British Museum blog

Digging Domuztepe: Weeks three and four – tantalising glimpses of the past

Alexandra Fletcher and Rachel Swift are a curator and a conservator working at Domuztepe, a Late Neolithic site (about 6200-5500 BC) in south eastern Turkey. This series of posts traces the weekly progress of their recent excavation season.


Alexandra Fletcher, British Museum

Shopping in the Gaziantep souk

Shopping in the Gaziantep souk

We all returned from a weekend break refreshed and then a couple of days later Rachel had to return to London. As she left, we were joined by Ben Gearey, an environmental archaeologist from the University of Birmingham.

Ben is here to take sediment samples from the floodplain surrounding Domuztepe, which he will examine for pollen, beetle remains and shells in order to try and reconstruct the ancient landscape.

Ben examining the floodplain sediments

Ben examining the floodplain sediments

Getting the samples out of the ground could be done by drilling out vertical cores by hand, but in the dry clay soils this proved very difficult. So we decided to dig very deep holes with a large JCB. Meanwhile, the excavation of the Neolithic well has been making steady progress.

The view down the Neolithic well

The view down the Neolithic well

Stuart Campbell, the dig director, has been working to excavate this feature. He has now removed over six metres of soil and each one has to be laboriously hauled up to the surface. He has to put on a safety harness and a helmet before climbing down a rope ladder to begin digging.

Dig director, Stuart gets his safety harness on

Dig director, Stuart gets his safety harness on

Despite being difficult to use on the floodplain , the coring equipment proved very useful in looking at the soils in the bottom of the well and finding out how much more there is to dig (about 1.5 metres). Much to Stuart’s relief we should get through that before we have to stop digging altogether.

Lowering the heavy metal coring equipment down into the well with Stuart at the bottom was difficult and had to be done very carefully indeed.

As the well walls have to be cut back and held in place with wood panels it has also allowed us to see layers of the site that it would take us years to reach with normal excavation. Tantalising bits of Neolithic pottery have been coming out with the soil and we have been able to see periods of building, abandonment and even large scale burning within the settlement.

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Filed under: Archaeology, Domuztepe dig 2011

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Born #onthisday in 1757: poet and printmaker William Blake. This is his Judgement of Paris Happy #Thanksgiving to our US friends! Anyone for #turkey? This is Room 69, Greek and Roman life. It's the next gallery space in our #MuseumOfTheFuture series.
Room 69 takes a cross-cultural look at the public and private lives of the ancient Greeks and Romans. The objects on display have been chosen to illustrate themes such as women, children, household furniture, religion, trade and transport, athletics, war, farming and more. Around the walls, supplementary displays illustrate individual crafts on one side of the room, and Greek mythology on the opposite side. This picture is taken from the mezzanine level, looking down into the gallery. The next gallery in our #MuseumOfTheFuture series is Room 68, the Citi Money Gallery. The history of money can be traced back over 4,000 years. During this time, currency has taken many different forms, from coins to banknotes, shells to mobile phones.
The Citi Money Gallery displays the history of money around the world. From the earliest evidence, to the latest developments in digital technology, money has been an important part of human societies. Looking at the history of money gives us a way to understand the history of the world – from the earliest coins to Bitcoin, and from Chinese paper money to coins from every nation in the world. You can find out more about what's on display at britishmuseum.org/money The next gallery in our #MuseumOfTheFuture series is Room 67: Korea. The Korea Foundation Gallery is currently closed for refurbishment and will reopen on 16 December 2014. You can find out more about the refurb at koreabritishmuseum.tumblr.com  The unique culture of Korea combines a strong sense of national identity with influences from other parts of the Far East. Korean religion, language, geography and everyday life were directly affected by the country’s geographic position, resulting in a rich mix of art and artefacts.
Objects on display in Room 67 date from prehistory to the present day and include ceramics, metalwork, sculpture, painting, screen-printed books and illuminated manuscripts.
A reconstruction of a traditional sarangbang, or scholar’s study, is also on display and was built by contemporary Korean craftsmen. This is Room 66, Ethiopia and Coptic Egypt. It's the next gallery space in our #MuseumOfTheFuture series.
By the 4th century AD, Christianity was flourishing in both Egypt and Ethiopia. Christian Egyptians became known as the Copts (from the Greek name for Egyptians) and the church maintained strong links with its Ethiopian counterparts. Since antiquity, Ethiopia had been a major trade route, linking Egypt and the Mediterranean with India and the Far East.
The resulting history of cultural exchange and religious diversity is illustrated through objects in Room 66, which reflect the faiths and identities which coexisted in Egypt and Ethiopia. Objects from towns, monasteries and settlements range from decorated textiles and architectural elements to sculpture and ceramics.
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