British Museum blog

Amara West 2012: return to cemetery D

Michaela Binder, Durham University

In the cemeteries, our work will mainly focus on cemetery D this year, the cemetery area to the north-west of the town. Located on an escarpment, previous excavations in this cemetery by the Egypt Exploration Society (1938/39) and by us in 2010, revealed evidence suggesting that this area was used as a burial ground for the elite. As we’ve only excavated a small number of graves in this area so far, the additional graves excavated this season will allow us to confirm – or modify – this hypothesis.

Two of the burial mounds we’ll excavate this season

Two of the burial mounds we’ll excavate this season

We’ll start with graves in the immediate vicinity of the elite Ramesside tombs excavated in 2010. On the surface, the tombs are visible as low circular mounds of schist blocks and rubble. The rubble might indicate that the underlying substructures are carved into the bedrock and therefore could be rather substantial. I can’t wait until the team finally arrives to find out what is underneath.

Early morning, first day of excavating in cemetery D

Early morning, first day of excavating in cemetery D

Early on Tuesday, a beautiful but rather brisk morning, I and a small group of three workmen started removing the windblown sand from the shaft of grave G307, where excavation had begun in 2010. Presumably due to wind erosion of the surface, a large proportion of the grave’s original height has disappeared over the centuries. How much is left of the burial chamber on the west side of the rectangular shaft will be seen over the next few days.

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Collector of Chinese ceramics Sir Percival David died #onthisday in 1964. He built the finest private collection of Chinese ceramics in the world. His passion for China inspired him to learn Chinese well enough to translate 14th-century art texts and to give money towards establishing the first public display of Chinese ceramics at the Palace Museum in Beijing. He was determined to use his own collection to inform and inspire people and to keep it on public view in its entirety. His collection is on long-term loan to the British Museum and has been on display in Room 95 since 2009.
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