British Museum blog

Ancient human remains from Sudan: training future specialists


Michaela Binder, Durham University

Sudan has perhaps one of the richest and most fascinating archaeological records in the world. Construction projects such as roads and dams are an increasing threat to its cultural heritage which prompts a large number of salvage excavations by Sudanese and international teams. Accordingly, as a large number of archaeological sites are cemeteries, the amount of human remains housed in museums and universities for use in research is steadily growing.

The pyramid cemetery at Meroe

The pyramid cemetery at Meroe, a UNESCO World Heritage site since April 2011

Despite the fact Sudan has many excellent archaeologists, the scientific potential of human remains – which can increase our knowledge about many aspects of past human cultures – is not fully harnessed. This is mainly due to the fact that there is relatively little training in the study of human remains within the country itself.

Recognising this problem, the British Museum’s Amara West project has instigated a Bioarchaeology Field School, generously funded by the Institute of Bioarchaeology. I am currently in Khartoum running a one-week workshop at the National Council of Antiquities and Museums (NCAM). Over the course of the workshop, nine participants, including senior members of NCAM and archaeologists from the universities of Khartoum, Shendi, Bahri (Juba) and Wadi al-Nil, will gain a basic understanding of the study of human remains, the methods involved and the potential information that can be obtained.

Workshop participants learning anatomy using a plastic skeleton.

Workshop participants learning anatomy using a plastic skeleton.

During the first few days, we have been busy learning about the anatomy of the human skeleton. Following practice on a plastic skeleton, the participants get hands-on experience with skeletons excavated at the Meroitic cemetery at Berber, by workshop participant Mahmoud Suleiman Bashir, an inspector at NCAM.

We have also visited excavations at al-Khiday near Khartoum, a multi-period site with cemeteries of the Pre-Mesolithic, Neolithic and Meroitic periods, where Tina Jakob of Durham University, who works on the human remains of Al-Khiday, gave a talk about her research.

Site visit to Al-Khiday. Tina Jakob showing participants the Meroitic burial she is excavating

Site visit to Al-Khiday. Tina Jakob showing participants the Meroitic burial she is excavating

You can read more about our discoveries at Amara West on the British Museum website where we have uploaded new pages about the excavation of a Ramesside house at the town, and post-New Kingdom burials in cemetery C.

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Filed under: Amara West, Archaeology, Research, , ,

3 Responses - Comments are closed.

  1. laura says:

    awesome;)

    Like

  2. laura says:

    awesome this is fasinating;)

    Like

  3. veg-ease says:

    I don’t think that it is okay to dig up bones and touch someone like this. This is Africa have respect especially for the dead. Jah love and bless us.

    Like

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English sculptor Henry Moore was born #onthisday in 1898.
Drawing played a major role in Henry Moore's work throughout his career. He used it to generate and develop ideas for sculpture, and to create independent works in their own right.
During the 1930s the range and variety of his drawing expanded considerably, starting with the 'Transformation Drawings' in which he explored the metamorphosis of natural, organic shapes into human forms. At the end of the decade he began to focus on the relationship between internal and external forms, his first sculpture of this nature being 'Helmet' (Tate Collections) of 1939.
This drawing titled ‘Two Women: Drawing for sculpture combining wood and metal’ was based on a pencil study entitled ‘Ideas for Lead Sculpture’. It reflects his awareness of surrealism and psychoanalytical theory as well his abiding interest in ethnographic material and non-European sculpture; the particular reference in this context is to a malangan figure (malangan is a funeral ritual cycle) from New Ireland province in Papua New Guinea, which had attracted his interest in the British Museum. 
Henry Moore, Two Women: Drawing for sculpture combining wood and metal. England, 1939. Here's another fabulous view of the Great Court captured by @whatinasees at our instagramer event #regram #repost
Check out all of the photos at #emptyBM Vincent van Gogh died #onthisday in 1890. Here's a print of his only known etching. It depicts his doctor, Dr Paul Gachet, seated in the garden of his house.
#vanGogh #etching Beatrix Potter was born #onthisday in 1866. Here are some of her flopsy bunnies! 🐰
#BeatrixPotter Made in AD 700, the exquisite Hunterston brooch was found at Hunterston, Ayrshire during the 1830s. It is a highly accomplished casting of silver, richly mounted with gold, silver and amber decoration. It is sumptuously decorated with animals executed in gold wire and granules, called filigree. In the centre of the brooch is a cross flanking a golden ‘Glory’ representing the risen Christ #MedievalMonday
The Hunterston brooch will feature in our forthcoming #Celts exhibition, on loan from @nationalmuseumsscotland. Encounter an African contribution to the global carnival tradition through contemporary artist @zakove’s Moko Jumbie sculptures in the Great Court. These spectacular 7-metre-high male and female figures in striking black and gold costumes are inspired by aspects of African masquerade. #ZakOve
Find out more about our #Africa season this summer with events and displays at www.britishmuseum.org/whats_on/celebrating_africa.aspx
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