British Museum blog

Digging Domuztepe: week five – clearing up, packing away

Alexandra Fletcher and Rachel Swift are a curator and a conservator working at Domuztepe, a Late Neolithic site (about 6200-5500 BC) in south eastern Turkey. This series of posts traces the weekly progress of their recent excavation season.


Alexandra Fletcher, British Museum

My last week in camp starts badly as our water supply fails. Apparently there were problems at the local pumping station. Ever adaptable, the team takes the soil sampling tins and some empty drinking water bottles to collect water from the local spring so at least we can flush our toilets.

Stuart emerges from the Neolithic well for the last time

Stuart emerges from the Neolithic well for the last time

The last week is always hectic and this year is no exception. We finish work on site on the last day before the holiday to mark the end of Ramadan. Much to everyone’s relief we manage to finish digging out the well and sort out the relationships between all the Neolithic mud walls we have found. Then, as a three day holiday starts for everyone else in Turkey, we begin the long process of packing everything ready to go into the local museum. It all needs to be cleaned and recorded before being packed away.

Time to pack things into the store at the museum

Time to pack things into the store at the museum

The work is incredibly varied. One minute you are brushing the soil from skeletons, the next labelling tiny beads and the next washing pottery. Then suddenly it’s the night before I am due to leave and I am frantically packing my own things into bags.

As my plane leaves the local airport the next day I have mixed feelings; glad to be going home but sad that the digging is over for another year.

As ever the team owes much thanks to the local residents of Kelibişler, Kadioğlu Çiftliği and Emiroğlu and all our other supporters in Kahramanmaraş and Pazarcik, especially the staff of Kahramanmaraş Museum.

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Filed under: Archaeology, Domuztepe dig 2011

One Response - Comments are closed.

  1. reindeer00 says:

    Well done, hard working archaeologists, looking forward to reading more. Best wishes to you.

    Like

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This is our next gallery space in the #MuseumOfTheFuture series. It's Room 64, the Raymond and Beverly Sackler Gallery of Early Egypt. Rapid advances in the technology and social organisation of Egypt during the 5th millennium BC produced a material culture of increasing sophistication. Further innovations followed in about 3100 BC when the separate Predynastic peoples of Upper and Lower Egypt were united under a single ruler. The resulting increase in wealth and strong central control led to dramatic achievements in architecture, writing and fine goods, culminating in the building of the Great Pyramids of Giza in around 2600 BC.
Objects on display in Room 64 illustrate the cultural, technological and political development of early civilisation in Egypt throughout this period. In this picture you can see Gebelein Man, a mummy who was naturally preserved in the desert sands, and who used to have the unofficial nickname of Ginger (although the Museum doesn't use this name). In the background you can see an interactive virtual autopsy of the mummy which was installed in the newly refurbished gallery last year. It's Toulouse-Lautrec's 150th birthday! Here's his poster for a Parisian cabaret 
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Mummification, magic and ritual are investigated through the objects on display in Rooms 62–63. These include coffins, mummies, funerary masks, portraits and other items designed to be buried with the deceased. Modern research methods such as x-rays and CT scans are used to examine the mummification process. As it's #MummyMonday here's Room 62 – together with Room 63 known as the Roxie Walker Galleries of Egyptian death and afterlife: mummies. Possibly the most famous galleries in the Museum, they are the next spaces in our #MuseumOfTheFuture series. Death and the afterlife held particular significance and meaning for the ancient Egyptians. Complex funeral preparations and rites were thought to be needed to ensure the transition of the individual from earthly existence to immortality.
Mummification, magic and ritual are investigated through the objects on display in Rooms 62–63. These include coffins, mummies, funerary masks, portraits and other items designed to be buried with the deceased. Modern research methods such as x-rays and CT scans are used to examine the mummification process. It's time for our next #MuseumOfTheFuture gallery space. This is Room 61, the Michael Cohen Gallery of Egyptian life and death (the tomb-chapel of Nebamun). The British Museum acquired 11 wall-paintings from the tomb-chapel of a wealthy Egyptian official called Nebamun in the 1820s. Dating from about 1350 BC, they are some of the most famous works of art from ancient Egypt.
Following a 10-year period of conservation and research, the paintings were put on display together for the first time in 2009. They give the impression of the walls of colour that would have been experienced by the ancient visitors to the tomb-chapel.
Objects dating from the same time period and a 3D animation of the tomb-chapel help to set the tomb-chapel in context and show how the finished tomb would have looked. (There is no Room 60 in the British Museum.)
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