British Museum blog

Altaf’s Hajj: departing and arriving


Altaf Abbas

Sunday 30 October
Up very early this morning at 4am to start the journey of a lifetime. I have got butterflies in my stomach, the whole family are at the front door to see us off – it was an emotional send off. The excitement is rising while we wait at the departure gate at Heathrow with 220 other potential hajjies who are sharing a common goal of doing Hajj. We landed in Medina on Sunday evening and as the plane touched down it felt real that we had landed in the holy city of the prophet Muhammad (peace be upon him). The whole disembarkment went very smoothly and swiftly and within a few hours we were in our hotel room.

Wednesday 2 November

We have spent the last few days in Medina which is a lovely calm place and the locals are very welcoming. This morning I made ablution and put on the ihram and boarded the bus on the long but emotional journey to Mecca where my eyes are longing to see the Kabba (the direction I pray in five times a day in London) and to see it real life is going to be overwhelming. My heart is thumping and my hands are shaking I can’t wait but have to ‘shabara’ (the Arabic word for patience) which the locals use continuously, as well as with ‘inshallah’.

Altaf and Rashida Abbas are going on Hajj this year. They will be blogging about their experience over the next two weeks. Find out more about the exhibition Hajj: journey to the heart of Islam

Filed under: Hajj: journey to the heart of Islam

One Response - Comments are closed.

  1. Amran Saniago says:

    I did read your story to the end. My tears droped when you said that you landed in the Holy City of Prohet Muhammad (Peace Be Upon Him). No reward for accepted Hajj but Paradise, hopefully you two in it. I went there with family members in 2008

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Greece lightning: this exquisite bronze depicts Zeus, chief of the Greek gods #FridayFigure

In ancient Greece, powerful, shape-shifting gods provided compelling subjects for artists. The famous sculptor Phidias created a gold and ivory statue of Zeus, ruler of the gods, that was over 13 metres high for his temple at Olympia. One of the Seven Wonders of the Ancient World, it symbolised the awesome presence of the god at his sanctuary site. There was also drama to be found in the gods’ ability to change their form as a means of disguise. Zeus, ruler of the Olympian gods, could take animal form – he seduced Leda as a swan, carried away Europa as a bull and Ganymede as an eagle.

This bronze statuette splendidly represents the majesty of Zeus, ruler of the gods on Mount Olympus and lord of the sky. Zeus holds a sceptre and a thunderbolt, showing his control over gods and mortals, and his destructive power. Although just over 20cm high, this exquisite work appears to be a copy of a much grander statue that does not survive.

You can see this figure in our exhibition #DefiningBeauty, until 5 July 2015.
Bronze statuette of Zeus. Roman period, 1st–2nd century AD, said to be from Hungary.
#art #museum #exhibition #ancientGreece #Zeus #gods This beautiful watercolour of Tintern Abbey is by J M W Turner, thought to have been born #onthisday in 1755.

Even before he had entered the Royal Academy schools at the age of 14, Turner had worked as an architectural draughtsman. This training is evident in his fascination with the details of the famous ruins of this twelfth-century Cistercian Abbey in Monmouthshire, which he visited in 1792, and again in 1793. Tourists of the time were as much impressed by the way that nature had reclaimed the monument as by the scale and grandeur of the buildings. Turner's blue-green washes over the abbey's far wall blend stone and leaf together, and on the near arch the spiralling creepers seem to make the wind and light tangible. 
#art #artist #Turner #history #watercolour ‪#IndigenousAustralia is now open. Discover a remarkable 60,000 years of continuous culture in our new special exhibition.
This show is the first major exhibition in the UK to present a history of Indigenous Australia through objects, celebrating the cultural strength and resilience of both Aboriginal peoples and Torres Strait Islanders. See spectacular objects like Torres Strait Islander masks alongside significant paintings.
Organised with the National Museum of Australia, ‪the exhibition also includes important international loans.
#history #Australia #museum #BritishMuseum Happy #StGeorgesDay! Here he is killing the dragon and rescuing Lady Una on a medieval pilgrim badge
#history #StGeorge #dragon #IndigenousAustralia opens tomorrow. Here’s a sneak peek in the exhibition… 
#art #Australia #exhibition #BritishMuseum 
Objects pictured include: 
Roy Underwood, Lennard Walker, Simon Hogan and Ian Rictor, 'Pukara'. Acrylic on canvas, 2013. © the artists, courtesy Spinifex Arts Project. 
Charlie Allungoy (Numbulmoore) (c. 1907–1971), Ngarinyin Mowanjum. Pigment on composition board, 1970. Kimberley region, Western Australia. National Museum of Australia. 
Mask of turtle shell. Mer, Torres Strait, before 1855. 
Selection of shields:
Mulgrave River region, near Cairns, Queensland, c. 1900.
Adelaide Plains region, South Australia, before 1848.
South-east Australia, mid-19th century.
South-east Australia, before 1950. Legend has it that #onthisday in 753 BC Romulus founded Rome. Here's the myth on this coin
#history #coin #Rome #Romulus
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