British Museum blog

Amara West 2012: an osteoarchaeologist’s dream…


Laurel Engbring, physical anthropologist

Archaeology can be a bit of a gamble: you can dig for weeks and find nothing.

I began this season at Amara West excavating two shafts. They had little preserved inside them; though we did find the disarticulated remains of a neonate (a newborn child).

Laurel planning a layer of stones above the shaft in G314

Laurel planning a layer of stones above the shaft in G314

The tumulus I am currently excavating (G314) started out as a simple raised mound in Cemetery D, and initially proved somewhat frustrating. Beneath the sandy surface of the shaft lurked a series of schist slabs and large stones, covering a smaller east to west oriented shaft, lined in places with mudbrick. After photographing, leveling, planning and sectioning the stones, I excitedly removed the layer of huge stones, anticipating what lay beneath.

This turned out to be another layer of stones. After documenting this layer, and removing it, a third layer was revealed. In some ways this was frustrating. In other ways, the effort enhanced the anticipation.

Removing the schist slabs from G314

Removing the schist slabs from G314

When a fourth layer of schist slabs was removed, we finally discovered chambers extending to the east and west, nearly two metres in each direction.

My initial peek into the western chamber revealed disarticulated human bones and a few large ceramic vessels: an osteoarchaeologist’s dream!

The excavation and recording of the bones has just begun, making the 5.30am starts much easier.

Find out more about the Amara West research project

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Filed under: Amara West, Archaeology, ,

2 Responses - Comments are closed.

  1. Teri Engbring says:

    This entry in the British museum blog is a fascinating intro to the drama and the drudgery, the frustration and the thrills of archaeological field work. There are literally hundreds of Laurel’s friends and family back in the US who are following every word to share in her adventure there. Thanks!

    Like

  2. William Hickman says:

    “drama . . . drudgery, frustration . . .. thrills “. It leaps right off the screen.

    Thank you Laurel . And all the rest.

    Bill Hickman

    Like

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English sculptor Henry Moore was born #onthisday in 1898.
Drawing played a major role in Henry Moore's work throughout his career. He used it to generate and develop ideas for sculpture, and to create independent works in their own right.
During the 1930s the range and variety of his drawing expanded considerably, starting with the 'Transformation Drawings' in which he explored the metamorphosis of natural, organic shapes into human forms. At the end of the decade he began to focus on the relationship between internal and external forms, his first sculpture of this nature being 'Helmet' (Tate Collections) of 1939.
This drawing titled ‘Two Women: Drawing for sculpture combining wood and metal’ was based on a pencil study entitled ‘Ideas for Lead Sculpture’. It reflects his awareness of surrealism and psychoanalytical theory as well his abiding interest in ethnographic material and non-European sculpture; the particular reference in this context is to a malangan figure (malangan is a funeral ritual cycle) from New Ireland province in Papua New Guinea, which had attracted his interest in the British Museum. 
Henry Moore, Two Women: Drawing for sculpture combining wood and metal. England, 1939. Here's another fabulous view of the Great Court captured by @whatinasees at our instagramer event #regram #repost
Check out all of the photos at #emptyBM Vincent van Gogh died #onthisday in 1890. Here's a print of his only known etching. It depicts his doctor, Dr Paul Gachet, seated in the garden of his house.
#vanGogh #etching Beatrix Potter was born #onthisday in 1866. Here are some of her flopsy bunnies! 🐰
#BeatrixPotter Made in AD 700, the exquisite Hunterston brooch was found at Hunterston, Ayrshire during the 1830s. It is a highly accomplished casting of silver, richly mounted with gold, silver and amber decoration. It is sumptuously decorated with animals executed in gold wire and granules, called filigree. In the centre of the brooch is a cross flanking a golden ‘Glory’ representing the risen Christ #MedievalMonday
The Hunterston brooch will feature in our forthcoming #Celts exhibition, on loan from @nationalmuseumsscotland. Encounter an African contribution to the global carnival tradition through contemporary artist @zakove’s Moko Jumbie sculptures in the Great Court. These spectacular 7-metre-high male and female figures in striking black and gold costumes are inspired by aspects of African masquerade. #ZakOve
Find out more about our #Africa season this summer with events and displays at www.britishmuseum.org/whats_on/celebrating_africa.aspx
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