British Museum blog

Reflections on Hajj

In November 2011, Altaf and Rashida went on Hajj.
Here, Altaf reflects on the experience.

The end of Hajj
After our third night at Mina, we travelled by coach back to Mecca where the adventure continued. The coach driver took a wrong turning and headed in the wrong direction for 20 minutes. He then did a three point turn on the motorway and then a few miles later ran out of diesel! So a short journey of 40 minutes turned into a three hour saga! Even though everyone was extremely tired, the group stayed in good spirits as this was the first and only real hiccup in the whole trip.

Once we finally arrived in Mecca we checked into a 5 star hotel for a well-deserved rest. The hotel felt so luxurious and clean after having roughed it for a week. The hotel was less than a five minute walk to the Ka’ba so we made frequent trips for prayer and tawaf. Tawaf was very difficult as the Ka’ba was packed full of worshipers. We did the circumambulation on the top floor which increased the distance of each circuit to almost double.

One evening I went to do a tawaaf and half way through I felt peckish so I went and got a cheese burger from Burger King, sat over looking the holy mosque containing the Ka’ba. It was 2am, the temperature was 27 degrees centigrade…it was surreal experience, two different worlds with me in the middle.

After Hajj

After Hajj was over, we went to Jeddah to spend some time with my older brother who lives there with his wife and son. We were eager to see them as it had been a long while and we had never met the baby.

What a contrast! One day being in the holiest Islamic site in the world, the next in an ultra-modern busy city with the latest technology and all the designer shops you can imagine. However the remembrance of Allah is never far away – life revolves around the prayer times. When we were in one of the traditional open souks we heard the call to prayer – the shops shut their doors and the market stalls just covered their goods with a sheet and went off for prayer. Ten minutes later it’s all back to normal.

Back in London

Having completed one of the pillars of Islam, I feel the need to protect the remaining four even more than I had before I went on Hajj. The experience has changed lots of things. I feel a lot more connected to the creator and have a stronger visual connection between the text of the Quran and the knowledge that I have completed an ancient rite.

I was really missing Saudi so I logged on to the Ka’ba web site and the area around the Ka’ba was virtually empty, just a few hundred people doing tawaf. It looked very different to what I had experienced with millions of people.

Doing the Hajj has reinforced my strength in my faith and helps me remember Allah more regularly.

Altaf and Rashida Abbas went on Hajj this year and blogged about the experience for the British Museum. Find out more about the exhibition Hajj: journey to the heart of Islam

Filed under: Exhibitions, Hajj: journey to the heart of Islam

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Room 95 includes some of the finest Chinese ceramics in the world dating from the 3rd to the 20th centuries, from the collection of Sir Percival David. Some of the ceramics are unique creations, while others were mass-produced in batches of several hundred at a time. Technological innovations and the use of regional raw materials mean that Chinese ceramics are visually diverse.
Porcelain was first produced in China around AD 600. The skilful transformation of ordinary clay into beautiful objects has captivated the imagination of people throughout history and across the globe. Chinese ceramics, by far the most advanced in the world, were made for the imperial court, the domestic market, or for export.
#China #ceramics These white wares date from the late Ming to Republic period (1600–1949). Potters in the late Ming, Qing and Republican periods made copies of Ding wares at Jingdezhen in Jiangxi province, Zhangzhou in Fujian province and in other southern kilns. Potters at Zhangzhou under-fired the clay, which resulted in a ‘rice-coloured’ body. They then covered the ceramics either with a white slip and thin clear glaze or with an opaque white glaze.
See these amazing ceramics alongside nearly 1,700 objects from the collection of Sir Percival David in Room 95.
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