British Museum blog

Spreading the word

Shakespeare’s Restless World is currently being broadcast on BBC Radio 4. Today’s episode Treason and Plot examines a fascinating collection of stories about royal murder plots.

A print of the Lopez Plot from the book A Thankfull Remembrance of God's Mercy by George Carleton, first published in 1624. © British Library


Adam Fox, University of Edinburgh

There were a number of centres in which news was generated. At the Royal Exchange, opened by Elizabeth I in 1571, merchants and brokers from around the nation and across the world met to do business and to exchange gossip and news.

The second crucial centre would have been Paul’s Walk, the central aisle of the old St Paul’s Cathedral, in which the great and good would promenade, meet each other and gossip. The churchyard outside was the centre of the book trade in the Elizabethan period, where books and pamphlets were sold and news items were dispersed in printed as well as in oral form.

The third place would perhaps be the Great Hall of Westminster, a wonderful medieval hall where political information was exchanged and swapped. `Men will tell you all the world between Paul’s the Exchange and Westminster’, one contemporary tells us, but of course from London that news radiated out along the streets and alleyways and along the major thoroughfares going across the country in the mouths of tradesmen, pedlars, itinerants and merchants of various sorts.

`What news at London?’ was the classic opening gambit whenever anyone met anyone else and by that means oral communication helped to spread what may have originated in London to the various corners of the land. However, the information available at these places was often highly unreliable, so they could be centres of information and also of misinformation.

Shakespeare’s Restless World is on BBC Radio 4
from 16 April to 11 May, at 13.45 and 19.45 weekdays.

Listen to today’s programme Treason and Plot

Filed under: Shakespeare's Restless World, What's on

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English sculptor Henry Moore was born #onthisday in 1898.
Drawing played a major role in Henry Moore's work throughout his career. He used it to generate and develop ideas for sculpture, and to create independent works in their own right.
During the 1930s the range and variety of his drawing expanded considerably, starting with the 'Transformation Drawings' in which he explored the metamorphosis of natural, organic shapes into human forms. At the end of the decade he began to focus on the relationship between internal and external forms, his first sculpture of this nature being 'Helmet' (Tate Collections) of 1939.
This drawing titled ‘Two Women: Drawing for sculpture combining wood and metal’ was based on a pencil study entitled ‘Ideas for Lead Sculpture’. It reflects his awareness of surrealism and psychoanalytical theory as well his abiding interest in ethnographic material and non-European sculpture; the particular reference in this context is to a malangan figure (malangan is a funeral ritual cycle) from New Ireland province in Papua New Guinea, which had attracted his interest in the British Museum. 
Henry Moore, Two Women: Drawing for sculpture combining wood and metal. England, 1939. Here's another fabulous view of the Great Court captured by @whatinasees at our instagramer event #regram #repost
Check out all of the photos at #emptyBM Vincent van Gogh died #onthisday in 1890. Here's a print of his only known etching. It depicts his doctor, Dr Paul Gachet, seated in the garden of his house.
#vanGogh #etching Beatrix Potter was born #onthisday in 1866. Here are some of her flopsy bunnies! 🐰
#BeatrixPotter Made in AD 700, the exquisite Hunterston brooch was found at Hunterston, Ayrshire during the 1830s. It is a highly accomplished casting of silver, richly mounted with gold, silver and amber decoration. It is sumptuously decorated with animals executed in gold wire and granules, called filigree. In the centre of the brooch is a cross flanking a golden ‘Glory’ representing the risen Christ #MedievalMonday
The Hunterston brooch will feature in our forthcoming #Celts exhibition, on loan from @nationalmuseumsscotland. Encounter an African contribution to the global carnival tradition through contemporary artist @zakove’s Moko Jumbie sculptures in the Great Court. These spectacular 7-metre-high male and female figures in striking black and gold costumes are inspired by aspects of African masquerade. #ZakOve
Find out more about our #Africa season this summer with events and displays at www.britishmuseum.org/whats_on/celebrating_africa.aspx
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