British Museum blog

Amara West 2012: a first Kerma period burial discovered


Åshild Vågene, physical anthropologist, Institute of Bioarchaeology Amara West Field School

Excavation of tumulus G308 in cemetery D at Amara West revealed a grave roughly three metres in diameter, with an interior structure of a type typical of the Kerma period. The interior of the grave is circular, consisting of two steps leading down towards a smaller circular grave pit in the southwest corner.

Tumulus G308 prior to excavation

Tumulus G308 prior to excavation

These features set the grave apart from the other tumuli dug here – yet another grave type found in cemeteries C and D.

The remains of a single individual were found within the grave, heavily disturbed, but with enough skeletal elements to suggest that the individual was buried in a flexed position: another difference with most burials at Amara West.

The interior structure of G308

The interior structure of G308

The presence of a few beads and sherds indicates there were originally grave goods placed with the deceased. However, the disarticulated state in which the skeleton was found, coupled with the sparse number of finds, suggests that this grave had been looted.

Planning of G308 during excavation, with Åshild and fellow Field School participant Mohamed Saad

Planning of G308 during excavation, with Åshild and fellow Field School participant Mohamed Saad

Despite this, some notable pottery was found close to the surface on the outer edges of the interior grave. Two complete ceramic vessels were uncovered and their position far from the body itself might indicate they are the remains of funerary offerings, not grave goods.

Kerma pottery, awaiting transport back to the expedition house....

Kerma pottery, awaiting transport back to the expedition house....

Being typical examples of Kerma pottery, with trademark red exterior and black rim, they suggest the burial is of the Kerma period (2500-1500 BC). This would be much earlier than the other burials – and indeed the occupation of the town.

Study of the ceramics – drawing, analysing the fabric, and comparing to published examples from other sites – should allow the date range to be narrowed down.

If you would like to leave a comment click on the title

Filed under: Amara West, Archaeology

Enter your email address to follow this blog and receive notifications of new posts by email.

Join 9,231 other followers

Categories

Follow @britishmuseum on Twitter

British Museum on Instagram

Horatio Nelson died #onthisday in 1805 at the Battle of Trafalgar. This commemorative medal was intended for presentation to the men who fought under Nelson at Trafalgar, with 19,000 struck in copper, of which 14001 were distributed.
#history #medal #trafalgar #nelson Dutch artist Aelbert Cuyp was born #onthisday in 1620. He seemed to be very fond of cows! The Sydney Opera House opened #onthisday in 1973.

Designed by the Danish architect Jørn Utzon, the Sydney Opera House provoked fierce public controversy in the 1960s as much over the escalating cost of its construction as the innovative brilliance of its domed sail-like halls. Now recognised the world over as a magnificent architectural icon jutting into Sydney Harbour, the Sydney Opera House finally opened in 1973. 
In this Christmas card for 1972 Eric Thake (1904–1982) cheekily anticipates the long awaited opening with his domestic version of the grand architectural statement. Crockery stacked in a drying rack forms the shape of the Sydney Opera House, with water from the kitchen sink adjacent. The small housefly resting on one of the stacked plates adds an unmistakably Australian touch.

Text from Stephen Coppel’s 'Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas'
#art #architecture #sydneyoperahouse #sydney #print Born #onthisday in 1632: architect Sir Christopher Wren. Here’s a freehand drawing showing the relationship of the domes of the new St Paul’s Cathedral
#history #architecture #stpauls #London #art Room 4, Egyptian sculpture, is the next gallery in our #MuseumOfTheFuture series. The objects in this gallery range in date from 2600 BC to the 2nd century AD. Large-scale sculpture was an important feature of the great temples and tombs of ancient Egypt and was believed to be imbued with powerful spiritual qualities. Sculptures on display in Room 4 include stylised depictions of kings, deities and symbolic objects ranging from the time of the Old Kingdom to the middle of the Roman Period. There are also architectural pieces from temples and tombs.
An imposing stone bust of the great pharaoh Ramesses II presides over the room, while the world-famous Rosetta Stone (in the foreground of this pic), with its inscribed scripts, demonstrates how Egypt’s ancient form of pictographic writing was deciphered for the first time.
#museum #art #sculpture #history #ancientegypt #egypt #hieroglyphs Next in our #MuseumOfTheFuture series looking at all the galleries in the British Museum, it's Room 3. Since 2005 this room has housed a series of temporary displays – The Asahi Shimbun Displays. Usually focused on one object (although sometimes featuring several), it provides a space in which to experiment with display and interpretation. Displays have featured everything from ancient African hand tools to contemporary art, from Old Masters to manga. The current display (pictured) features an enormous print by Albrecht Dürer.
#museum #art #history
Follow

Get every new post delivered to your Inbox.

Join 9,231 other followers

%d bloggers like this: