British Museum blog

Amara West 2012: the town – halfway through the season


Neal Spencer, British Museum

With three weeks digging left, it’s a good time to reflect on the key discoveries of the season so far in the town of Amara West. Though these have included objects, from the spectacular to the mundane, the combination of stratigraphy and architecture unearthed has allowed us to interpret the purpose of buildings – and one of our key challenges has been to work out which walls belong to which structures, and in what order they were built.

House E13.8

A trapezoid-shaped house, E13.8 is tucked into a space between house E13.3 and the north town wall, and now seems to have been quite a late-comer to Amara West, as Shadia Abdu Rabu and Tom Lyons’ excavations have shown. Whereas the house next door went through over a century of internal changes (from around 1150 BC) but retained its location and basic layout, house E13.8 was built during the last phases of occupation of the town – or at least the last preserved phases.

House E13.8, with location of oven from an earlier building we have just discovered

House E13.8, with location of oven from an earlier building we have just discovered

The modest dwelling features a room directly off the alley, with a space to the left in which a number of ovens had been built into the town wall, which may have been partly eroded and destroyed at this point. The middle room of the house was set around a circular hearth, with a low brick bench on the back wall (mastaba). This room had been replastered at least once.

In the past week, earlier structures have begun to be revealed – and it seems the two back rooms sat above a larger space which contained at least one large oven. More brickwork is appearing beneath the front room, including one wall which might be part of a very early phase building excavated by the Egypt Exploration Society.

The big question we hope to solve before the end of the season is: what function did this earlier building fulfill? It does not yet display the characteristics of an Amara West house.

House E13.6

Again, a surprise here. Unlike the house immediately west of here (E13.4), house E13.6 was only preserved to a few courses in depth, constructed over earlier remains. The house itself was in some ways unremarkable – with a central room featuring a mastaba – though no evidence of a staircase was preserved, unlike nearly every house at Amara West; access to the roof was important for light and air in such a cramped neighbourhood. Of course, the discovery of a painted, carved, door-lintel gave a glimpse at how splendid the interior of this house may once have looked.

The inscribed lintel found in house E13.6

The inscribed lintel found in house E13.6

Beneath, Mary Shepperson and Hélène Virenque have revealed a whole series of walls of earlier phases. Many seem to relate to the long store-rooms with vaulted roofs partly revealed in previous seasons – but others might not. Finding out whether some of these rooms join with the house behind (E13.7) is a key question for the next three weeks. If not, was it built before or after? Or was one building partly dismantled to make way for the next?

Street E13.12

Mat Dalton set out to reveal more of house E13.7, but most of his attention has been diverted to the street, where a fascinating history of refurbishing is being traced. We are now able to walk along an ancient street, past the fronts of houses, giving us a sense of the space, architectural scale, and the dense urban environment that is very rare in domestic archaeology.

Street E13.12 with doors to house E13.4 (left) and E13.9

Street E13.12 with doors to house E13.4 (left) and E13.9

In the last few days, Mat has returned to the scene of his 2010 excavations, in a square room where the presence of a number of ovens suggested it was used as a space for communal cooking. As ever at Amara West, find one oven and several more are likely to follow in quick succession. There are now at least three phases of oven use in the room, some of which are associated with grinding emplacements and their basins. This space would have allowed the neighbourhood’s inhabitants to prepare a significant amount of food.

After the excavations, results of scientific analyses on samples taken from the site should help tell us more about the inhabitants’ diet and how different spaces were used – evidence that can help our imagination make all these urban spaces bustle with people, heat, smoke and undoubtedly much conversation….

Leave a comment or tweet using #amarawest

Find out more about the Amara West research project

Filed under: Amara West, Archaeology, , , ,

Enter your email address to follow this blog and receive notifications of new posts by email.

Join 12,963 other followers

Categories

Follow @britishmuseum on Twitter

British Museum on Instagram

Greece lightning: this exquisite bronze depicts Zeus, chief of the Greek gods #FridayFigure

In ancient Greece, powerful, shape-shifting gods provided compelling subjects for artists. The famous sculptor Phidias created a gold and ivory statue of Zeus, ruler of the gods, that was over 13 metres high for his temple at Olympia. One of the Seven Wonders of the Ancient World, it symbolised the awesome presence of the god at his sanctuary site. There was also drama to be found in the gods’ ability to change their form as a means of disguise. Zeus, ruler of the Olympian gods, could take animal form – he seduced Leda as a swan, carried away Europa as a bull and Ganymede as an eagle.

This bronze statuette splendidly represents the majesty of Zeus, ruler of the gods on Mount Olympus and lord of the sky. Zeus holds a sceptre and a thunderbolt, showing his control over gods and mortals, and his destructive power. Although just over 20cm high, this exquisite work appears to be a copy of a much grander statue that does not survive.

You can see this figure in our exhibition #DefiningBeauty, until 5 July 2015.
Bronze statuette of Zeus. Roman period, 1st–2nd century AD, said to be from Hungary.
#art #museum #exhibition #ancientGreece #Zeus #gods This beautiful watercolour of Tintern Abbey is by J M W Turner, thought to have been born #onthisday in 1755.

Even before he had entered the Royal Academy schools at the age of 14, Turner had worked as an architectural draughtsman. This training is evident in his fascination with the details of the famous ruins of this twelfth-century Cistercian Abbey in Monmouthshire, which he visited in 1792, and again in 1793. Tourists of the time were as much impressed by the way that nature had reclaimed the monument as by the scale and grandeur of the buildings. Turner's blue-green washes over the abbey's far wall blend stone and leaf together, and on the near arch the spiralling creepers seem to make the wind and light tangible. 
#art #artist #Turner #history #watercolour ‪#IndigenousAustralia is now open. Discover a remarkable 60,000 years of continuous culture in our new special exhibition.
This show is the first major exhibition in the UK to present a history of Indigenous Australia through objects, celebrating the cultural strength and resilience of both Aboriginal peoples and Torres Strait Islanders. See spectacular objects like Torres Strait Islander masks alongside significant paintings.
Organised with the National Museum of Australia, ‪the exhibition also includes important international loans.
#history #Australia #museum #BritishMuseum Happy #StGeorgesDay! Here he is killing the dragon and rescuing Lady Una on a medieval pilgrim badge
#history #StGeorge #dragon #IndigenousAustralia opens tomorrow. Here’s a sneak peek in the exhibition… 
#art #Australia #exhibition #BritishMuseum 
Objects pictured include: 
Roy Underwood, Lennard Walker, Simon Hogan and Ian Rictor, 'Pukara'. Acrylic on canvas, 2013. © the artists, courtesy Spinifex Arts Project. 
Charlie Allungoy (Numbulmoore) (c. 1907–1971), Ngarinyin Mowanjum. Pigment on composition board, 1970. Kimberley region, Western Australia. National Museum of Australia. 
Mask of turtle shell. Mer, Torres Strait, before 1855. 
Selection of shields:
Mulgrave River region, near Cairns, Queensland, c. 1900.
Adelaide Plains region, South Australia, before 1848.
South-east Australia, mid-19th century.
South-east Australia, before 1950. Legend has it that #onthisday in 753 BC Romulus founded Rome. Here's the myth on this coin
#history #coin #Rome #Romulus
Follow

Get every new post delivered to your Inbox.

Join 12,963 other followers

%d bloggers like this: