British Museum blog

A new world in a familiar setting

Philippa Edwards, Project Manager, British Museum

2012 is my fifth year working at the British Museum and also sees me working on my fifth forecourt Landscape project. During these five years I have not only learnt lots of about the habitats and plants of four different continents (Asia, Africa, Australia and now North America) but I have also honed my project management skills. I feel like I have set up enough meetings, taken enough minutes and updated enough schedules to last for another five years!

But when I see the first bit of soil turned and the West Lawn rapidly transforming into another far-off habitat it seems all worthwhile. I am currently watching a piece of North America be installed in front of me, with the boardwalk over the swamp taking pride of place, many of the woodland trees planted (which are going to look amazing in autumn/fall), and the prairie grasses will soon be rustling in the Bloomsbury breeze.

Boardwalk in the North American Landscape

Quite a few people have asked me over the years how we make the decision of which theme the next Landscape will feature, and in particular how we decided on North America this year. We always try to tie the Landscapes in with the public programmes of both Kew and the BM, and also look for ways to highlight the wonderful work Kew is doing around the globe. North America was a region not yet covered in our series of Landscapes, and this Landscape gives us the ability to showcase some of the spectacular and unique flora of this continent and highlight the relationships between British Museum and Kew objects, and Kew’s work addressing threats to North American habitats.

As the Museum forecourt continues to be transformed over the next few (soggy) days I will continue to hold meetings and circulate minutes, happy in the knowledge that every time I pop outside I will be one step closer to escaping to a whole new continent, without even leaving work…

North American Landscape: Kew at the British Museum is open from 10 May to 25 November 2012. Follow the build

In partnership with the Royal Botanic Gardens, Kew
Supported by the American Express Foundation

Filed under: North American Landscape: Kew at the British Museum

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Vanished beneath the waters of the Mediterranean, the lost cities of Thonis-Heracleion and Canopus lay at the mouth of the Nile. Over the last 20 years, world-renowned archaeologist Franck Goddio and his team have excavated spectacular underwater discoveries using the latest technologies. They will be seen alongside fascinating objects from major Egyptian museums for the first time in the UK in this blockbuster exhibition.

Book now for #SunkenCities, opening 19 May 2016

#archaeology #history #ancientegypt 
Christoph Gerigk © Franck Goddio/Hilti Foundation Discover the remarkable relationship between the major ancient civilisations of Egypt and Greece, unveiled in our monumental new exhibition #SunkenCities – announced today! 300 outstanding objects will be brought together in this blockbuster exhibition, including many Egyptian objects shown in the UK for the first time. Preserved and buried under the sea for over a thousand years, the stunning objects range from magnificent colossal statues to intricate gold jewellery. They tell stories of political power and popular belief, myth and migration, gods and kings. Journey through centuries of encounters between two celebrated cultures, meeting iconic historical figures such as Alexander the Great, Cleopatra, Hadrian and Antinous on the way.

Book now for #SunkenCities, opening 19 May 2016

#archaeology #ancientegypt #history 
Christoph Gerigk © Franck Goddio/Hilti Foundation We are delighted to announce our first major exhibition on underwater archaeology! Submerged under the sea for over a thousand years, two lost cities of ancient Egypt were recently rediscovered. Their amazing discovery is transforming our understanding of the deep connections between the great ancient civilisations of Egypt and Greece.

Book now for #SunkenCities, opening 19 May 2016
#archaeology #ancientegypt #history
Christoph Gerigk © Franck Goddio/Hilti Foundation You can now discover thousands of British Museum objects in partnership with @googleartproject at We’ve asked staff members to highlight their favourites and explain what makes them special. Chris Spring, Curator of Africa Collections, describes why he finds the ‘Throne of weapons’ so powerful. ‘This war memorial celebrates the ordinary people of Mozambique, many of them unarmed, who stood up to a culture of violence. It represents both a human tragedy and a human triumph. The Throne's essential humanity is suggested right away by its anthropomorphic qualities - it has arms, legs, a back and most importantly a face - actually two faces. My first reaction was that these faces are crying in pain, though they could also be seen as smiling faces finally freed from conflict. These anthropomorphic qualities also link it immediately to the arts of Africa, in which non-figurative objects such as chairs, stools, weapons, pots etc are seen as - and described as - human beings. The Throne has toured the world, taking its message of peace to schools, churches, shopping centres and even prisons – and of course, to museums and galleries.’ #MuseumOfTheWorld We’re celebrating our partnership with @googleartproject, and have asked curators to tell us about their favourite objects. Hugo Chapman, Keeper of Prints and Drawings, explains why he chose this chalk drawing by Michelangelo. ‘One of the things I love about drawings is the way they sometimes allow a glimpse into the private, behind the scenes world of an artist, one unseen in finished works in paint or stone. An example of that is a red chalk drawing by Michelangelo of grotesque heads in red chalk that reveal that the Florentine Renaissance artist had a lively, if caustic, sense of humour. The three heads were probably drawn to amuse but at the same instruct his pupils, as the three studies show how slight changes can radically alter the reading of an image with the character and mood of each figure (paranoid anxiety; vacuous joy; and depressive gloom) signalled by the position and erectness of their donkey-like ears.  I wish my ears were as expressive.’ Discover many more incredible works of art in the Google Cultural Institute at

#Michelangelo #art To celebrate our partnership with @googleartproject, we’ve asked members of British Museum staff to highlight their favourite objects and explain what makes them special. Jill Cook, Deputy Keeper of Britain, Europe & Prehistory, chose this stone chopping tool from an early human campsite in Olduvai Gorge, Tanzania. ‘Holding this 2 million year old African tool in my hand I am reminded that whatever differences exist between people now, we are united by our common origin in Africa. The discovery of this piece by Louis Leakey in 1931 began to change our understanding of what makes us human. It illustrates the beginning of a transition from an ancestral ape that walked upright on two legs within the confines of a limited ecological niche to humans with more complex brains capable of changing and eventually dominating the world around us by making tools and weapons. This chopping tool is one of the seeds from which all human cultures and societies have grown.’ Discover the stories of thousands of objects in the Google Cultural Institute at


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