British Museum blog

Altaf’s Hajj: departing and arriving


Altaf Abbas

Sunday 30 October
Up very early this morning at 4am to start the journey of a lifetime. I have got butterflies in my stomach, the whole family are at the front door to see us off – it was an emotional send off. The excitement is rising while we wait at the departure gate at Heathrow with 220 other potential hajjies who are sharing a common goal of doing Hajj. We landed in Medina on Sunday evening and as the plane touched down it felt real that we had landed in the holy city of the prophet Muhammad (peace be upon him). The whole disembarkment went very smoothly and swiftly and within a few hours we were in our hotel room.

Wednesday 2 November

We have spent the last few days in Medina which is a lovely calm place and the locals are very welcoming. This morning I made ablution and put on the ihram and boarded the bus on the long but emotional journey to Mecca where my eyes are longing to see the Kabba (the direction I pray in five times a day in London) and to see it real life is going to be overwhelming. My heart is thumping and my hands are shaking I can’t wait but have to ‘shabara’ (the Arabic word for patience) which the locals use continuously, as well as with ‘inshallah’.

Altaf and Rashida Abbas are going on Hajj this year. They will be blogging about their experience over the next two weeks. Find out more about the exhibition Hajj: journey to the heart of Islam

Filed under: Hajj: journey to the heart of Islam

One Response - Comments are closed.

  1. Amran Saniago says:

    I did read your story to the end. My tears droped when you said that you landed in the Holy City of Prohet Muhammad (Peace Be Upon Him). No reward for accepted Hajj but Paradise, hopefully you two in it. I went there with family members in 2008

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English sculptor Henry Moore was born #onthisday in 1898.
Drawing played a major role in Henry Moore's work throughout his career. He used it to generate and develop ideas for sculpture, and to create independent works in their own right.
During the 1930s the range and variety of his drawing expanded considerably, starting with the 'Transformation Drawings' in which he explored the metamorphosis of natural, organic shapes into human forms. At the end of the decade he began to focus on the relationship between internal and external forms, his first sculpture of this nature being 'Helmet' (Tate Collections) of 1939.
This drawing titled ‘Two Women: Drawing for sculpture combining wood and metal’ was based on a pencil study entitled ‘Ideas for Lead Sculpture’. It reflects his awareness of surrealism and psychoanalytical theory as well his abiding interest in ethnographic material and non-European sculpture; the particular reference in this context is to a malangan figure (malangan is a funeral ritual cycle) from New Ireland province in Papua New Guinea, which had attracted his interest in the British Museum. 
Henry Moore, Two Women: Drawing for sculpture combining wood and metal. England, 1939. Here's another fabulous view of the Great Court captured by @whatinasees at our instagramer event #regram #repost
Check out all of the photos at #emptyBM Vincent van Gogh died #onthisday in 1890. Here's a print of his only known etching. It depicts his doctor, Dr Paul Gachet, seated in the garden of his house.
#vanGogh #etching Beatrix Potter was born #onthisday in 1866. Here are some of her flopsy bunnies! 🐰
#BeatrixPotter Made in AD 700, the exquisite Hunterston brooch was found at Hunterston, Ayrshire during the 1830s. It is a highly accomplished casting of silver, richly mounted with gold, silver and amber decoration. It is sumptuously decorated with animals executed in gold wire and granules, called filigree. In the centre of the brooch is a cross flanking a golden ‘Glory’ representing the risen Christ #MedievalMonday
The Hunterston brooch will feature in our forthcoming #Celts exhibition, on loan from @nationalmuseumsscotland. Encounter an African contribution to the global carnival tradition through contemporary artist @zakove’s Moko Jumbie sculptures in the Great Court. These spectacular 7-metre-high male and female figures in striking black and gold costumes are inspired by aspects of African masquerade. #ZakOve
Find out more about our #Africa season this summer with events and displays at www.britishmuseum.org/whats_on/celebrating_africa.aspx
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