British Museum blog

The India Leadership Training Programme

Matthew Cock, Head of Web, British Museum

I was lucky enough to be part the British Museum’s team running the first module of the Leadership Training Programme, which has just finished in Delhi. The programme was initiated by the National Culture Fund (NCF) under the Indian Ministry of Culture, with 20 delegates drawn from museums across India – from Delhi to Kolkotta, Mumbai to Chennai – including directors, curators, conservators and administrators.

Programme delegates with Neil MacGregor and Shobita Punja and staff from the British Museum and NCF

Programme delegates with Neil MacGregor and Shobita Punja and staff from the British Museum and NCF

The course is spread over three modules, the first focused on strategic, leadership and management skills, the second in March at the British Museum, on the more practical specialisms of a modern museum such as interpretation, documentation, marketing and education. The final module will be in Mumbai in May. I have no doubt that the two-way exchange of knowledge between delegates and British Museum staff will continue between modules and hopefully beyond the end of the course.

The training sessions were held at the National Culture Fund, in their offices next to the National Gallery of Modern Art. The sessions were long and energetic, with lots of discussion, workshops and case studies from both within and outside the Museum sector, and plenty of passionate debate about ways of leading institutions in times of change. On the day I joined the course, delegates made short presentations following visits to the National Museum of Delhi and the Sanskriti Museums, where they identified opportunities and prioritised changes that could be made to improve the visitor experience.

Our NCF hosts looked after us really well – particularly at lunchtime, where each day brought a new selection of delicious hot food, with local breads freshly cooked on site.

It was a fascinating experience, and though I didn’t have much time to see a lot of the city in the four days I was there, I learnt a lot about Indian museums, and the amazing quality of their collections. I’m looking forward to working with the delegates again in March, and continuing the discussions we began on the use of digital in many aspects of museum work.

Find out more about the India Leadership Training Programme

If you would like to leave a comment click on the title

Filed under: At the Museum,

5 Responses - Comments are closed.

  1. It is indeed a pleasure to see the beautiful group photograph of the first module of training at Delhi. I also learned many things from teachers and participants particularly the changing museum scenario. All training modules are extremely useful and valid at this stage.
    I hope, the second module will bring more practical exposure to every individual. I extend my heartfelt wishes to all the Leadership Trainers of British Museum. I will never forget this wonderful experience.

    Like

  2. Binoy Kumar Sahay says:

    It was an extremely nice interaction with all the participants , Lectures delivered by members from British Museum and of course the hosts from National Culture Fund,New Delhi.I am looking forward for some really exciting stuff at the B.M. London. Can we have some more pics please.

    Like

  3. RAM PRAVESH SAVITA says:

    Photograph reminds everything,the chill,the class room.the participants,the presenters and the managers of the programme.Each and every movement was encouraging.Hope more activities at BM.
    ram pravesh savita

    Like

  4. I hope all cultures will blossom in British Museum, Module No. 2 Training programme. Our efforts,preparations, and aspirations will come in a new Museum Fragrance with colourful ideas in the cross-cultural interactions all together will bring JOY.
    P.Sankara Rao
    joyfulcultures.wordpress.com

    Like

  5. I sincerely hope that one of the outcomes of this course will be closer collaboration between India and Britain, and also Pakistan, so that the British Museum can at last address one aspect of South Asian archaeology of which (because the surviving artefacts are virtually all held and rightly so in South Asia) there has never been a major exhibition in this country. That is the Indus Valley Civilisation, and it is a serious omission. I believe there was a major touring exhibition in Europe in the 1980′s but for reasons unknown it was not invited to Britain. There is in fact quite a nice collection of mostly terracotta figurines and objects which live in drawers in the Institute of Archaeology, and they have not seen the light of day, as far as the public goes, either. Here’s hoping! This subject is a Primary school topic which is taught by a significant minority of schools in the UK. It would certainly benefit from exhibitions and access to such collections. Perhaps a member of the BM management could comment, please!

    Like

Enter your email address to follow this blog and receive notifications of new posts by email.

Join 10,198 other followers

Categories

Follow @britishmuseum on Twitter

British Museum on Instagram

This is Room 56, the Raymond and Beverly Sackler Gallery of Mesopotamia 6000–1500 BC. It's the next in our gallery series for #MuseumOfTheFuture. Between 6000 and 1550 BC, Mesopotamia, the land between the Tigris and Euphrates rivers (now Iraq, north-east Syria and part of south-east Turkey) witnessed crucial advancements in the development of human civilisation during the evolution from small agricultural settlements to large cities.
Objects on display in Room 56 illustrate economic success based on agriculture, the invention of writing, developments in technology and artistry, and other achievements of the Sumerians, Akkadians and Babylonians, who lived in Mesopotamia at this time.
Objects found at the Royal Cemetery at Ur are of particular importance, and you can see the Royal Game of Ur in the foreground of this picture – the oldest board game in the world. Our next #MuseumOfTheFuture gallery space is Room 55, the Raymond and Beverly Sackler Gallery of Mesopotamia 1500–539 BC. The civilisations of Babylonia and Assyria flourished during the first millennium BC. Political developments resulted in the incorporation of the entire Near East into a single empire, while increased international contact and trade influenced the material culture of the region.
Room 55 traces the history of Babylonia under the Kassites and the growth of the Babylonian state and empire until it was taken over by the Persian King Cyrus in 539 BC.
'Boundary Stones' carved with images of kings and symbols of the gods record royal land grants. The development of the Assyrian state and empire, until its fall in 612 BC, is illustrated by objects excavated in its palaces. Mesopotamia’s highly developed literature and learning are demonstrated by clay tablets from the library of King Ashurbanipal (r. 668–631 BC) at Nineveh, written in cuneiform script. It's time for Room 54 in our #MuseumOfTheFuture gallery series – the Raymond and Beverly Sackler Gallery of Anatolia and Urartu 7000–300 BC. Ancient Anatolia and Urartu form an important land link between Europe and Asia and lie where the modern Republic of Turkey, Armenia, Georgia and north-west Iran are located today. Objects in Room 54 show different cultures from prehistoric to Hellenistic times.
Examples of Early Bronze Age craftsmanship on display include a silver bull and cup, and business archives of Middle Bronze Age merchants illustrate trading between central Anatolia and Mesopotamia (modern Iraq). Delicate gold jewellery and figurines date from the Hittite period, and Iron Age objects from Urartu include winged bulls and griffins that were used to decorate furniture. Next in our #MuseumOfTheFuture series of gallery spaces it's Room 53, the Raymond and Beverly Sackler Gallery of Ancient South Arabia. Ancient South Arabia was centred on what is now modern Yemen but included parts of Saudi Arabia and southern Oman. It was famous in the ancient world as an important source of valuable incense and perfume, and was described by Classical writers as Arabia Felix ('Fortunate Arabia') because of its fertility.
Several important kingdoms flourished there at different times between 1000 BC and the rise of Islam in the 6th century AD. The oldest and most important of these was Saba, which is referred to as Sheba in the Bible.
Room 53 features highlights from the Museum’s collection, which is one of the most important outside Yemen. The display includes examples of beautiful carved alabaster sculptures originally placed inside tombs, incense-burners and a massive bronze altar. You can see the East stairs in the background of this picture. We've reached Room 52 on our #MuseumOfTheFuture series of gallery spaces – the Rahim Irvani Gallery of Ancient Iran. Iran was a major centre of ancient culture. It was rich in valuable natural resources, especially metals, and played an important role in the development of ancient Middle Eastern civilisation and trade. Room 52 highlights these ancient interconnections and the rise of distinctive local cultures, such as in Luristan, during the age of migrations after about 1400 BC.
During the 6th century BC, Cyrus the Great founded a mighty Persian empire which eventually stretched from Egypt to Pakistan. Objects on display from this period include the Cyrus Cylinder (in the centre of the picture) and the Oxus Treasure (in the case to the left of the picture). Monumental plaster casts of sculptures from Persepolis are also displayed in Room 52 and on the East stairs.
The later periods of the Parthian and Sasanian empires mark a revival in Iranian culture and are represented through displays including silver plates and cut glass. The next gallery space in our #MuseumOfTheFuture series is Room 51, Europe and Middle East 10,000–800 BC. Farming began in the Middle East around 12,000 years ago, making possible the social, cultural and economic changes which shaped the modern world. It arrived in Britain around 6,000 years ago bringing a new way of life. This change in lifestyle meant people competed for wealth, power and status, displaying these through jewellery, weapons and feasting.
The objects on display in Room 51 show how the people of prehistoric Europe celebrated life and death and expressed their relationship with the natural world, the spirit world and each other. The object in the centre of this picture is the Mold gold cape, found in Flintshire in 1833 and dating to around 1900–1600 BC.
Follow

Get every new post delivered to your Inbox.

Join 10,198 other followers

%d bloggers like this: