British Museum blog

Digging Domuztepe: week five – clearing up, packing away

Alexandra Fletcher and Rachel Swift are a curator and a conservator working at Domuztepe, a Late Neolithic site (about 6200-5500 BC) in south eastern Turkey. This series of posts traces the weekly progress of their recent excavation season.


Alexandra Fletcher, British Museum

My last week in camp starts badly as our water supply fails. Apparently there were problems at the local pumping station. Ever adaptable, the team takes the soil sampling tins and some empty drinking water bottles to collect water from the local spring so at least we can flush our toilets.

Stuart emerges from the Neolithic well for the last time

Stuart emerges from the Neolithic well for the last time

The last week is always hectic and this year is no exception. We finish work on site on the last day before the holiday to mark the end of Ramadan. Much to everyone’s relief we manage to finish digging out the well and sort out the relationships between all the Neolithic mud walls we have found. Then, as a three day holiday starts for everyone else in Turkey, we begin the long process of packing everything ready to go into the local museum. It all needs to be cleaned and recorded before being packed away.

Time to pack things into the store at the museum

Time to pack things into the store at the museum

The work is incredibly varied. One minute you are brushing the soil from skeletons, the next labelling tiny beads and the next washing pottery. Then suddenly it’s the night before I am due to leave and I am frantically packing my own things into bags.

As my plane leaves the local airport the next day I have mixed feelings; glad to be going home but sad that the digging is over for another year.

As ever the team owes much thanks to the local residents of Kelibişler, Kadioğlu Çiftliği and Emiroğlu and all our other supporters in Kahramanmaraş and Pazarcik, especially the staff of Kahramanmaraş Museum.

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Filed under: Archaeology, Domuztepe dig 2011

One Response - Comments are closed.

  1. reindeer00 says:

    Well done, hard working archaeologists, looking forward to reading more. Best wishes to you.

    Like

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The Roman emperor Marcus Aurelius was born #onthisday in AD 121.

Marcus Aurelius (AD 161-80), who appears on the coin set in this ring, is best known for his philosophical work, The Meditations. Although he was the most powerful man in the Roman Empire, he dwelt on the emptiness of glory: 'Shall mere fame distract you? Look at the speed of total oblivion of all and the void of endless time on either side of us and the hollowness of applause... For the whole earth is but a point, and of this what a tiny corner is our dwelling-place, and how few and paltry are those who will praise you.' It is ironic that such sentiments as these have preserved his fame to this day.
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In ancient Greece, powerful, shape-shifting gods provided compelling subjects for artists. The famous sculptor Phidias created a gold and ivory statue of Zeus, ruler of the gods, that was over 13 metres high for his temple at Olympia. One of the Seven Wonders of the Ancient World, it symbolised the awesome presence of the god at his sanctuary site. There was also drama to be found in the gods’ ability to change their form as a means of disguise. Zeus, ruler of the Olympian gods, could take animal form – he seduced Leda as a swan, carried away Europa as a bull and Ganymede as an eagle.

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You can see this figure in our exhibition #DefiningBeauty, until 5 July 2015.
Bronze statuette of Zeus. Roman period, 1st–2nd century AD, said to be from Hungary.
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Even before he had entered the Royal Academy schools at the age of 14, Turner had worked as an architectural draughtsman. This training is evident in his fascination with the details of the famous ruins of this twelfth-century Cistercian Abbey in Monmouthshire, which he visited in 1792, and again in 1793. Tourists of the time were as much impressed by the way that nature had reclaimed the monument as by the scale and grandeur of the buildings. Turner's blue-green washes over the abbey's far wall blend stone and leaf together, and on the near arch the spiralling creepers seem to make the wind and light tangible. 
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