British Museum blog

Digging Domuztepe: back in the UK

Alexandra Fletcher and Rachel Swift are a curator and a conservator working at Domuztepe, a Late Neolithic site (about 6200-5500 BC) in south eastern Turkey. This series of posts traces the progress of their recent excavation season.


Alexandra Fletcher, British Museum

I always arrive home to a weird feeling of disorientation. After being away for so long it takes a few days to adjust back to luxuries such as hot water on tap and comfy chairs to sit on. My surroundings also look shockingly green after the dry, baked fields of south eastern Turkey.

A view of the village on our last morning

A view of the village on our last morning

After the excitement of getting home has faded, it’s back to work for the Domuztepe team. Although the dig only happens for a few weeks every year, the project is running all the time with people analysing the data collected, writing up the results, updating our databases and digitising field records, plans or drawings. As soon as we arrive home we also begin our permit and funding applications for next year’s dig. The excavation is therefore a year-round activity and the site is never far from my mind.

The Domuztepe project was supported by the British Institute at Ankara, the British Museum, University of Manchester, Brennan foundation and the Gerald Averay Wainwright fund for the 2011 season.

If you would like to leave a comment click on the title

Filed under: Archaeology, Domuztepe dig 2011

Enter your email address to follow this blog and receive notifications of new posts by email.

Join 15,656 other followers

Categories

Follow @britishmuseum on Twitter

British Museum on Instagram

This envelope, with a colourful design on its front and a red background and reverse, is typical of the 1990s and early 21st century. On the front is a traditional sailing boat, or junk, sailing on a calm sea with just a few clouds high in the sky. The four characters written on the main sail wish for 'the wind in your sails'. This phrase is used as a general wish for good luck, but is especially used to wish 'Bon Voyage' to someone setting out on a journey. There are five other good luck wishes on the front, all presented as though stamped images from a carved seal. They wish for peace and calm, wind in your sails, a wonderful future, abundance and profit. Wishing everyone a happy #ChineseNewYear! #GongXiFaCai The inscription on this tall red envelope translates as 'Good luck in all you wish for!' Above the inscription are illustrations of three objects representing traditional forms of money in China, and a ruyi sceptre. The traditional forms of money include spade money, a coin with a square hole in the middle, and a small silver ingot. Unlike real coins, the spade and coin carry good luck wishes: 'good luck' (on the spade) 'in all you wish for' (on the coin).The ruyi sceptre also conveys a wish for good luck as ruyi means 'all you wish for'. Happy #ChineseNewYear! #GongXiFaCai Happy #ChineseNewYear! These are called xiao hongbao, literally translated as 'little red envelopes'. Red is the colour associated with celebration in China. In the 1990s, a new style of money envelope appeared. Although it still had a red back, the front was printed in many colours and overstamped in gold. On this envelope there are lush peony flowers in full bloom. They are symbolic of spring, as well as feminine beauty, love and affection. In Chinese, the peony is known as mudanhua or fuguihua. The characters fu ('wealth') and gui ('honour') appear frequently in good luck wishes, and pictures of peony flowers add strength to the wish. The inscription on this envelope reads 'May wealth and honour blossom, in abundance year after year'. The arrangement of the peonies and the inscription is reminiscent of traditional Chinese flower painting. #GongXiFaCai We welcome nearly 7 million visitors a year to the Museum and this photo by @zoenorfolk wonderfully captures the movement of people around the Great Court. Completed in 2000, the Great Court also features a quote by Tennyson: 'and let thy feet millenniums hence be set in the midst of knowledge...’
#repost #regram
Share your photos of the British Museum with us using #mybritishmuseum and tag @britishmuseum In 2000, the Queen Elizabeth II Great Court designed by Foster and Partners transformed the Museum’s inner courtyard into the largest covered public square in Europe. We love this striking photo by @adders77 showing this incredible space at night #regram #repost
Share your photos of the British Museum with us using #mybritishmuseum and tag @britishmuseum This wonderful photo by @what_fran_saw captures the stunning Great Court #regram #repost
The two-acre space of the Great Court is enclosed by a spectacular glass roof made of 3,312 unique pieces!
Share your photos of the British Museum with us using #mybritishmuseum and tag @britishmuseum
Follow

Get every new post delivered to your Inbox.

Join 15,656 other followers

%d bloggers like this: