British Museum blog

When the Pharaohs came to town

Victoria Page, Great North Museum: Hancock

When thousands of years of Egyptian history came hundreds of miles from the British Museum to the Great North Museum: Hancock in Newcastle, it wasn’t just the artefacts that needed extra care; I nearly burst with excitement when the crates were popped open.

A statue of Ramesses II on display in Newcastle-upon-Tyne. Photo: Great North Museum: Hancock

A statue of Ramesses II on display in Newcastle-upon-Tyne. Photo: Great North Museum: Hancock

My role throughout Pharaoh: King of Egypt has been that of publicity, marketing, events management, print production, social media and any other ad hoc duties that arise. Being a provincial museum employee has its advantages! The regional broadcast and press have been regular advocates, as has BBC History magazine.

As the resident lay person among many highly specialist professionals from both museums – Egyptologists, conservators, curators, designers, learning officers, marketing and public relations experts, builders, and administrators – I had the luxury of prowling around the curatorial team as they put the exhibition together. I got so close to the two-metre tall tomb guardian statue from the tomb of Ramesses I that I could smell the wood and bitumen on him. It gave me goose pimples: he’s over 3,000 years old.

The Great North Museum has a strong family audience; generations of north easterners have enjoyed visits to this museum, and I myself used to come to see the mummies as a child. Pharaoh: King of Egypt has been a delight for the people of this region; so far, over 120,000 people have visited the museum since opening on 16 July.

Two participants at a mask-making workshop. Photo: Great North Museum: Hancock

Two participants at a mask-making workshop. Photo: Great North Museum: Hancock

Our learning teams have welcomed 2,000 children to their exciting and innovative free events programme to celebrate Pharaoh, which included historical re-enactment, Egyptian jewellery crafting, making Egyptian masks, and learning about mummification.

The ‘make your own mummy’ session was a particular favourite with a flurry of social media activity generated by a Facebook competition about which was the best mummy. We had over 400 children come to make masks one day too – our learning officer Stephen had his hands full.

Thinking about the entire exhibition process, the word that springs to mind is illumination; I have learnt so much, from playing witness to the talents of my Great North Museum colleagues (and feeling mighty proud of them too), to having the professional support from the staff of one of the best museums in the world.

If you would like to leave a comment click on the title

Filed under: Exhibitions, Pharaoh: King of Egypt

Enter your email address to follow this blog and receive notifications of new posts by email.

Join 14,915 other followers


Follow @britishmuseum on Twitter

British Museum on Instagram

To celebrate our partnership with @googleartproject, we’ve asked members of British Museum staff to highlight their favourite objects and explain what makes them special. Jill Cook, Deputy Keeper of Britain, Europe & Prehistory, chose this stone chopping tool from an early human campsite in Olduvai Gorge, Tanzania. ‘Holding this 2 million year old African tool in my hand I am reminded that whatever differences exist between people now, we are united by our common origin in Africa. The discovery of this piece by Louis Leakey in 1931 began to change our understanding of what makes us human. It illustrates the beginning of a transition from an ancestral ape that walked upright on two legs within the confines of a limited ecological niche to humans with more complex brains capable of changing and eventually dominating the world around us by making tools and weapons. This chopping tool is one of the seeds from which all human cultures and societies have grown.’ Discover the stories of thousands of objects in the Google Cultural Institute at

#MuseumOfTheWorld In Victorian England many people were fascinated by their past, and the ancient tribal leader Caratacus (also spelt Caractacus) was adopted as a symbol of national pride and independence. Like Boudica, Caratacus resisted the Roman invasion of Britain. Although he was eventually defeated, he earned a reputation as a noble and worthy foe. The Victorian sculptor J H Foley portrays him here standing triumphant, the embodiment of courageous English spirit. See this incredible #Movember moustache in our #Celts exhibition, until 31 January 2016.
J H Foley (1818–1874), Caractacus. Marble, 1856–1859. On loan from Guildhall Art Gallery/Mansion House, City of London. Some more #Movember inspiration! Here’s the Museum’s security team from 1902 photographed on the front steps. They include officers from the Metropolitan Police, and the London Fire Brigade (identified by their flat caps). We’re celebrating #Movember with Museum moustaches great and small. Here’s a #Movember fact: Peter the Great of Russia introduced a beard tax in 1698 and this token was given as proof of payment! Our unique new partnership with Google's Cultural Institute @googleartproject now allows you to virtually walk through the whole Museum! The British Museum is the largest space ever to be captured on indoor #StreetView, putting the unparalleled world collection at your fingertips. Come and explore!
#MuseumOfTheWorld #Google #ForEveryone Have you explored the Museum on @googleartproject yet? You'll now find over 5,000 objects in the Google Cultural Institute, including virtual exhibits inspired by #Celts and #EgyptExhibition as well as gigapixel imagery and the whole Museum on #StreetView!

Two million years of human history at your fingertips.

Get every new post delivered to your Inbox.

Join 14,915 other followers

%d bloggers like this: