British Museum blog

Grayson Perry Late

Polly Wright and Francis Olvez-Wilshaw,
University of the Arts London students

For one night only, this Friday 11 November, we, the University of the Arts London, are exhibiting alongside Grayson Perry’s exhibition The Tomb of the Unknown Craftsmanas part of the Grayson Perry Late event at the British Museum.

I have been fortunate enough to sit on the committee of students helping to curate the event. From the written proposals to meeting my fellow students and artists, it has been an interesting journey, one of excitement, fun and insight… and we only have a few days to go!

I feel I am speaking on behalf of all involved when I say it is an exceptional experience to not only be exhibiting in the British Museum but also to be connected to the loved and respected Grayson Perry. This was apparent from the proposals we received as they were filled with enthusiastic appraisal for the British Museum as an institution and for Grayson’s work as an influential artist. Our students’ are committed to creating works suitable to communicate this inspiration. Now, in our final stages of preparation, I can already reflect upon what is a wide array of idiosyncratic ideas, across all mediums, which heightens my excitement for the night.

Meeting everyone behind the projects has been great. Whilst hearing these talented artists animatedly explaining their projects I have become more aware of the raw passion behind their work. I think this will be particularly apparent on the night. The night will be an exhibition of a wide array of interesting and colourful ideas created by a mixture of solo and collaborative works.

The performance piece Touching Death – A Wake has been a particularly interesting project to watch develop and to hear the extraordinary story behind its conception. The connections between the artists and the pure shock ability of the live wake of a real person on the night are bound to be a thought-provoking, public way of exploring death on a dramatically real level.

Showcasing 25 works, from fashion to craft, discos to pilgrimages, I can assure you that the night will be both thought-provoking and entertaining. I am personally excited to watch the space transform – we hope it will highlight aspects within the British Museum’s expansive collection as well as support Grayson Perry’s work.

I am going to leave you with a list of words the artists have used to sum up Grayson Perry: Technicolor, eccentric, genius, revolutionary, cocktail, hilarious, crackers… I hope this gets you excited! See you there!

Find out more about the Grayson Perry Late event.

Grayson Perry: The Tomb of the Unknown Craftsman
is supported by AlixPartners, with Louis Vuitton.
Book tickets now

Filed under: Grayson Perry: The Tomb of the Unknown Craftsman

Enter your email address to follow this blog and receive notifications of new posts by email.

Join 12,377 other followers

Categories

Follow @britishmuseum on Twitter

British Museum on Instagram

The Eiffel Tower officially opened ‪#‎onthisday in 1889.
This 1928 print by French artist Jean Émile Laboureur depicts the Gardens of Trocadéro with the Eiffel Tower beyond.
#EiffelTower #Paris #print #art #history We are excited to announce that our exhibition #8mummies is now extended until 12 July 2015! Here are the 8 mummies you'll encounter in this groundbreaking exhibition #MummyMonday
#history #exhibition #mummy Vincent van Gogh was born #onthisday in 1853. Here’s his drawing of La Crau from Montmajour.
#VanGogh #art #drawing #France American artist Jim Dine has given over 200 prints to the Museum's Prints and Drawings collection. See some of his amazing works on display in Room 90.
#art #prints #artist This week we're celebrating #MuseumWeek with a new theme each day!
Today’s theme is #favMW. What is your favourite British Museum object?
#museum #objects #history 'The absolutely-must-see exhibition of the year' ★★★★★ (The Times)
#DefiningBeauty is now open!
Follow

Get every new post delivered to your Inbox.

Join 12,377 other followers

%d bloggers like this: