British Museum blog

Amara West 2012: coffin mask emerges from a pyramid tomb


Michaela Binder, Durham University

Painted plaster mask on a coffin lid, as revealed in G309.

Painted plaster mask on a coffin lid, as revealed in G309.

There is a general rule in archaeology, the most important finds always come at the very end of the season… and why should it be any different at Amara West?

In the western chamber of pyramid tomb G309, Åshild Vågene has started to reveal a Ramesside coffin made of wood and decorated with painted plaster.

So far, we have exposed most of the red-painted face of a coffin mask, shown with large yellow earrings and a black wig.

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Find out more about the Amara West research project

Filed under: Amara West, Archaeology, Research, ,

4 Responses - Comments are closed.

  1. Fernando says:

    Maybe it’s just me but I can’t see the mask on that picture.

    Like

  2. Robin Marshall says:

    Ha, it may have emerged from the tomb, but it sure as hell hasn’t emerged on this page!

    Like

  3. Mandy says:

    Nope, can’t make this out from the image provided. Can I come into the lab ?

    Like

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English sculptor Henry Moore was born #onthisday in 1898.
Drawing played a major role in Henry Moore's work throughout his career. He used it to generate and develop ideas for sculpture, and to create independent works in their own right.
During the 1930s the range and variety of his drawing expanded considerably, starting with the 'Transformation Drawings' in which he explored the metamorphosis of natural, organic shapes into human forms. At the end of the decade he began to focus on the relationship between internal and external forms, his first sculpture of this nature being 'Helmet' (Tate Collections) of 1939.
This drawing titled ‘Two Women: Drawing for sculpture combining wood and metal’ was based on a pencil study entitled ‘Ideas for Lead Sculpture’. It reflects his awareness of surrealism and psychoanalytical theory as well his abiding interest in ethnographic material and non-European sculpture; the particular reference in this context is to a malangan figure (malangan is a funeral ritual cycle) from New Ireland province in Papua New Guinea, which had attracted his interest in the British Museum. 
Henry Moore, Two Women: Drawing for sculpture combining wood and metal. England, 1939. Here's another fabulous view of the Great Court captured by @whatinasees at our instagramer event #regram #repost
Check out all of the photos at #emptyBM Vincent van Gogh died #onthisday in 1890. Here's a print of his only known etching. It depicts his doctor, Dr Paul Gachet, seated in the garden of his house.
#vanGogh #etching Beatrix Potter was born #onthisday in 1866. Here are some of her flopsy bunnies! 🐰
#BeatrixPotter Made in AD 700, the exquisite Hunterston brooch was found at Hunterston, Ayrshire during the 1830s. It is a highly accomplished casting of silver, richly mounted with gold, silver and amber decoration. It is sumptuously decorated with animals executed in gold wire and granules, called filigree. In the centre of the brooch is a cross flanking a golden ‘Glory’ representing the risen Christ #MedievalMonday
The Hunterston brooch will feature in our forthcoming #Celts exhibition, on loan from @nationalmuseumsscotland. Encounter an African contribution to the global carnival tradition through contemporary artist @zakove’s Moko Jumbie sculptures in the Great Court. These spectacular 7-metre-high male and female figures in striking black and gold costumes are inspired by aspects of African masquerade. #ZakOve
Find out more about our #Africa season this summer with events and displays at www.britishmuseum.org/whats_on/celebrating_africa.aspx
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