British Museum blog

Rashida’s Hajj: circling the Ka’ba


Rashida Abbas

Thursday 3 November
After our long journey we finally arrived at 3am in the grand mosque that surrounds the Ka’ba. The sheer number of people was overwhelmimg. There is nowhere to stand even though the mosque is enormous and goes on for miles. I struggled through the Tawaf (circling the Ka’ba) although I was a bit fazed due to lack of sleep and the crowds but I managed to complete it before collapsing in a heap to get some rest before the next part.

I leaned against one of the many marble clad minarets and gazed up at the sky above the Kabba where there was the most beautiful glow and tranquility which I had never felt anywhere else. It rejuvenated me to continue. As I looked down my husband was laying next to me snoring. I was feeling thirsty and hungry so I drank the water from the well of Zam Zam and was instantly refreshed. I can’t believe this well has been running since the time of Abraham, for me that is a miracle…

Altaf and Rashida Abbas are going on Hajj this year. They will be blogging about their experience over the next two weeks. Find out more about the exhibition Hajj: journey to the heart of Islam

Filed under: Exhibitions, Hajj: journey to the heart of Islam

One Response - Comments are closed.

  1. Maryam says:

    Mashaallah sister may Allah except your hajj, please make dua for me too.

    Like

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English sculptor Henry Moore was born #onthisday in 1898.
Drawing played a major role in Henry Moore's work throughout his career. He used it to generate and develop ideas for sculpture, and to create independent works in their own right.
During the 1930s the range and variety of his drawing expanded considerably, starting with the 'Transformation Drawings' in which he explored the metamorphosis of natural, organic shapes into human forms. At the end of the decade he began to focus on the relationship between internal and external forms, his first sculpture of this nature being 'Helmet' (Tate Collections) of 1939.
This drawing titled ‘Two Women: Drawing for sculpture combining wood and metal’ was based on a pencil study entitled ‘Ideas for Lead Sculpture’. It reflects his awareness of surrealism and psychoanalytical theory as well his abiding interest in ethnographic material and non-European sculpture; the particular reference in this context is to a malangan figure (malangan is a funeral ritual cycle) from New Ireland province in Papua New Guinea, which had attracted his interest in the British Museum. 
Henry Moore, Two Women: Drawing for sculpture combining wood and metal. England, 1939. Here's another fabulous view of the Great Court captured by @whatinasees at our instagramer event #regram #repost
Check out all of the photos at #emptyBM Vincent van Gogh died #onthisday in 1890. Here's a print of his only known etching. It depicts his doctor, Dr Paul Gachet, seated in the garden of his house.
#vanGogh #etching Beatrix Potter was born #onthisday in 1866. Here are some of her flopsy bunnies! 🐰
#BeatrixPotter Made in AD 700, the exquisite Hunterston brooch was found at Hunterston, Ayrshire during the 1830s. It is a highly accomplished casting of silver, richly mounted with gold, silver and amber decoration. It is sumptuously decorated with animals executed in gold wire and granules, called filigree. In the centre of the brooch is a cross flanking a golden ‘Glory’ representing the risen Christ #MedievalMonday
The Hunterston brooch will feature in our forthcoming #Celts exhibition, on loan from @nationalmuseumsscotland. Encounter an African contribution to the global carnival tradition through contemporary artist @zakove’s Moko Jumbie sculptures in the Great Court. These spectacular 7-metre-high male and female figures in striking black and gold costumes are inspired by aspects of African masquerade. #ZakOve
Find out more about our #Africa season this summer with events and displays at www.britishmuseum.org/whats_on/celebrating_africa.aspx
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