British Museum blog

Reflections on Hajj


In November 2011, Altaf and Rashida went on Hajj.
Here, Altaf reflects on the experience.

The end of Hajj
After our third night at Mina, we travelled by coach back to Mecca where the adventure continued. The coach driver took a wrong turning and headed in the wrong direction for 20 minutes. He then did a three point turn on the motorway and then a few miles later ran out of diesel! So a short journey of 40 minutes turned into a three hour saga! Even though everyone was extremely tired, the group stayed in good spirits as this was the first and only real hiccup in the whole trip.

Once we finally arrived in Mecca we checked into a 5 star hotel for a well-deserved rest. The hotel felt so luxurious and clean after having roughed it for a week. The hotel was less than a five minute walk to the Ka’ba so we made frequent trips for prayer and tawaf. Tawaf was very difficult as the Ka’ba was packed full of worshipers. We did the circumambulation on the top floor which increased the distance of each circuit to almost double.

One evening I went to do a tawaaf and half way through I felt peckish so I went and got a cheese burger from Burger King, sat over looking the holy mosque containing the Ka’ba. It was 2am, the temperature was 27 degrees centigrade…it was surreal experience, two different worlds with me in the middle.

After Hajj

After Hajj was over, we went to Jeddah to spend some time with my older brother who lives there with his wife and son. We were eager to see them as it had been a long while and we had never met the baby.

What a contrast! One day being in the holiest Islamic site in the world, the next in an ultra-modern busy city with the latest technology and all the designer shops you can imagine. However the remembrance of Allah is never far away – life revolves around the prayer times. When we were in one of the traditional open souks we heard the call to prayer – the shops shut their doors and the market stalls just covered their goods with a sheet and went off for prayer. Ten minutes later it’s all back to normal.

Back in London

Having completed one of the pillars of Islam, I feel the need to protect the remaining four even more than I had before I went on Hajj. The experience has changed lots of things. I feel a lot more connected to the creator and have a stronger visual connection between the text of the Quran and the knowledge that I have completed an ancient rite.

I was really missing Saudi so I logged on to the Ka’ba web site and the area around the Ka’ba was virtually empty, just a few hundred people doing tawaf. It looked very different to what I had experienced with millions of people.

Doing the Hajj has reinforced my strength in my faith and helps me remember Allah more regularly.

Altaf and Rashida Abbas went on Hajj this year and blogged about the experience for the British Museum. Find out more about the exhibition Hajj: journey to the heart of Islam

Filed under: Exhibitions, Hajj: journey to the heart of Islam

One Response - Comments are closed.

  1. jessie says:

    Beautiful…

    Like

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Happy 134th birthday @natural_history_museum! Here’s the British Museum before the natural history collection moved to South Kensington
#giraffe #history #BritishMuseum #museum Most Greek sculpture that survives from antiquity is carved from white marble, of which the Mediterranean has many natural sources. A relationship has often been assumed between the pure white of freshly cut marble and the idealism of Greek art. In fact, the opposite is true. Colour was intrinsic to ancient ideas of beauty. For centuries this has been a subject of fascination and controversy. The great Italian Renaissance sculptor Michelangelo revived the Greek idea of the human body but denied the use of colour. This was partly due to negative associations with the painted saints of the medieval period. During the European Enlightenment of the 1750s onwards, and increasingly into our own time, the preferred aesthetic was a truth to materials. Painting and gilding were seen as unnecessary and undesirable.

Sculpture in antiquity was often adorned not only with colour but also with different materials. The Greek marble statue of an archer reconstructed here was drilled and fitted with metal attachments. The figure originally held a bronze bow and arrow and a quiver was fixed to his left hip by a metal dowel. Individual locks of hair were made of lead. The colourful design of the man’s knitted all-in-one garment, often worn by peoples from the east, is clearly seen weathered into the marble surface under controlled lighting.

You can see this wonderful object in our exhibition #DefiningBeauty, until 5 July 2015.
#exhibition #BritishMuseum #ancientGreece #sculpture #art

Plaster cast of archer with reconstructed paint, based on a Greek original of about 490–480 BC, from the Temple of Aphaia at Aigina. Staatliche Antikensammlung und Glyptothek, Munich. Uta Uta Tjangala's masterpiece Yumari is a highlight of‪ #IndigenousAustralia, opening a week today
#exhibition #art #history #BritishMuseum #Australia #museum Hans Sloane's collection also ended up as the basis of the @natural_history_museum and the @britishlibrary!
To make more room for the increasing collections held by the British Museum, the natural history collections were moved to a new building in South Kensington in the 1880s. This eventually became the Natural History Museum. These images show some of the natural history specimens on display, including giraffes and a mastodon!
In 1997, the library departments left the Museum to be re-housed at the new British Library in St Pancras.
#history #BritishMuseum #collection #animals #books Hans Sloane's encyclopaedic collection became the cornerstone of the British Museum.
This drawer was once part of the materia medica - a sort of pharmaceutical cabinet - in the collection of Sloane. The cabinet had several drawers, each carefully constructed to keep out destructive insects. Some drawers had small compartments like this example, others contained glazed boxes with seeds, fruit, bark, roots, gums and resins inside. Each had a label written by Sloane with a catalogue number. The botanical or medicinal name of the subtance, where it came from and who collected it were then recorded in his catalogues of his collection.
As Sloane's interest in natural history grew along with his income, he was able to widen the scope of his collection from being primarily medical to being more encyclopaedic, representing the widest possible variety of substances and artefacts for his own reference and for others to consult.
© 2003 The Natural History Museum @natural_history_museum 
#history #BritishMuseum #collection #museum Our founder, Sir Hans Sloane, was born ‪#onthisday in 1660.
This engraving after a portrait  by T Murray shows him at the age of 68. The inscription at the bottom can be translated as: 'Sir Hans Sloane, baronet / Pres[ident]. of the College of Physicians of London and the Royal Society. etc.'
Sloane was born in Ireland in 1660, and trained as a doctor of medicine. At the age of 27 he went to the West Indies as personal doctor to the Governor of Jamaica and while living there he began to form his great collection of natural history specimens. For the rest of his long life he collected plants, fossils and minerals, as well as objects from ancient Rome, Egypt and Assyria. He also amassed an impressive collection of books, manuscripts, prints and drawings.
#history #BritishMuseum
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