British Museum blog

Season five approaches at Amara West


Neal Spencer, British Museum

For the Amara West team, Christmas and New Year is always coloured by the anticipation of a return to site. Ahead lies the unknown of new excavations, and undoubtedly some surprising logistical challenges….

House E13.8, between the town wall (left), and house E13.3, excavated last year.

House E13.8, between the town wall (left), and house E13.3, excavated last year.

Work on site will concentrate on two areas: Michaela Binder will be leading a team of specialists in cemetery D, our second full season in this burial ground where Egyptian-style tombs of the New Kingdom are found alongside later burials reflecting Nubian traditions. And this season, we’ll be joined by the first participants in the Amara West Field School, generously supported by the Institute of Bioarchaeology. Mohamed Saad, from the National Corporation of Antiquities, and Åshild Vågene, recently graduated from Durham University, will together learn the methods for excavating graves – often badly disturbed – to retrieve the maximum information on skeletal remains.

House E13.7 last month, now buried beneath sand (and with a later house built above it).

House E13.7 last month, now buried beneath sand (and with a later house built above it).

Down in the town, all our efforts will be concentrated on the dense block of housing in the northwest of the town. We’ll continue work in house E13.7, the early dwelling with white-painted walls, but also start work on two new houses, E13.6 and E13.8. We can already see the layout of the house, but cannot predict what awaits us in each room, or what earlier architecture might lie beneath!

Fragments of painted plaster, with chequerboard pattern, from a possible shrine in house E13.7

Fragments of painted plaster, with chequerboard pattern, from a possible shrine in house E13.7

Of course, the expedition house will also be a hive of activity, with work on pottery, finds and of course organisation of scientific samples continuing. This year we’ll also be joined by Philip Kevin, a conservator from the British Museum, who will work on revealing the colourful decoration on the painted plaster fragments from a possible house shrine.

We’ll be sending updates on the various aspects of work over the next two months: excavation starts 2 January….

If you would like to leave a comment click on the title

Filed under: Amara West, Archaeology, , , ,

Enter your email address to follow this blog and receive notifications of new posts by email.

Join 14,040 other followers

Categories

Follow @britishmuseum on Twitter

British Museum on Instagram

For #ThrowbackThursday this photograph from 1875 shows the Museum’s first Egyptian Room.
This is one of a collection of photographs taken by the photographer Frederick York of Notting Hill, London in 1875.
#tbt #throwback #archives #mummies We’re delighted to announce our first exhibition of the autumn ‘Drawing in silver and gold: Leonardo to Jasper Johns’, which opens 10 September.
This exhibition will feature around 100 of the best examples of #metalpoint spanning six centuries. Metalpoint is a challenging drawing technique where a metal stylus is used on a roughened preparation, ensuring that a trace of the metal is left on the surface. When mastered it can produce drawings of crystalline clarity and refinement.
This exhibition was organised by the National Gallery of Art, Washington @ngadc in association with the British Museum.
Book your tickets now to see these spectacular works! #art #drawing #Leonardo

Leonardo da Vinci (1452-1519), Bust of a warrior. Silverpoint, on prepared paper, c. 1475-1480. Can you guess the artist behind this work? 
All will be revealed at our special exhibition announcement tomorrow! #metalpoint Tower Bridge opened #onthisday in 1894. Here’s an early print of the iconic landmark.
#history #London #TowerBridge The mummy case of this temple doorkeeper called Padiamenet is covered with hieroglyphic inscriptions and religious images. The inscriptions on this brilliantly painted cartonnage tell us that he was the Chief Doorkeeper of the Domain of Ra, the Chief Attendant of Ra, and also Chief Barber of the Domain of Ra and of the temple of Amun. This largest scene shows Padiamenet, dressed in a long fringed robe, adoring the god Osiris, who is grasping the royal crook and flail. Behind him stands his sister, the goddess Isis.
Gain a unique insight into the lives of eight people over a remarkable 4,000 years in our #8mummies exhibition, closing 12 July #MummyMonday
#history #mummies #BritishMuseum Peter Paul Rubens was born #onthisday in 1577.
This is a magnificent drawing in both scale and style. It is drawn in black and yellow chalk, though Rubens also used a grey wash and some white heightening in order to bring the animal to life on paper.
The lioness is drawn from behind. Her front paw is raised and her mouth open, the fangs clearly visible. White heightening brings out the lighted area around the tail and the joints of the back legs. Both short and longer chalk strokes are used to suggest the different textures of the fur and mane.
Rubens used this drawing for a lioness in his painting of 'Daniel in the Lions' Den' (1613/15; National Gallery of Art, Washington, DC). The vividness of the drawing is even more remarkable given that Rubens probably based his drawing on a bronze statue of a lion and not a living animal. The strong contour line in black chalk around the animal suggests that he was studying a model. However, Rubens had the gift and genius to invest an unmoving object with both life and movement, even if the highlights give the impression of a metallic sheen.
#art #artist #Rubens #history
Follow

Get every new post delivered to your Inbox.

Join 14,040 other followers

%d bloggers like this: