British Museum blog

Stunt double trouble


Janet Larkin, Curator of the Enlightenment Gallery

I’ve had an exciting time these last few months managing the installation of the objects for Grayson Perry’s exhibition. As part of this, I have also been tasked with changing the stunt double teddy bears on the back of Grayson motorbike, which you can see on display just outside the exhibition entrance. I usually work in the Department of Coins and Medals and look after the Enlightenment Gallery, and so getting up close to this fantastic motorbike is a real change for me!

Hundreds of bears entered their CVs and photos for Grayson Perry’s competition to find a stunt double for Alan Measles, who is of course Grayson’s teddy bear and ‘god of his imaginary world’. Grayson shortlisted the candidates to find his top 12 and then the public voted for their three favourites. The final three reminded us of The Story of the Three Bears, there was “a Little, Small, Wee Bear” called Dr Schmoo, “a Middle-sized Bear” called Pinny, and “a Great, Huge Bear” called John Duggan.

Last week, early one morning before the Museum opened to the public, we tried John Duggan out for size by placing him in the shrine on the back of Grayson’s motorbike. Dressed up in his leathers and wearing a fantastically ornate eye patch, he really looked the part. However, John was slightly too tall for the shrine and so, very sadly, he won’t be able to take up his place as the stand-in for Alan Measles after all.

This is incredibly disappointing for John Duggan of course. He had so wanted to sit in the shrine and for all to come and see him. However, we know that he will take comfort in knowing that he has been an internet star with thousands of votes. He now even has his own Facebook page, so do go and make friends with him! He will certainly go on to have many more adventures I’m sure. Whilst he was here, and in true stunt teddy bear spirit, he did try out a few poses on the motorbike which we caught on camera and which he wanted you to see…

John Duggan prepares for a ride on Grayson Perry's motorbike

Displaying his fine balancing skills on the handlebars

Enjoying the scenery

Posing like a true stunt double

And so, we now need a stand-in for the stand-in! The next bear on the shortlist from the final stages of the competition will be contacted and asked to take John Duggan’s place. Keep an eye out (not literally, like John Duggan) on Twitter for the announcement of who that lucky bear will be.

You may have seen Pinny and Alan Measles on Harry Hill’s TV Burp. Pinny is thrilled to have been on television. Have you seen Pinny or Dr Schmoo on display yet? Dr Schmoo is proudly wearing his Grayson Perry badge, and I’ve even found him a cushion so that he can sit on that big throne much more comfortably.

Find out more about the Grayson Perry Late event.

Grayson Perry: The Tomb of the Unknown Craftsman
is supported by AlixPartners, with Louis Vuitton.
Book tickets now

Filed under: Exhibitions, Grayson Perry: The Tomb of the Unknown Craftsman

One Response - Comments are closed.

  1. Archie says:

    Just returned from the British Museum today. I specifically went to see Grayson’s exhibition. Both my wife and I were bowled over by his huge talent. The exhibition was really well put together, showing how he was influenced by the other pieces of work on display. It was a treat and a perfect day.

    The museum hold such a vast array of pieces that I’ll never be able to have enough time in m y life to see everything. Well done.

    Like

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This is one of a collection of photographs taken by the photographer Frederick York of Notting Hill, London in 1875.
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This exhibition was organised by the National Gallery of Art, Washington @ngadc in association with the British Museum.
Book your tickets now to see these spectacular works! #art #drawing #Leonardo

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This is a magnificent drawing in both scale and style. It is drawn in black and yellow chalk, though Rubens also used a grey wash and some white heightening in order to bring the animal to life on paper.
The lioness is drawn from behind. Her front paw is raised and her mouth open, the fangs clearly visible. White heightening brings out the lighted area around the tail and the joints of the back legs. Both short and longer chalk strokes are used to suggest the different textures of the fur and mane.
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