British Museum blog

A journey to the heart of Bloomsbury


Harvinder Bahra, Community Programmes Coordinator, British Museum

The Museum recently held a private viewing of the exhibition Hajj: journey to the heart of Islam specifically for members of the local community. It was a very special opportunity for all of the community groups, neighbourhood centres and local charities we work with in London to see the exhibition. And despite the wintery weather, our community partners arrived early and in droves, eager to be the first ones to see this exhibition and gain a glimpse into this hidden world!

Deep in conversation at the Hajj exhibition community private view

The event turned out to be the community team’s most popular exhibition private view to date. With over 800 members of the local community coming to the Museum to explore, discover and learn about this yearly phenomenon. Neighbourhood centres invited their local Muslim friends and colleagues to visit the exhibition together, using it as an opportunity to share experiences and get to know one another more closely. As one of our community contact explained:

‘When we’re volunteering we tend to focus on the work at hand, so these moments of being together without over-riding purposeful activity are a great pleasure and wonderful way for us to all learn more about one another and hence strengthen overall ties and relationships.’

The exhibition was extremely well received and seemed to provoke a mixture of personal reflection and contemplation among our guests – a sharing of personal experiences and new insights as well as discussions into the history of the pilgrimage for all faiths.

A curatorial introduction given by Project Curator Qaisra Khan for our community guests finished of the day that highlighted some of the key objects and themes of the exhibition, and gave invited guests the opportunity to delve even deeper into the exhibition and this incredible journey.

Have you seen the exhibition yet? What did you think?

Leave a comment or tweet using #hajjexhibition to let us know what you think about the exhibition

Hajj: journey to the heart of Islam is open from 26 January to 15 April 2012.
Find out more

In partnership with King Abdulaziz Public Library, Riyadh, Saudi Arabia.

HSBC Amanah has supported the exhibition’s international reach outside the Kingdom of Saudi Arabia.

Filed under: Exhibitions, Hajj: journey to the heart of Islam

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Legend has it that #onthisday in 753 BC Romulus founded Rome. Here's the myth on this coin
#history #coin #Rome #Romulus Happy birthday to #QueenElizabeth II, who is 89 today! Here’s a photo of her visiting the Museum in 1957
#history #Museum #BritishMuseum #Queen Odilon Redon was born #onthisday in 1840. This is one of Redon's (1840-1916) most famous coloured pastels, and was first shown in the gallery of Durand-Ruel - the favoured dealer of the Impressionists - in 1894. There it was seen by Tatiana Tolstoy, the daughter of the great Russian novelist Leo Tolstoy, who noted in her diary: 'One of them whose name I could not make out-something like Redon-had painted a face in blue profile. On the whole face there is only this blue tone, with white-of-lead.' Tolstoy quoted this in his diatribe against contemporary art, 'What is Art?', first published in 1898, as irrefutable evidence of the degenerancy of modern art.

One of many studies of female profiles in Redon's work, La Cellule d'Or ('The Golden Cell') suggests introspection, its golden glow embodying the power of thought. The intense colour and strict composition recall the portraits of the early Florentine Renaissance. Here however, the feeling dominates over objective representation; the blue and gold halo are the traditional colours of the Virgin Mary, but no further religious message intrudes.

The drawing is made on paper in oil paint over a white ground, which gives the colour its luminous intensity.
#art #history #drawing #artist Construction of St Peter’s Basilica began #onthisday in 1506. It was completed 120 years later. This print by Giuseppe Vasi was made in 1774
#print #art #history #Rome #Italy Happy 134th birthday @natural_history_museum! Here’s the British Museum before the natural history collection moved to South Kensington
#giraffe #history #BritishMuseum #museum Most Greek sculpture that survives from antiquity is carved from white marble, of which the Mediterranean has many natural sources. A relationship has often been assumed between the pure white of freshly cut marble and the idealism of Greek art. In fact, the opposite is true. Colour was intrinsic to ancient ideas of beauty. For centuries this has been a subject of fascination and controversy. The great Italian Renaissance sculptor Michelangelo revived the Greek idea of the human body but denied the use of colour. This was partly due to negative associations with the painted saints of the medieval period. During the European Enlightenment of the 1750s onwards, and increasingly into our own time, the preferred aesthetic was a truth to materials. Painting and gilding were seen as unnecessary and undesirable.

Sculpture in antiquity was often adorned not only with colour but also with different materials. The Greek marble statue of an archer reconstructed here was drilled and fitted with metal attachments. The figure originally held a bronze bow and arrow and a quiver was fixed to his left hip by a metal dowel. Individual locks of hair were made of lead. The colourful design of the man’s knitted all-in-one garment, often worn by peoples from the east, is clearly seen weathered into the marble surface under controlled lighting.

You can see this wonderful object in our exhibition #DefiningBeauty, until 5 July 2015.
#exhibition #BritishMuseum #ancientGreece #sculpture #art

Plaster cast of archer with reconstructed paint, based on a Greek original of about 490–480 BC, from the Temple of Aphaia at Aigina. Staatliche Antikensammlung und Glyptothek, Munich.
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