British Museum blog

Amara West 2012: the first day back on site


Neal Spencer, British Museum

After a few days preparing the house and all our equipment for the coming weeks of excavation, three of us took the boat journey to site on 2 January for the first time this season.

Site tent and wheelbarrows at Amara West

Site tent and wheelbarrows at Amara West

Michaela Binder walked the ground in cemetery D, where excavation will begin this week, but I spent most of my time supervising the erection of our site tents. One houses the policemen who guard the site, while the other is for our equipment. The tents also offer a welcome respite from the howling winds (like today) or biting flies, depending on the climate.

Once the tents were up, we started excavating in one of the houses (E13.8) under the supervision of Shadia Abdu Rabo. The upper deposit of mudbrick rubble has already yielded fragments with impressions of wooden poles, matting and foliage, indicating the space was once covered with a substantial roof.

Starting excavation in the back room of house E13.8

Starting excavation in the back room of house E13.8

Alongside pottery, fragments of ostrich eggshell, stone tools, carnelian and jasper jewellery have already come to light – perhaps this space will prove as intriguing as the other back rooms in this block of houses?

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English sculptor Henry Moore was born #onthisday in 1898.
Drawing played a major role in Henry Moore's work throughout his career. He used it to generate and develop ideas for sculpture, and to create independent works in their own right.
During the 1930s the range and variety of his drawing expanded considerably, starting with the 'Transformation Drawings' in which he explored the metamorphosis of natural, organic shapes into human forms. At the end of the decade he began to focus on the relationship between internal and external forms, his first sculpture of this nature being 'Helmet' (Tate Collections) of 1939.
This drawing titled ‘Two Women: Drawing for sculpture combining wood and metal’ was based on a pencil study entitled ‘Ideas for Lead Sculpture’. It reflects his awareness of surrealism and psychoanalytical theory as well his abiding interest in ethnographic material and non-European sculpture; the particular reference in this context is to a malangan figure (malangan is a funeral ritual cycle) from New Ireland province in Papua New Guinea, which had attracted his interest in the British Museum. 
Henry Moore, Two Women: Drawing for sculpture combining wood and metal. England, 1939. Here's another fabulous view of the Great Court captured by @whatinasees at our instagramer event #regram #repost
Check out all of the photos at #emptyBM Vincent van Gogh died #onthisday in 1890. Here's a print of his only known etching. It depicts his doctor, Dr Paul Gachet, seated in the garden of his house.
#vanGogh #etching Beatrix Potter was born #onthisday in 1866. Here are some of her flopsy bunnies! 🐰
#BeatrixPotter Made in AD 700, the exquisite Hunterston brooch was found at Hunterston, Ayrshire during the 1830s. It is a highly accomplished casting of silver, richly mounted with gold, silver and amber decoration. It is sumptuously decorated with animals executed in gold wire and granules, called filigree. In the centre of the brooch is a cross flanking a golden ‘Glory’ representing the risen Christ #MedievalMonday
The Hunterston brooch will feature in our forthcoming #Celts exhibition, on loan from @nationalmuseumsscotland. Encounter an African contribution to the global carnival tradition through contemporary artist @zakove’s Moko Jumbie sculptures in the Great Court. These spectacular 7-metre-high male and female figures in striking black and gold costumes are inspired by aspects of African masquerade. #ZakOve
Find out more about our #Africa season this summer with events and displays at www.britishmuseum.org/whats_on/celebrating_africa.aspx
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