British Museum blog

Amara West 2012: impressions in time


Marie Vandenbeusch, University of Geneva

The way houses are built in this region is in some ways timeless, particularly the roofs. Modern ceilings can show how ancient roofs, which we have to reconstruct from small fragments, were built. While it is easy to look at modern houses in villages near the site, it is more complicated when it concerns the ancient houses.

Marie studying hundreds of roofing fragments recovered from house E13.8

Marie studying hundreds of roofing fragments recovered from house E13.8

No roof survives in place at Amara West: only the walls and floors remain. But not everything has disappeared. Impressions on mud, though perhaps unimpressive at first sight are very helpful as they record the different layers and materials used to build the roofs.

Mud roof fragment with impression of a grass (?) matt, about 1100 BC

Mud roof fragment with impression of a grass (?) matt, about 1100 BC

The wood and other plant material disappeared long ago, eaten by termites. But the shapes impressed in the mud roofs tell us that large beams and poles were used. The roof of our dig house is built in the same way, though metal beams (sometimes from the abandoned railway line) are now preferred.

Modern parallel: beams and matting in the Khalifa House Museum, Khartoum

Modern parallel: beams and matting in the Khalifa House Museum, Khartoum

Layers of grass, reeds and palm fronds, sometimes tied into bundles, were also widely used, along with two different types of matt, as can be seen in some of the mud impressions. The way in which the mats were woven is very similar to those still made and used today in this area.

Though distant in time and culture, the modern houses can act as a place for us to test our theories and reconstructions of the ancient roofs. Some techniques survived thousands of years of changing cultures in northern Sudan, most probably because they are those which fit best with the climate and materials available in the area.

 

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  1. Helen Hales says:

    Interesting that such construction materials and techniques have survived since ancient times. Seems that once man finds and perfects a solution to an engineering / resources problem, sometimes it can’t be bettered..?

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Drawing played a major role in Henry Moore's work throughout his career. He used it to generate and develop ideas for sculpture, and to create independent works in their own right.
During the 1930s the range and variety of his drawing expanded considerably, starting with the 'Transformation Drawings' in which he explored the metamorphosis of natural, organic shapes into human forms. At the end of the decade he began to focus on the relationship between internal and external forms, his first sculpture of this nature being 'Helmet' (Tate Collections) of 1939.
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