British Museum blog

Grayson Perry Late

Polly Wright and Francis Olvez-Wilshaw,
University of the Arts London students

For one night only, this Friday 11 November, we, the University of the Arts London, are exhibiting alongside Grayson Perry’s exhibition The Tomb of the Unknown Craftsmanas part of the Grayson Perry Late event at the British Museum.

I have been fortunate enough to sit on the committee of students helping to curate the event. From the written proposals to meeting my fellow students and artists, it has been an interesting journey, one of excitement, fun and insight… and we only have a few days to go!

I feel I am speaking on behalf of all involved when I say it is an exceptional experience to not only be exhibiting in the British Museum but also to be connected to the loved and respected Grayson Perry. This was apparent from the proposals we received as they were filled with enthusiastic appraisal for the British Museum as an institution and for Grayson’s work as an influential artist. Our students’ are committed to creating works suitable to communicate this inspiration. Now, in our final stages of preparation, I can already reflect upon what is a wide array of idiosyncratic ideas, across all mediums, which heightens my excitement for the night.

Meeting everyone behind the projects has been great. Whilst hearing these talented artists animatedly explaining their projects I have become more aware of the raw passion behind their work. I think this will be particularly apparent on the night. The night will be an exhibition of a wide array of interesting and colourful ideas created by a mixture of solo and collaborative works.

The performance piece Touching Death – A Wake has been a particularly interesting project to watch develop and to hear the extraordinary story behind its conception. The connections between the artists and the pure shock ability of the live wake of a real person on the night are bound to be a thought-provoking, public way of exploring death on a dramatically real level.

Showcasing 25 works, from fashion to craft, discos to pilgrimages, I can assure you that the night will be both thought-provoking and entertaining. I am personally excited to watch the space transform – we hope it will highlight aspects within the British Museum’s expansive collection as well as support Grayson Perry’s work.

I am going to leave you with a list of words the artists have used to sum up Grayson Perry: Technicolor, eccentric, genius, revolutionary, cocktail, hilarious, crackers… I hope this gets you excited! See you there!

Find out more about the Grayson Perry Late event.

Grayson Perry: The Tomb of the Unknown Craftsman
is supported by AlixPartners, with Louis Vuitton.
Book tickets now

Filed under: Grayson Perry: The Tomb of the Unknown Craftsman

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As part of our #MuseumInstaSwap with @ImperialWarMuseums, we’ve been given special access to the Churchill War Rooms – located deep below the streets of Westminster.
This is Prime Minister Winston Churchill’s bedroom, which includes his private desk, briefcase and papers, his bed and chamber pot and even an original cigar! The bedroom is located close to the Map Room, keeping Churchill as close as possible to the epicentre of Cabinet War Rooms.
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Discover more stories from London’s museums with #MuseumInstaSwap We’re exploring the Churchill War Rooms – the secret underground headquarters of the British government during the Second World War – in partnership with @ImperialWarMuseums for #MuseumInstaSwap.
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Here you can see the wall of the Map Room, detailing the positions of British convoys across the world, which has not changed since 1945! Today in #MuseumInstaSwap we’re beneath the streets of Westminster to discover the hidden secrets of the #WW2 Cabinet War Rooms, which is part of @ImperialWarMuseums.
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Germany introduced numerous government controls on food production and sale, and these rationing cards show how the distribution of essentials such as meat, bread and milk was restricted. But the British naval blockade caused real suffering, even starvation. Serious shortages of food and resources led to price rises, riots and strikes.
Discover more stories from London’s museums with #MuseumInstaSwap In the First World War Galleries of @ImperialWarMuseums there are many stories of what life was like for ordinary civilians. These ration books show how staple foodstuffs like meat, butter and sugar were carefully distributed in the UK, where hunger caused by naval blockages was a serious threat on the home front.
The government introduced rationing in London early in 1918 and extended it nationwide by the summer. People now got fair shares of food and although supplies were limited, nobody starved. British civilians defied German expectations by accepting this state intrusion into their daily lives.
Discover more stories from London’s museums with #MuseumInstaSwap MuseumInstaSwap Today for #MuseumInstaSwap we’re exploring the fascinating First World War Galleries at @ImperialWarMuseums, to learn more about the impact of the war on ordinary people.
Hunger seriously affected the civilian populations of all the combatant nations. Agriculture and food distribution suffered as a result of the war, and naval blockades reduced food imports, which forced up prices and encouraged hoarding. Governments responded by putting price controls on staple foodstuffs.
Women and children queuing for food became a common sight in cities across Europe. This photograph from the archives of @ImperialWarMuseums shows food queues in Reading, England. The need to queue was lessened when rationing was introduced during 1918.
© IWM (Q 56276)
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