officers, marketing and public relations experts, builders, and administrators – I had the luxury of prowling around the curatorial team as they put the exhibition together. I got so close to the two-metre tall tomb guardian statue from the tomb of Ramesses I that I could smell the wood and bitumen on him. It gave me goose pimples: he’s over 3,000 years old.

The Great North Museum has a strong family audience; generations of north easterners have enjoyed visits to this museum, and I myself used to come to see the mummies as a child. Pharaoh: King of Egypt has been a delight for the people of this region; so far, over 120,000 people have visited the museum since opening on 16 July.

Two participants at a mask-making workshop. Photo: Great North Museum: Hancock

Two participants at a mask-making workshop. Photo: Great North Museum: Hancock

Our learning teams have welcomed 2,000 children to their exciting and innovative free events programme to celebrate Pharaoh, which included historical re-enactment, Egyptian jewellery crafting, making Egyptian masks, and learning about mummification.

The ‘make your own mummy’ session was a particular favourite with a flurry of social media activity generated by a Facebook competition about which was the best mummy. We had over 400 children come to make masks one day too – our learning officer Stephen had his hands full.

Thinking about the entire exhibition process, the word that springs to mind is illumination; I have learnt so much, from playing witness to the talents of my Great North Museum colleagues (and feeling mighty proud of them too), to having the professional support from the staff of one of the best museums in the world.

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Nakamura Hikaru represents the most recent generation of manga artists and is currently the seventh bestselling manga artist in Japan. Fusing everyday life with youth culture and cutting-edge production techniques, her work in this display imagines the comical existence of Jesus and Buddha as flatmates in Tokyo.

See this, alongside two other contemporary manga artworks in our new free display: #MangaNow

#japan #manga #jesus #buddha #tokyo #art

Nakamura Hikaru (b. 1984), Jesus and Buddha drawing manga. Cover artwork for Saint Oniisan vol. 10. Digital print, hand drawn with colour added on computer, 2014. © Nakamura Hikaru/Kodansha Ltd. The second generation of contemporary manga in our free #MangaNow display is represented by Hoshino Yukinobu, one of Japan’s best-known science fiction manga artists. This is a portrait of his new character: Rainman.

Hoshino Yukinobu’s 'Professor Munakata’s British Museum Adventure' featured in a similar display in 2011.  #japan #manga #rainman #art

Hoshino Yukinobu (b. 1954), Rainman. Ink on paper, 2015. © Hoshino Yukinobu. Our free display ‪#‎MangaNow is now open! It features three original artworks that show how the medium has evolved over generations, revealing the breadth and depth of manga in Japan today.

This is an original colour drawing of a golfer on a green by prominent and influential manga artist Chiba Tetsuya. He is a specialist of sports manga that relate a young person’s struggle for recognition through dedication to sport.

#japan #manga #golf #art 
Chiba Tetsuya (b. 1939), Fair Isle Lighthouse Keepers Golf Course, Scotland. Ink and colour on paper, 2015. Loaned by the artist. © Chiba Tetsuya. This is the Codex Sinaiticus, the world’s oldest surviving Bible. It’s a star loan from @britishlibrary in our forthcoming #EgyptExhibition and dates back to the 4th century AD. 
Handwritten in Greek, not long after the reign of the Roman emperor Constantine the Great (AD 306–337), it contains the earliest complete manuscript of the New Testament. 
The codex will be displayed alongside two other founding texts of the Hebrew and Muslim faiths: the First Gaster Bible, also being loaned by @britishlibrary, and a copy of the Qur’an from @bodleianlibs in Oxford. These important texts show the transition of Egypt from a world of many gods to a majority Christian and then majority Muslim society, with Jewish communities periodically thriving throughout.  #Egypt #history #bible #faith #onthisday in 31 BC: Cleopatra and Mark Antony were defeated by Octavian at the Battle of Actium. After the death of Cleopatra, Egypt was brought into the Roman Empire and the ancient Egyptian gods, such as the falcon god Horus shown here, were reimagined in Roman dress to establish the new authority. 
Discover how Egypt’s religious and political landscape was transformed over 12 centuries in our #EgyptExhibition, opening 29 October 2015.

#history #ancientEgypt #Cleopatra #RomanEmpire New exhibition announced: ‘Egypt: faith after the pharaohs’ opens 29 October 2015

Discover Egypt’s journey over 1,200 years, as Jews, Christians and Muslims transformed an ancient land. From 30 BC to AD 1171, #EgyptExhibition charts the change from a world of many gods to the worship of one God.

Tickets now on sale at britishmuseum.org/egypt

#egypt #history #faith
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