British Museum blog

What is the city but the people?


Neil MacGregor, Director of the British Museum

In 2012, as the world’s gaze turns on London in this Olympic year, the British Museum will be exploring this capital city from a slightly different viewpoint – by trying to get inside the heads of the people who lived here over 400 years ago.

In Shakespeare’s Restless World, a series starting on BBC Radio 4 next week, we will explore the stories of 20 objects – some grand, some everyday things – that help us imagine what the world looked like to the groundlings inside the Globe theatre around 1600.

I’ll be talking to Shakespeare scholars, historians and experts on the fascinating issues these 20 objects raise – everything from exploration and discovery abroad to entertainment, monarchy and even the deadly threat of plague closer to home.

Detail of London ('The Long View'), Wencelaus Hollar, 1647, showing the Globe Theatre.

Detail of London ('The Long View'), Wencelaus Hollar, 1647, showing the Globe Theatre.

As well as objects from the British Museum, many are from collections across the UK. I have been travelling across Britain to get a closer look at what these objects, such as a fork found on the site of the Rose Theatre, a book of royal murder plots, and sunken treasure from Morocco, can reveal to us about daily life, national politics and global economics at the turn of the 16th century.

Throughout the series there is something else that allows us to picture these turbulent times so vividly: the works of William Shakespeare himself. In the programmes, we delve into his plots and characters, his speeches and soliloquies, to seek glimpses of the uncertain times in which he lived.

Later in the year, the British Museum will open its doors to Shakespeare: staging the world, bringing together a vast and eclectic array of Elizabethan and Jacobean objects, including the 20 featured in the radio series. This exhibition will provide a unique insight into the emerging role of London as a world city four hundred years ago, interpreted through the innovative perspective of Shakespeare’s plays. Featured alongside these objects will be digital media and performance created in collaboration with the Royal Shakespeare Company, and soon you will be able to follow the work that’s going on behind the scenes here on this blog.

From next week on the blog, to coincide with the series broadcast on BBC Radio 4, we will be featuring contributions from some of the many people I’ve spoken to in the making of Shakespeare’s Restless World.

Shakespeare’s Restless World is broadcast on BBC Radio 4
from 16 April to 11 May, at 13.45 and 19.45 on weekdays.

Shakespeare: staging the world opens at the British Museum on 19 July 2012.
Supported by BP
In collaboration with the Royal Shakespeare Company
Part of the World Shakespeare Festival and London 2012 Festival

Filed under: Shakespeare's Restless World, What's on, , ,

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Writer and women's rights advocate Mary Wollstonecraft was born #onthisday in 1759.
#history #art #portrait The Roman emperor Marcus Aurelius was born #onthisday in AD 121.

Marcus Aurelius (AD 161-80), who appears on the coin set in this ring, is best known for his philosophical work, The Meditations. Although he was the most powerful man in the Roman Empire, he dwelt on the emptiness of glory: 'Shall mere fame distract you? Look at the speed of total oblivion of all and the void of endless time on either side of us and the hollowness of applause... For the whole earth is but a point, and of this what a tiny corner is our dwelling-place, and how few and paltry are those who will praise you.' It is ironic that such sentiments as these have preserved his fame to this day.
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#penguin #museum #BritishMuseum Born #onthisday in 1599: Oliver Cromwell. Here’s a terracotta portrait bust from around 1759
#history #Cromwell #art #bust Greece lightning: this exquisite bronze depicts Zeus, chief of the Greek gods #FridayFigure

In ancient Greece, powerful, shape-shifting gods provided compelling subjects for artists. The famous sculptor Phidias created a gold and ivory statue of Zeus, ruler of the gods, that was over 13 metres high for his temple at Olympia. One of the Seven Wonders of the Ancient World, it symbolised the awesome presence of the god at his sanctuary site. There was also drama to be found in the gods’ ability to change their form as a means of disguise. Zeus, ruler of the Olympian gods, could take animal form – he seduced Leda as a swan, carried away Europa as a bull and Ganymede as an eagle.

This bronze statuette splendidly represents the majesty of Zeus, ruler of the gods on Mount Olympus and lord of the sky. Zeus holds a sceptre and a thunderbolt, showing his control over gods and mortals, and his destructive power. Although just over 20cm high, this exquisite work appears to be a copy of a much grander statue that does not survive.

You can see this figure in our exhibition #DefiningBeauty, until 5 July 2015.
Bronze statuette of Zeus. Roman period, 1st–2nd century AD, said to be from Hungary.
#art #museum #exhibition #ancientGreece #Zeus #gods
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