British Museum blog

Amara West 2012: tumuli among the pyramid-tombs

Michaela Binder, Durham University

Here at Amara West, Milena Grzybowska and a team of workmen are still working to remove the windblown sand that fills the shaft at the centre of the brick chapel found earlier this week. They have now reached a depth of 1.8 metres below the surface and have further to go, though entrances to burial chambers on the east and west side of the shaft are already visible.

Removing sand from the chapel of G309

Removing sand from the chapel of G309

Elsewhere in the cemetery, Ashild and Mohammed continue excavating tumulus G308. Even though the grave was disturbed, the skull and parts of the legs were still in situ. These remnants indicate that the adult individual was buried in a contracted body position, a characteristic feature of Nubian burials – consistent with the tumulus superstructure.

This is the first grave of this type excavated in Cemetery D, and the Nubian-style pottery suggests a dating late in the New Kingdom shortly afterwards. Interestingly, the grave is located just metres from the typically pharaonic pyramid tombs.

Tumulus G311

Tumulus G311

A different tumulus (G311) was excavated by Laurel Engbring. Its superstructure, about five metres in diameter, is made up of schist gravel. On the edge of the small burial pit, she discovered the remains of a neonate (a newborn child). The discovery of an infant is unusual, as very few infants and children have been found in the cemeteries at Amara West. This is typical of pharaonic burial grounds, as small children were often buried inside housing areas, or in separate cemeteries.

Yet again, we seem to be seeing both Egyptian and Nubian funerary traditions in this cemetery.

If you would like to leave a comment click on the title

Filed under: Amara West, Archaeology, , , ,

Enter your email address to follow this blog and receive notifications of new posts by email.

Join 12,962 other followers

Categories

Follow @britishmuseum on Twitter

British Museum on Instagram

Greece lightning: this exquisite bronze depicts Zeus, chief of the Greek gods #FridayFigure

In ancient Greece, powerful, shape-shifting gods provided compelling subjects for artists. The famous sculptor Phidias created a gold and ivory statue of Zeus, ruler of the gods, that was over 13 metres high for his temple at Olympia. One of the Seven Wonders of the Ancient World, it symbolised the awesome presence of the god at his sanctuary site. There was also drama to be found in the gods’ ability to change their form as a means of disguise. Zeus, ruler of the Olympian gods, could take animal form – he seduced Leda as a swan, carried away Europa as a bull and Ganymede as an eagle.

This bronze statuette splendidly represents the majesty of Zeus, ruler of the gods on Mount Olympus and lord of the sky. Zeus holds a sceptre and a thunderbolt, showing his control over gods and mortals, and his destructive power. Although just over 20cm high, this exquisite work appears to be a copy of a much grander statue that does not survive.

You can see this figure in our exhibition #DefiningBeauty, until 5 July 2015.
Bronze statuette of Zeus. Roman period, 1st–2nd century AD, said to be from Hungary.
#art #museum #exhibition #ancientGreece #Zeus #gods This beautiful watercolour of Tintern Abbey is by J M W Turner, thought to have been born #onthisday in 1755.

Even before he had entered the Royal Academy schools at the age of 14, Turner had worked as an architectural draughtsman. This training is evident in his fascination with the details of the famous ruins of this twelfth-century Cistercian Abbey in Monmouthshire, which he visited in 1792, and again in 1793. Tourists of the time were as much impressed by the way that nature had reclaimed the monument as by the scale and grandeur of the buildings. Turner's blue-green washes over the abbey's far wall blend stone and leaf together, and on the near arch the spiralling creepers seem to make the wind and light tangible. 
#art #artist #Turner #history #watercolour ‪#IndigenousAustralia is now open. Discover a remarkable 60,000 years of continuous culture in our new special exhibition.
This show is the first major exhibition in the UK to present a history of Indigenous Australia through objects, celebrating the cultural strength and resilience of both Aboriginal peoples and Torres Strait Islanders. See spectacular objects like Torres Strait Islander masks alongside significant paintings.
Organised with the National Museum of Australia, ‪the exhibition also includes important international loans.
#history #Australia #museum #BritishMuseum Happy #StGeorgesDay! Here he is killing the dragon and rescuing Lady Una on a medieval pilgrim badge
#history #StGeorge #dragon #IndigenousAustralia opens tomorrow. Here’s a sneak peek in the exhibition… 
#art #Australia #exhibition #BritishMuseum 
Objects pictured include: 
Roy Underwood, Lennard Walker, Simon Hogan and Ian Rictor, 'Pukara'. Acrylic on canvas, 2013. © the artists, courtesy Spinifex Arts Project. 
Charlie Allungoy (Numbulmoore) (c. 1907–1971), Ngarinyin Mowanjum. Pigment on composition board, 1970. Kimberley region, Western Australia. National Museum of Australia. 
Mask of turtle shell. Mer, Torres Strait, before 1855. 
Selection of shields:
Mulgrave River region, near Cairns, Queensland, c. 1900.
Adelaide Plains region, South Australia, before 1848.
South-east Australia, mid-19th century.
South-east Australia, before 1950. Legend has it that #onthisday in 753 BC Romulus founded Rome. Here's the myth on this coin
#history #coin #Rome #Romulus
Follow

Get every new post delivered to your Inbox.

Join 12,962 other followers

%d bloggers like this: