British Museum blog

Digging Domuztepe: back in the UK

Alexandra Fletcher and Rachel Swift are a curator and a conservator working at Domuztepe, a Late Neolithic site (about 6200-5500 BC) in south eastern Turkey. This series of posts traces the progress of their recent excavation season.


Alexandra Fletcher, British Museum

I always arrive home to a weird feeling of disorientation. After being away for so long it takes a few days to adjust back to luxuries such as hot water on tap and comfy chairs to sit on. My surroundings also look shockingly green after the dry, baked fields of south eastern Turkey.

A view of the village on our last morning

A view of the village on our last morning

After the excitement of getting home has faded, it’s back to work for the Domuztepe team. Although the dig only happens for a few weeks every year, the project is running all the time with people analysing the data collected, writing up the results, updating our databases and digitising field records, plans or drawings. As soon as we arrive home we also begin our permit and funding applications for next year’s dig. The excavation is therefore a year-round activity and the site is never far from my mind.

The Domuztepe project was supported by the British Institute at Ankara, the British Museum, University of Manchester, Brennan foundation and the Gerald Averay Wainwright fund for the 2011 season.

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Filed under: Archaeology, Domuztepe dig 2011

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We welcome nearly 7 million visitors a year to the Museum and this photo by @zoenorfolk wonderfully captures the movement of people around the Great Court. Completed in 2000, the Great Court also features a quote by Tennyson: 'and let thy feet millenniums hence be in the midst...’
#repost #regram
Share your photos of the British Museum with us using #mybritishmuseum and tag @britishmuseum In 2000, the Queen Elizabeth II Great Court designed by Foster and Partners transformed the Museum’s inner courtyard into the largest covered public square in Europe. We love this striking photo by @adders77 showing this incredible space at night #regram #repost
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The two-acre space of the Great Court is enclosed by a spectacular glass roof made of 3,312 unique pieces!
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Glazed brick panel showing a roaring lion from the Throne Room of Nebuchadnezzar II, 605–562 BC. From Babylon, southern Iraq. On loan from Vorderasiatisches Museum, Berlin.
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#lion #art #history #BritishMuseum Lions have perhaps been adopted as a symbol more than any other animal. They are seen as proud, fierce and magnificent – characteristics that made kings and countries want to associate themselves with these charismatic big cats. As well as being the national symbol of England and Scotland, the lion is in many ways the symbol of the British Museum. Lions guard both entrances to the building. At the Montague Place entrance are the languid lions carved by Sir George Frampton, and on the glass doors of the Main entrance are the cat-like beasts designed by the sculptor Alfred Stevens in 1852.
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We’ll be sharing more lovely lions this week! Share your photos using #mybritishmuseum and tagging @britishmuseum.
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